Piano Lessons in Midvale, NJ

Instruments: Piano Guitar Organ Synthesizer Ukulele Keyboard Classical Guitar Acoustic Guitar

For my younger students I prefer using the Faber method books as well as "A Dozen A Day" for finger technique and dexterity.  For intermediate and older students I introduce repertoire pieces in addition to leveled method books by Alfred. As my students progress I introduce classical pieces as well as suitable pop pieces based on their interest My older and adult students tend to be more goal oriented in their learning so lessons are developed based on their in individual needs. Read More

Instruments: Piano Trumpet Flute Piccolo

Daily Exercises - Taffanel and Gaubert Method Trevor Wye - Practice Book for the Flute Vol. 1-6 Suzuki Flute Method Andersen - Technical Etude Studies Standard Solo Repertoire (Bach Sonatas, Mozart Concertos, Flute Music by French Composers, 20th Century Music) Flute Duets Read More

Instruments: Piano Guitar Voice Drums Music Keyboard Electric Guitar Djembe Classical Guitar Acoustic Guitar

My teaching experience dates back to my college days, as I began teaching private lessons part time 8 years ago, and have been consistently teaching students in my home studio for the last 5 years. Encouraging regular practice on a consistent schedule is one of the key points I like to emphasize for younger students, as it tends to help the student progress and gain a passion for the instrument. I've also found that a combination of classical and modern music can go a long way in helping students enjoy the piano and motivate them to practice and continue to learn. Read More

Instruments: Piano Guitar Bass Guitar

This will open doors down the road and will enhance his or her capacity for learning*, not just musically but in all areas of intellect. No singular student is typical. Therefore no teaching method is typical, nor is the approach to any given student. Technique, thought process, feel/emotion, pulse/rhythm,ear and theory are all explored to a degree that is comfortably absorbed by the individual. The degree of aptitude reflected by an individual student will commensurate to the challenge that I will offer in terms of a reasonable expectation for success or, more importantly, the great pleasure to be derived from making music, sharing that ability and the personal reward that comes with that sense of accomplishment in communicating with music. Read More

Instruments: Piano Violin Cello Viola Keyboard

Since graduating with my Masters in Cello Performance in 2005 from the San Francisco Conservatory of Music, I have been consistently teaching. Most of my teaching for the past 13 years has been going to students' homes. I also encourage the students to participate in yearly recitals and local community engagements throughout the year. This way the students are sharing their gifts and hard work with the community that supports them. I am also proud of my work with the DC Youth Symphony Orchestra Program. Read More

Instruments: Piano Guitar Voice Violin Cello Viola Trumpet Trombone Saxophone Flute Clarinet Drums Bass Guitar Synthesizer Ukulele Recorder Electric Violin Double Bass Euphonium French Horn Tuba Piccolo Mallet Percussion Orchestral Percussion Oboe Bassoon English Horn Music Keyboard Electric Guitar Acoustic Guitar

Effective music education is both developmentally and culturally appropriate: By working with the student to understand their interests, I hope to provide them with an experience that will enrich their musical and social life outside of the work we do together. Through infancy, I believe Music Learning Theory is effective for developing musical and linguistic skills. If a student in toddlerhood/childhood shows that they have a preferred way to express themselves musically, I will tailor lessons around the Kodaly (voice), Orff (instrumental), or Dalcroze (dance) philosophies. Read More

Instruments: Piano Voice Music

Many my students have improved their struggles through piano lessons. Each year we have our annual piano recital at the National Opera America Center. Students can learn and improve their skills through preparation and performing on stage at the beautiful recital hall. I have been teaching voice students from age 12 to adult. They all learn singing for different purposes, and some of them were even being criticized as tone death in the past, but I never give up to help any students who love to sing. Read More