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Featured Viola Teachers Near Minneapolis, MN

Here are just a few of the many teachers offering viola lessons in Minneapolis. Whether you are looking for beginner viola lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Kimberly H offers violin lessons in Minneapolis, MN

Kimberly H

Instruments:

...Cello is my main instrument, but I have also been teaching piano, guitar, and violin for years. I love teaching and the variety of finding the approach that works best for each individual student. ... Read More

Byron D offers violin lessons in Minneapolis, MN

Byron D

Instruments:

...THE DOUNIS METHOD - The secret of being a truly great string player is to make the instrument an extension of the body not vice versa. This is accomplished by using your native instincts which are strongest when you are a child, but can be rediscovered later. ... Read More

Natalie J offers violin lessons in Minneapolis, MN

Natalie J

Instruments:

...My musician experiences began early on the piano, then the violin and flute were added shortly after that. I began teaching/coaching in high school, and continued on teaching privately while majoring in music in college. ... Read More

Caitlin P offers violin lessons in Minneapolis, MN

Caitlin P

Instruments:

...I believe in a world where music is unlimited and every student is capable of reaching his or her goals no matter what they may be. Practicing is hardly work at all when you love what you're doing.... Read More

Marissa E offers violin lessons in Minneapolis, MN

Marissa E

Instruments:

...This fall I will continue my education at the University of Minnesota for my Masters of Music in Viola Performance. Over the course of my college career, I have had the opportunity to perform as principal endowed violist in the Luther College Symphony Orchestra across the United States, as well as a residency in Vienna, Austria playing in venues like the world famous Konzert Haus.... Read More

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Recent Articles from the Musika Blog

Piano Fingering Exercises: Scales, Chords, and More

...F#, G#, A               A Minor: Notes: A, B, C, D, E, F, G, A               E Major: Notes: E, F#, G#, A, B, C#, D#, E         E Minor: Notes: E, F#, G, A, B, C, D, E                 The middle, or 3, fingers should always line up, so if they don’t, stop and try again. We recommend playing extremely slow to start with until you begin to feel the more confident. As... Read More

Parts of an Opera: A Quick Beginner's Guide

...Purcell’s Dido and Aeneas starting topping the late Baroque charts. Alessandro Scarlatti (the father of Domenico) took it upon himself to introduce something new.   He came up with a three section overture in the 1680s, as opposed to Lully’s two. Scarlatti also employed a fast-slow-fast form (perhaps he thought audiences were harder to engage when the slow movement came first). To hear a bit of late 17th century Scarlatti opera that showcases his new overture style, listen to La Rosaura. He wrote it in 1690.   Scarlatti’s Italian Overture style took Europe by storm during his lifetime, and not ... Read More

Soloing Over Blues Changes

...Harmonically, this doesn’t really fit, but the cycle of fourths progression will be strong enough that it will sound correct. A good rhythm section will hear what you’re doing and play the chords. Likewise, you should hear when a rhythm section hits that bII chord on beat one and know what they’re doing. If they don’t hear what you’re doing, it’s okay. It still sounds good. For the cadence in this example, I used “Coltrane changes”. This is another example of something that isn’t quite correct harmonically, but sounds good because of its strong internal harmonic motion.   In addition to altering the harmony ... Read More

Jazz Scales: The Whole Tone Scale

...note group acts as a passing tone. You still get the sound of the whole tone scale, but it creates a more interesting line. Application to Improvisation As with the diminished scale, the whole tone scale can be applied to any dominant chord. The key is using your ear. The rhythm section can choose to alter any dominant chord to have a sharp five. As a soloist, you can imply the whole tone sound and the rhythm section should hear it and respond. A good way to practice applying this scale to improvising is to practice it over a blues piece. ... Read More

Tips for Choosing Your First Guitar

...produce sound. Although practicing without an amplifier is possible (and done quite often), it is not advisable at the early stages because you can develop some bad habits.   Whatever decision you make when choosing your first guitar, here are a few pointers that will make your playing more fun. First of all, your instrument should have a straight neck, easy action, and tone controls that provide you with the sound you want. Let’s take a closer look at these:   A straight neck: This is vital to the usability of the guitar. A slight bend is common but a curved neck ... Read More
Piano Fingering Exercises: Scales, Chords, and More
Parts of an Opera: A Quick Beginner's Guide
Soloing Over Blues Changes
Jazz Scales: The Whole Tone Scale
Tips for Choosing Your First Guitar

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