Saxophone Lessons in Moonachie, NJ

Instruments: Saxophone Clarinet

On the basis of one's skill and prior experience, I will devise a plan starting with ideas of fundamental musical ideas (scales, arpeggios, key signatures, reading music) all the way to more advanced concepts of harmony and placement. Having the opportunity to hear a student's wishes will help me align myself with their goals and intentions musically which will inform my concepts. While there is an expectation that the student gives assistance in their difficulties to decide what is best for them, there also will be a thorough diagnosis of skills and weaknesses, for a better learning experience. Read More

Instruments: Piano Voice Trumpet Saxophone Flute Clarinet Recorder

In my private lessons I emphasize building a strong foundation in rhythm, intonation, and note accuracy.  I incorporate learning theory, and playing with musical intention into every lesson to develop maturity, even in young musicians.  My students are comfortable reading music, and have all the skills they need to practice effectively.  In addition, I have prepared many musicians for successful concerts, festivals, and gigs. I create my own custom lesson plans and materials to cater to the students needs.  For young beginners, I recommend the KJOS Standard of Excellence book. Read More

Instruments: Saxophone Flute Clarinet Music

Joey R. is a Brooklyn-based saxophonist and educator from Riverwoods, IL. He found his love for music at the age of nine while hearing John Coltranes monumental solo on Giant Steps. It was in this moment that Joey began his lifelong journey in sound. Joeys years in school were fruitful; he shared the stage with Patti Austin, Shelly Berg, Gloria Estefan, Alan Ferber, Quincy Jones, Brian Lynch, Barry Manilow, Gonzalo Rubalcaba, Charlie Watts, and John Williams. Read More

Instruments: Saxophone Flute Clarinet Recorder Bassoon

I have taught private lessons for 9 years, and I can proudly say that the majority of my students were accepted either to middle and high school honor ensembles, or to their colleges of choice. Before I teach any student, I make it my goal to gather as much information as I can about why they wish to study clarinet, their goals, and their long-term dreams. My job is to help those dreams happen, so I keep a database of this information to consistently reference during my time with my students. Read More

Instruments: Piano Voice Trumpet Trombone Saxophone Clarinet Drums Recorder Euphonium Tuba Keyboard

For beginning students, I typically start with the method book that the child is given by the school Music teacher, making certain that they are at least adequately prepared to play their assigned studies (or pages) for their school Music lesson. I also incorporate playing the Duets provided in that volume, along with the students. I then suggest that they purchase other necessary methods, duets and solos at their local Music Store(s), as they progress, and they will therefore require more advanced Musical materials than that used at their school. Read More

Instruments: Piano Guitar Saxophone Flute Clarinet Bass Guitar Recorder

I began teaching woodwinds when I was 18 while attending Northern Illinois University. I would help junior high and high school students in the area in private lessons. At age 23 I began teaching music courses at Istanbul Bilgi University, in Turkey. After leaving Turkey in 2001, I have focused on private lessons, teaching students of all ages and ability levels. I have been fortunate enough to perform with many incredible world-class musicians such as Quincy Jones, Phil Collins, Tito Puente, Chaka Khan, David Sanborn, Toots Thielemans, Paquito DRivera and Gerald Albright. Read More

Instruments: Saxophone

My main priority as an educator is to keep music fun and enjoyable while you progress on a path towards mastery of an instrument. Music is an art and a discipline, but it's purpose has always been to provide entertainment, share feelings, incite dance, and accompany celebration. To retain that passion for music while you learn, the focus has to always be on sound, not concepts. You should hear yourself often, be able to hear your improvement, and be able to point towards a tangible goal for your playing. Read More