Violin Lessons in Parkesburg, PA

Instruments: Guitar Violin Viola

If you are an advanced or even professional performer you will gain from me great support and invaluable tips and secrets of developing your skills and techniques, passed on to me from some of the best world-famous teachers. Legato/detacher, staccato, ricochet, apoyando, tirando, vibrato, fingering, positioning, arpeggios, double notes, chords, pizzicato, left hand pizzicato, flageolets or double flageolets, dynamics, basic and advanced music theory, arrangements, professional performinganything -- just name it. Read More

Instruments: Violin Viola

My serious musical training began in Russia at the Moscow State Academic Music College named after P.I Tchaikovsky. The eagerness and commitment to perfecting my craft both technically and artistically as a violinist coupled with my passion for promoting Azerbaijan, brought me to the United States of America where I earned my Doctorate degree in violin performance at Temple University (Philadelphia). My travel and performance experiences across Europe, Russia, Azerbaijan, and The United States of America have offered me first-hand exposure to meaningful opportunities to explore and learn a variety of genres and cultures from Azerbaijani Mugham and Russian folklore to western classical music and everything in between while learning from diverse people, cultures, and places. Read More

Instruments: Piano Violin Viola Recorder

For my youngest students, age 7 and under, I begin with Adventures in Violinland, a wonderful method written by Shirley Givens, instructor at Peabody Preperatory. This teaches note reading with a solfegg system. It has a strong emphasis on technique. For beginners ages 8 and up, I use either Essential Elements or Sound Innovations, usually matching it with whatever the school district uses that the student lives in. As the students progress, I use the Suzuki repertoire as well as various scale and technique books. Read More

Instruments: Piano Violin Viola

For the beginning student, I typically suggest a collection of specific studies from an array of sources, some designed simply for technique and others for the development of musical understanding. Naturally, these depend on the individual and their needs. I am most dedicated to facilitating the needs of each individual student and providing them the ability to express their musical ideas clearly and easily. For more advanced students, I will focus on honing technical proficiency and challenging them with new repertoire, preparing them for new musical opportunities, such as youth orchestras, chamber music, recitals, and competitions to further their growth. Read More

Instruments: Violin Cello Viola

For beginning students who are children, I typically start with a beginner method such as Essential Elements or Sound Innovations. Once the student has progressed to have a grasp of the fundamentals, I will begin to introduce solo repertoire appropriate for their first recital performance. For adults, I try to find out what the student is interested in, and guide my instruction accordingly to keep the lessons engaging and fun, no matter their ability level. Read More

Instruments: Violin Music Keyboard

The most rewarding thing about teaching for me is to see my students develop their own passion for music. In order for that to happen, it is crucial that each student moves and progresses at his or her own pace. Doing so would then allow realistic goal-setting, allowing both me and the students to acknowledge their accomplishments, thereby motivating them to learn more. I always try my best to discover what inspires and motivates my students, so that I can successfully tailor my instruction towards that. Read More

Instruments: Violin Viola

My teaching philosophy follows the belief that musical understanding and maturity are easier to discuss once the student is able to execute a variety of technical details. I often say that technique is teaching a student how to make ten shades of blue, but musicality is deciding which shade of blue to use. Musicality can be more subjective than technique, although there are certain guidelines for each period (Baroque, Classical, Romantic, etc.). Read More