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I have been teaching in the Columbus area for 7 years. I have studied piano and voice for 23 years performing and had experience auditioning for and performing in musical theater, opera, and contemporary settings. I currently reside with my husband in Westerville where we run one location of my studios. I also teach out of a church in Lewis Center where I lead worship.
For young beginning students, we would begin working from Essential Elements 2000 and I would provide supplemental materials for this method book. As students progress, I like to use Rubank beginning/intermediate methods to begin building technique. Also at the intermediate level, I would begin to introduce solo repertoire that students could perform at a recital or solo and ensemble contest. Students who are interested in jazz, I would recommend that we work from the Jamey Aebersold play-a-long series. I value student input on what they would like to work on, and welcome suggestions on pieces they are interested in.
I'm a freelance flutist in Columbus, Ohio and volunteer musician at the James Cancer Hospital at The Ohio State University. I have recently graduated with Doctoral of Musical Arts at The Ohio State University under guidance of Katherine Borst Jones and as a soloist I have performed for "Franz Devienne Flute Concerto No. 7 in e minor" with The Ohio State University Symphony Orchestra. I won numerous competitions including American Protege International Flute Competition, Alexander & Buono International Flute Competition, Central Ohio Flute Association: Young Artist Competition, Alexa Still Masterclass Competition and so on. Currently, I'm preparing a debut at the Weil Recital Hall at the Carnegie Hall in New York City in December, 2013.
My teaching experience extends from my undergraduate years where I taught guitar at the Univeristy of Iowa. Since then, I have taught all age ranges of students, from age five onwards, both in person and online. My experience ranges from academic institutions such as The Ohio State University and Capital University, to workshops, lectures, and master classes. I set three primary goals for my teaching: to educate, challenge, and inspire students. As an ethnomusicologist, I invite students to discover diverse world cultures, repertoire, and musical systems,encouraging critical listening and independent thinking. I follow a similar template to introduce students to classical and popular music, presenting both repertoire and the historical and human dimensions behind the music. Learning music should be an enjoyable experience, and I strive to let every student shine.
No one teaching method suit every student. I will estimate and respect each student's actual situation.The music variety is most important thing for my students, I encourage my students play their own music all time. They will feel confidence for improving their skill, the goal is to let my students do their own music without pressure. I am committed to developing my own knowledge and skills in a variety of music genres and contemporary teaching methods, in order to provide a holistic learning experience.
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If purchasing an acoustic piano is not an option, we recommend that students look to buy a keyboard or digital piano for their lessons and practice. When buying a keyboard or digital piano, look to purchase one with 61 or more keys, as well as one with weighted hammer action. Having more keys, as well as weighted keys, will most resemble the responsiveness and feel of an acoustic piano. Typically, keyboards are a cheaper option, they take up less space, are portable and can be played with headphones. Some of the most popular brands of keyboard or digital piano are Yamaha, Roland, and Casio.
Musika teachers do not adhere to one specific method for all their students. Most teachers will customize their lesson plans to the individual needs and skill level of the student. If you are looking for any specific teaching styles or methods to be used in your lessons, please let us know during the matching process and we can try to assign you to the teacher who will best suit your needs. Generally all lessons will cover topics focused on learning to read music, practice skills, music theory and musicianship, ear training, and rhythm skills.
Taking piano lessons from the comfort of your own home is the most convenient way of learning to the play the instrument. All you need for your lessons is a piano or keyboard to play on! Home lessons remove the hassle of transporting your child to and from their lessons, and can be fitted around busy work schedules more readily. Whether the lesson takes place in-home or in the studio, the content remains the same. Home piano lessons are a particularly good option for younger students. It is a big advantage for young students to learn in a familiar, comfortable, and supportive environment.
Learning to play the piano as a child is fun, rewarding, and vastly beneficial to their overall development. Children can develop their motor-skills, dexterity, and coordination through technical piano playing such as learning scales, chords, and correct fingering. Young students can also develop their concentration, listening skills, and ability to master complex thought processes through theory, repertoire, and student-teacher feedback. Learning to play the piano can also be character building by instilling a hard-working attitude, developing self-discipline and confidence through practice, taking exams, entering competitions or performing recitals.
In many ways adult learners have an advantage over young students. Adults have better self-discipline with regards to practice, are more patient, and have higher levels of concentration. This allows them to develop the basic skills at a reasonably quick rate. Learning the piano is also a great way of remaining mentally active during adulthood, and helps students to improve their hand-eye co-ordination and develop a critical ear. Learning to play the piano in adulthood can be beneficial health-wise, is a great way of harnessing creativity and stimulating the brain and it can be immensely satisfying when achieving set goals.
Review by Andy Snyder
Giorgi has made learning cello even more fun. From the sympathetic, "It is hard" to the precise, "Be careful about the curve of the thumb" he has strengthened learning in every lesson, without being overwhelming. He started playing a little duet on only the 3rd lesson or so, which made me feel, even as a beginner, that I'm already starting to make (occasionally screachy) music. He has suggested a variety of drills and practice techniques which have also sped up the process a lot. And he has a good sense of humor and surprising amount of patience.
Review by Kaleen Todoroff
Noel is amazing. She is helping me to work toward my vocal goals for auditions to several musical theaters. She has helped me choose strong audition pieces and is teaching excellent ways to get the sound I need in a safe and healthy way. She works outside our lessons on new warm ups and new music pieces. She is the best.
Review by Chrystal
I was skeptical at first not knowing what I was getting my self into.. I am very happy that I forced myself to get into voice lessons because Eli is an awsome voice coach.. Very skillful and he helps you reach the goal you are trying to reach.. He is also very helpful with getting you to open up and come out of your shell and being heard.. I would and I already have recommended friends and family to sign up with Eli if they're serious about singing..
Review by Jane A.
I started taking voice lessons from Ali when I was 19 and a sophomore in college. Though I was hesitant to be starting "late", I felt very comfortable with Ali and her teaching style. We identified several key issues that really made a difference and improved my voice technique. It was fun to sing popular, beautiful songs in our recital! If only I lived in Los Angeles, I would still be a student. Highly recommended!
Review by Wilma
Gina is very supportive and encouraging. Even though I get frustrated with my progress, she can tell that I've been practicing and reminds me of how far I've come. She challenges me to learn new skills without giving me a piece that I cannot master (with practice). I'm happy that she is my music teacher and look forward to many more lessons in the future.
Review by Brooklyn
Laura is a fabulous teacher. She explains concepts to me using concrete examples so that I can understand changes that I need to make to my posture, breathing, phrasing, etc. She makes warm-up exercises fun, and she's got a great sense of humor over all. Her teaching style is collaborative, more egalitarian (she respects what I already know and meets me at my level), tailored to my particular interests and strengths, and I always look forward to our lessons!
Review by Jeremy
Dr. Nedra C is incredible. She knows her craft in and out, it truly shows in her teaching. As well, she cares a great deal about the student, and preps plenty of material outside of the lesson for those that she teaches. I've had many different music teachers and am aware who's talented and cares, and who isn't. Dr. Nedra C is true phenomenal, and any student would be lucky to have her.
Review by Valerie Moore
Kevin is very friendly and professional trombone teacher. During the first session he assessed my 12 year old son's strengths and identified areas for development. He has helped him refine his technique which helps our son in band class but also has him working on duets that help him grow in new ways. He comes to our home and is always very punctual. I would highly recommend Kevin!
Review by Steve Newman
My daughter began learning sax in her school band, but she didn't begin PLAYING sax until she started lessons with Debra. From scales and exercises to actual pieces, Debra coached my daughter with real insight, sensitivity, and patience. Her knowledge of the instrument and feeling for music - along with her easy-going,"kid friendly" personality - make Debra the ideal teacher and musical mentor.
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