Saxophone Lessons in Freeport, NY

Instruments: Trumpet Trombone Saxophone Clarinet Drums Synthesizer Conga Latin Percussion Music Keyboard

Aquiles Navarro is a New York-based trumpeter, composer and DJ of Panamanian heritage. He derives his sounds from folkloric music, salsa, and reggae. This eclectic music background, based on his upbringing in Panama has led him to collaborate with folkloric musicians, dancers, visual artists, actors, and poets. He studied in Panama with tenor player Carlos Garnett and trumpeter Victor “Vitin” Paz. After moving to the US, he received a Bachelor's degree in Jazz Performance at the New England Conservatory, and a Master’s degree from the Frost School of Music at the University of Miami where he studied with trumpeter Brian Lynch. Read More

Instruments: Saxophone Flute Clarinet Recorder

I have been teaching for over 45 years, mostly in students' homes. I started in the 1970's in my NYC apartment and since moving to Westchester 30 years ago have been going to student's homes. Many of my students have been accepted to colleges as music majors or minors and my students frequently get the highest ratings in solo competitions. School band directors often recommend me as a coach for their most serious students, since school music programs usually do not have the capacity for intensive individual coaching. Read More

Instruments: Saxophone Music

For beginning students, I typically start with Hal Leonard's Essential Elements, along with my own personalized sound and technique exercises. After getting a grasp of the fundamentals - depending on the student's area of interest - I will either begin to introduce classical solo repertoire, jazz theory and transcription or concepts of a style of music the student is particularly interested in otherwise. Music composition is also one of my biggest passions, and I am always willing to introduce the wonderful world of writing your own music to my students, no matter their ability level. Read More

Instruments: Piano Saxophone Music Keyboard

The best thing I can do as a teacher is help you realize the path of least resistance for achieving your goals. So, I have developed a style called the Dotted Line Approach. On the first day of lessons, we will discuss both short term and long term goals. Following this, we will develop a roadmap with smaller goals for each week, month, 3 months, and year. Each month, we will revisit your goals, discuss what is and what isn't working, and make plans to stay on track towards meeting your goals. Read More

Instruments: Piano Saxophone Flute Clarinet Accordion

It's important that each student progresses at his or her own pace. I encourage this by setting realistic goals for my students at each lesson. Acknowledging accomplishments helps fuel a students desire to progress, and makes students eager to learn more. By trying to find out what inspires the student, I can successfully tailor my instruction to their wants and needs. Sometime I would bring my soprano or tenor saxophone with me and create music with a student by trying to show him how music works. Read More

Instruments: Saxophone Clarinet

The student has to develop in their own phase. My primary role is to inspire and motivate to student, to set goals for them selves, and help them to reach their desired goals. But most importantly having fun with music, each student has an individual way of learning, my goal is to find what inspire them and go deeper into that. We'll listen to a lot of examples of music and we'll play a lot together, my lessons are hands on, learning by playing, this includes leaning songs and look at them from different perspectives; listening, rhythmical, melodically, theoretical, looking at scales sound and rhythm. Read More

Instruments: Saxophone Flute Clarinet Piccolo Oboe

I believe strongly that passion is infectious, and is key to my teaching. I ask all of my student to set realistic goals and treat our progress as a journey in which we will gradually pick up the skills to grow with steady work. This comes from enjoying the “artistic process” and can only be discovered when we move together at a pace that is comfortable for the student. The only requirement I have for any budding musicians is that we both be open-minded and willing to listen using our ears and mind (this goes for me too!). Read More