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20 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
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Instruments:
...My preferred courses for beginning students are Alfred, Faber and Bastien. I always include music theory, as it is fundamental to appreciating and understanding the music, and it allows students to learn the basics of improvisation. ... Read More
Instruments:
...He is a valuable resource to me for my own singing, as well as a source of teaching advice.I am most experienced with classical repertoire, including songs in German, French, English, and Italian, but I also teach some musical theatre. ... Read More
Instruments:
...As a general rule, I blend music instruction between all instruments in order to make points very clear - all of my guitar students learn theory on the piano as well as solfedge (singing theory), and vice versa. ... Read More
Instruments:
...I like to use a wide variety of materials, from classical to jazz music. CLARINET: For clarinet students, I use "standard" conservatory etude and scale books (such as the Rose Studies and Behrmann Studies). I also use the Jamey Abersold Jazz Methods, which feature CD 'play-a-long' recordings of jazz music. I also have my students perform a wide range of solo music, from 'standards' like the Mozart Clarinet Concerto to 20th century repertoire by composers like Bernstein, Copland and others. I think it is important for students to be able to play jazz and improvise, so I teach them about Blues and how to play jazz, as well as classical music.... Read More
Instruments:
...I also believe that the student essentially teaches themselves to sing- I diagnose and provide input. I can take a more hands on approach for less experienced singers, but ultimately, nothing is going to stick if the student is not consiously engaged. (For younger students, there is more emphasis on fun and making noise than on specific technique)... Read More
20 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
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