Piano Lessons in Crownsville, MD

Instruments: Piano Violin

I use traditional method for the students who like to pursue classical music and I teach modern music for those who are not so interested in classical music. Even though I use Suzuki method for violin, I emphasize sight reading and theory. For Suzuki students, I encourage them to memorize whole book and perform before move onto next level. For the young students and beginners, I strongly recommend parents observe the lessons so that they can support and help students to practice. Read More

Instruments: Piano Voice Drums Synthesizer Banjo Ukulele Mallet Percussion Orchestral Percussion Conga Latin Percussion Music Keyboard Djembe

Mike comes from a varied and vast array of musical experiences. He has a bachelor's of music in jazz studies from UNC Wilmington and a Masters of Music in Jazz Studies from the University of Maryland. A highly trained performer on classical and modern piano as well as traditional and contemporary drum set and percussion give Mike an edge in his teaching abilities. Mike has been playing drums and percussion for over 25 years, piano for around 15, and has been studying voice for almost a decade. Read More

Instruments: Piano Drums Mallet Percussion Orchestral Percussion Keyboard

Prior to studying at Peabody I toured professionally with various jazz ensembles, including competing for first place wins at the Reno (Nevada) Jazz festival for two years. At Peabody I studied with Fernando Laires and later, Robert Weirich where I excelled in contemporary music and difficult avant guarde performance ensembles. I was also a frequent guest performer for the Peabody Camerata Ensemble under director Gene Young. In the mid 90s I created the Bachelor of Music curriculum for the Maryland Bible College. Read More

Instruments: Piano Organ Music Keyboard

My teaching experience teaching private lessons dates back about 10 years. Before private lessons, I taught voice and piano to people of all ages in church. I believe that practicing consistently will produce the greatest results and always encourage my students to do so. Practice is not just about playing scales and chords, or singing warm-ups and Arias, but it is an opportunity to learn more about yourself and your instrument. Read More

Instruments: Piano

ALL-AROUND CURRICULUM. I adopt a curriculum that encompasses not only piano techniques and repertoire but also various fundamental musical skills, to ensure my students develop well-rounded basic musicianship as well as pianistic prowess. In addition to technical studies and piano literature from four distinct stylistic periods (Baroque, Classical, Romantic, Contemporary), I cover all essential music skills, which includes reading proficiency, ear training, sight reading, and music theory. LESSON PLANS AND ACHIEVABLE AND TANGIBLE GOALS. Read More

Instruments: Piano Trumpet Trombone Euphonium French Horn

I use many different learning materials, depending on the student, instrument, and musical goal. Alfred lesson book series for piano, Arban's method book for brass players, Standard of Excellence for many woodwind players, and additional material for additional student learning. I also teach piano and I encourage every student to supplement their music experience with piano lessons. I also encourage every student to participate in recording some part of their musical expression. recording etudes, solos, and ensembles. Read More

Instruments: Piano Trumpet

For students just starting out the focus is always on the fundamentals. Hal Leonard has some great Essential Elements books. When students show progress with these types of instruction manuals we'll usually jump to specific pieces of music that focus on the elements that we learned about in our method books. Lessons are tailored to the student and his or her needs and goals. All students aren't shooting to play at Carnegie Hall or tour the World. Read More