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Featured Viola Teachers Near Minneapolis, MN

Kimberly H offers violin lessons in Minneapolis, MN

Kimberly H

Instruments:

...I started playing the piano when I was 7 and the cello when I was 8. I took lessons in both instruments growing up, adding playing the guitar in High School and the violin in college. ... Read More

Byron D offers violin lessons in Minneapolis, MN

Byron D

Instruments:

...It's all about using your "native instincts" instead of conditioned reflexes. All the knowledge given me by this great teacher, plus the experience of playing concerts in Carnegie Hall, Lincoln Center and around the world with the world's best artists is mygreat joy to pass on. ... Read More

Kseniya K offers violin lessons in Minneapolis, MN

Kseniya K

Instruments:

...I am a professional violinist with a 10+ years teaching experience. I started to play violin at the age of 5 in Minsk (Belarus), attending a special music school for gifted kids. ... Read More

Natalie J offers violin lessons in Minneapolis, MN

Natalie J

Instruments:

...I encourage listening to various styles of music and a variety of artists. I am motivated to provide my students with the best experience geared to their level that will allow them to progress and learn while enjoying the process.... Read More

Caitlin P offers violin lessons in Minneapolis, MN

Caitlin P

Instruments:

...During my time as his student I was encouraged to explore as many different avenues to music as possible. Through my experience in a wide variety of genres, I have been fortunate to travel and meet fantastic musicians from all around the country.... Read More

Marissa E offers violin lessons in Minneapolis, MN

Marissa E

Instruments:

...I have been playing violin and viola for over fifteen years, and over the course of that time I have studied piano and theory as well. My piano background has helped immensely in teaching strings, and I highly recommend piano experience for any musician, though I don't require it.... Read More

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More Information About Violin Lessons

 

Recent Articles from the Musika Blog

Piano Fingering Exercises: Scales, Chords, and More

...F#, G#, A               A Minor: Notes: A, B, C, D, E, F, G, A               E Major: Notes: E, F#, G#, A, B, C#, D#, E         E Minor: Notes: E, F#, G, A, B, C, D, E                 The middle, or 3, fingers should always line up, so if they don’t, stop and try again. We recommend playing extremely slow to start with until you begin to feel the more confident. As... Read More

Parts of an Opera: A Quick Beginner's Guide

...Purcell’s Dido and Aeneas starting topping the late Baroque charts. Alessandro Scarlatti (the father of Domenico) took it upon himself to introduce something new.   He came up with a three section overture in the 1680s, as opposed to Lully’s two. Scarlatti also employed a fast-slow-fast form (perhaps he thought audiences were harder to engage when the slow movement came first). To hear a bit of late 17th century Scarlatti opera that showcases his new overture style, listen to La Rosaura. He wrote it in 1690.   Scarlatti’s Italian Overture style took Europe by storm during his lifetime, and not ... Read More

Soloing Over Blues Changes

...Harmonically, this doesn’t really fit, but the cycle of fourths progression will be strong enough that it will sound correct. A good rhythm section will hear what you’re doing and play the chords. Likewise, you should hear when a rhythm section hits that bII chord on beat one and know what they’re doing. If they don’t hear what you’re doing, it’s okay. It still sounds good. For the cadence in this example, I used “Coltrane changes”. This is another example of something that isn’t quite correct harmonically, but sounds good because of its strong internal harmonic motion.   In addition to altering the harmony ... Read More

Jazz Scales: The Whole Tone Scale

...note group acts as a passing tone. You still get the sound of the whole tone scale, but it creates a more interesting line. Application to Improvisation As with the diminished scale, the whole tone scale can be applied to any dominant chord. The key is using your ear. The rhythm section can choose to alter any dominant chord to have a sharp five. As a soloist, you can imply the whole tone sound and the rhythm section should hear it and respond. A good way to practice applying this scale to improvising is to practice it over a blues piece. ... Read More

Tips for Choosing Your First Guitar

...produce sound. Although practicing without an amplifier is possible (and done quite often), it is not advisable at the early stages because you can develop some bad habits.   Whatever decision you make when choosing your first guitar, here are a few pointers that will make your playing more fun. First of all, your instrument should have a straight neck, easy action, and tone controls that provide you with the sound you want. Let’s take a closer look at these:   A straight neck: This is vital to the usability of the guitar. A slight bend is common but a curved neck ... Read More
Piano Fingering Exercises: Scales, Chords, and More
Parts of an Opera: A Quick Beginner's Guide
Soloing Over Blues Changes
Jazz Scales: The Whole Tone Scale
Tips for Choosing Your First Guitar

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