Trombone Lessons in Rancho Santa Margarita, CA

Instruments: Piano Voice Trumpet Trombone Saxophone Flute Clarinet Euphonium Oboe Bassoon

I am very familiar with all of the standard piano methods, and will evaluate the student in the first few lessons to choose a method that they will be the most comfortable with.  I supplement all lessons with music theory and outside repertoire, allowing the students to choose from their favorite genres/artists.  For theatre, musical theatre, and vocal coaching, I also employ Linklater and Alexander techniques. I also really enjoy exposing students to styles, genres or artists that they might not be familiar with along with the history behind the music they're learning! Read More

Instruments: Piano Trumpet Trombone Bass Guitar Synthesizer Euphonium French Horn Tuba Music

Of course, everything depends on what you, the student, want to learn! For younger students that are just starting, I've found the Accent on Achievement books to be very helpful in developing the basics of playing. From there, Classically-focused players would learn solo repertoire, Jazz-focused players would learn standards and improvisation, and all the other genres would begin to narrow down their appropriate fields. Adults are certainly welcome as well and I'd love to help them learn whatever they are interested in. Read More

Instruments: Trumpet Trombone Ukulele Euphonium Tuba

Use all major method and etude books. Have a large library of rare etude books on PDF as well as my own exercises I've written out. Example trumpet books for intermediate student: Arban Clarke Sachs Schlossberg Stamp Charlier Vizzutti Bai Lin Irons etc I encourage students to find music they would like to play, even if they aren't able to play immediately. I can modify the music to make it playable until they have progressed enough to play the original. Read More

Instruments: Trumpet Trombone Euphonium Tuba

I'm a down to Earth, patient teacher willing to help my students pursue their goal anywhere from getting into college, pursuing a career, or even helping someone fulfill their dream they never had time for. I live in South Pasadena, however during the school year I live in Pomona where I attend university at Cal Poly Pomona where I major in Tuba Performance. Despite the fact I play Tuba the most, I also play in the pep band as a lead trumpet. Read More

Instruments: Trombone Bass Guitar Euphonium

I began teaching trombone and bass after my first years of college at Cal State L.A. and went on to become a clinician and teacher in Los Angeles teaching trombone, bass, and percussion as well as working with musicians and conducting clinics around the U.S. and the world while touring and during my time as a cultural ambassador for the U.S. State Department. I now teach primarily from my home in Los Angeles and have had great success inspiring my students to progress. Read More

Instruments: Piano Guitar Voice Violin Cello Viola Trumpet Trombone Saxophone Flute Clarinet Drums Bass Guitar Organ Synthesizer Harp Accordion Harmonica Lap Steel Guitar Banjo Ukulele Mandolin Recorder Lute Electric Violin Fiddle Double Bass Euphonium French Horn Tuba Piccolo Mallet Percussion Orchestral Percussion Shakuhachi Oboe Bassoon English Horn Conga Latin Percussion Keyboard Electric Guitar Djembe Classical Guitar Acoustic Guitar

Derek is most known for his association with the John Daversa Big Band. Derek has had the pleasure of meeting and performing with many of his musical heroes. He has recorded live and studio albums with Arturo Sandoval, Jon Faddis, John Fedchock, James Morrison, Greg Gisbert, Roger Ingram, Paul Stephens, Scott Englebright, Donny Dyess, the Tastee Bros, Bernard Wright, Gene Coye, Steve Reid, Kate Reid, Melvin Butler, Ed Calle, Richard Todd, Mike Brignola, Alex Norris, Dante Luciani, John Hart, Martin Bejerano, Chuck Bergeron, Rick Margitza, and appears on the Gary Lindsay album "Are We Still Dreaming" with the South Florida Jazz Orchestra. Read More

Instruments: Trumpet Trombone Euphonium French Horn Tuba

For the beginning student, I begin with the fundamentals of breathing and application to the first tone. I spend the first three to four lessons developing good habits of proper air and tone production. Following this, I begin with using the approved method book that correlates with the instruction that the student is receiving at school. If there is no method book available, I will begin with a discussion with my student and decide together what method book is best for their education. Read More