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Instruments: Piano, Guitar, Voice, Violin
I began teaching lessons in college, but grew my studio while I was preparing for grad school auditions from 2010-2012. Most of my students at that time were beginner piano lessons and I love to teach young children. I also greatly enjoy teaching children with autism. I have had success in combining my music education and music therapy skills to help students accomplish musical goals while also addressing behavioral goals such as increasing verbal or nonverbal communication. Read More
Instruments: Piano, Guitar, Voice, Violin, Cello, Trumpet, Saxophone, Flute, Clarinet, Drums
I use a variety of methods for my teaching style. I usually have a few method books that I bring to a first lesson, and after meeting the student I will decide on the best one. Once the student has progressed and shows some motivation to be slightly challenged, I'll introduce "popular" music so that the student feels a sense of accomplishment! Music is associated with movies, radio, etc., so to be able to play something recognizable is exciting for the student and the teacher. Read More
Instruments: Violin
I do a lot of demonstrations and use analogies from the realm of physics to describe the violin technique. I do focus on Musicality and musical phrasing. Read More
Instruments: Voice, Violin
I have been teaching voice since I was a graduate teaching assistant in voice at Temple. In addition to my private studio, I have taught at a community music school for 10 years, a community college for 6 years and at the college level for 20 years.My students range in age from 12-90! I try to create a comfortable and nurturing environment where students can grow and learn. I am accustomed to teaching students at all levels of ability and a variety of ages and backgrounds.I take students where they are and go from there. Read More
Instruments: Violin
With older beginning students (older elementary age) I start with the Essential Elements book and try to work through that as quickly as the student is able. By the end of that book, I will then start introducing some simple solo repertoire and more scales. If an older student has some playing experience, I assess their playing through careful observation and tailor my approach by addressing the technical flaws in their playing that should be improved. Read More
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