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Featured Piano Teachers Near Chino Hills, CA

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Here are just a few of the many teachers offering Piano lessons in Chino Hills . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Tyler L

Instruments: Piano Guitar Voice Drums Synthesizer Mallet Percussion Orchestral Percussion Latin Percussion

Teaching style could easily be summaried and paraphrased with my above stated pedagogy! Teaching style changes from student to teacher. I enjoy trying to decipher what the student enjoys hearing, wants to learn, prior knowledge, and desires are. These help in my search to find the perfect style at which the student understands and enjoys the task at hand.  Read More

Bastien B

Instruments: Piano Guitar Saxophone Drums Bass Guitar Music Keyboard Electric Guitar Acoustic Guitar

There is no single method that fits every student. We all absorb and process new concepts differently some are visual learners, some rely on physical and muscle memory, others have a natural sense of rhythm or strong analytical skills. Each student deserves an approach tailored to the way they learn best. For me, every new student is a new creative journey. Together, we explore the fundamental concepts that allow us to speak the language of music, using the methods that resonate most with them. Read More

Breana G

Instruments: Piano Violin Viola Saxophone Flute Clarinet Oboe English Horn Acoustic Guitar

I've performed in masterclasses with Dr. Rebecca Henderson, Dr. Nancy Ambrose King, Dr. Stephen Taylor, Frank Rosenwein, Art Lande, and Elizabeth Blumenstock. A board-certified Music Therapist with the American Music Therapy Association, I completed a six-month clinical internship providing Music Therapy for patients in end-of-life hospice care. I also have practicum experience with children with developmental disabilities, at-risk youth, and the elderly. I maintain a private teaching studio in Los Angeles, in which I assist children and adults with everything from exploring their first sounds to successfully auditioning for university music programs. Read More

Kyle S

Instruments: Piano Guitar Trumpet Drums Bass Guitar Euphonium Keyboard Electric Guitar Acoustic Guitar

When I see a smile on someone's face in the presence of a musical accomplishment, the spiritual reward for that service is something I live for! To be able to help a student attain their goals requires a flexible teaching style, that can cater to every type of person. Positive affirmations are a key ingredient to helping a student feel good about they mile stones, but remaining realistic for the student at the same time allows them to make progress at their own pace, and feel good about it nonetheless. Read More

Andrew B

Instruments: Piano Guitar Bass Guitar Synthesizer Banjo

I am passionate about introducing music to young students as well as opening new doors to more experienced players. After studying Piano Performance at Biola University I went on the road as the guitar player for the rock band Fastball. I spent the next 12 years touring and recording in bands, honing my craft as a multi-instrumentalist, songwriter, and producer. In addition to teaching piano and guitar I now compose for television and film out of my home studio in North Hollywood, CA. Read More

Yi Christine C

Instruments: Piano Voice

I believe the ultimate goal of teaching piano lessons should be to make the student independent of the teacher. This requires years of training, while the student learns how to listen to his or her playing and acquires a musical technique and the requisite skills.Focus on developing musical skills is essential to good piano teaching. Traditional methods immediately teach students to learn to read music, while other methods (such as Suzuki and piano-by-chords approaches) ignore music notation altogether, citing other advantages. Read More

Lauren C

Instruments: Piano Voice

My Methods: Fundamentals of breath work - incorporating several physical exercises and methods of showing the coordination until it is ingrained Focus on the use of the resonators - projecting the sound to the different cavities where sound resonates before leaving your body and into the room (i.e. 'the mask', mouth resonance, chest resonance, etc) Reducing tongue tension - a common issue is root of the tongue tension and I have several exercises to address this Improving range - most of my students gain notes in their belt range and their head range, and often in their low range as well Increasing the legato vocal line - here we focus on linking the vowels properly supported by the breath Jaw tension - similar to tongue we have evercises for this Style - different approaches such as riffing, back phrasing, using a glottal attack, using a breathy attack - creating colorful expressive phrases that link to the emotion of the song and the style desired Musicality - learning to read music, counting tempo, sustaining pitch, syncopation, dynamics, etc Diction - correct vowel shapes and enunciation + awareness of when tension closes down the vocal line if diction is carried over from speaking habits Performance - using tools from acting training to perform a song effectively and believably Career consultation - when appropriate, also offered Read More

Teacher In Spotlight

Gust T

Instruments: Piano Guitar Trumpet Saxophone Drums Mallet Percussion

What is your favorite style/genre of music to play and why?
I have written over 250 songs with lyrics, recorded several CD's of Jazz originals. I have composed music for film and tv. I compose Orchestral music. I love to write with electronic sound devices and use all of these styles to some degree as one. I spend most of my time improvising in the world of Jazz. But composing music is a great place because you can create sounds which ultimately defy categorization. I believe it is just as difficult to write a 3 chord song with a beautiful lyric as it is to play an uptempo be bop improvisation. Composing a one hour symphony takes a lot of time in some cases. But it does not mean the music is as good as a simple tune.

When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
I always played music since I was able to walk. As I learned about the business it became clear to me that the idea of making a living on music would be a challenge. I cannot compromise music so therefore being a professional is more difficult. I have played concerts where I have been paid 2,000 dollars for a 50 minute set and then I have played performances where the money was very little. Being a professional musician is a state of mind not just an income. The decision was only made by the love for music and the need to play it each and every day that I breathe.

Does music run in your family? Tell us a little about your musical family members.
NO My Father exposed me to music as a child. He listened to all the great music and I'm sure this had an indelible mark on my ears. I had to always make my own way in music as the family knew little about it and what it takes to dedicate oneself to an art form which is hard to make a living at. I know this is why I learned several things in order to survive. Learning several instruments has also been the product of no guidance and little encouragement. And for those reasons when I teach a child or an adult something about music which I see them get inspired about. I am happy.

If you play more than one instrument, how did you decide to start playing the second? (Or 3rd, 4th, 5th, etc)!
When I went from drums to vibes it was to meet the requirement of the Berklee school of music. When I went from Vibes to piano it was to develop my understanding of harmony. Playing piano was the best move I made. Piano has all of the elements in both hands. I excelled at these 3 instruments to a high degree. The piano allowed me to compose for orchestra and to know more about the art of improvisation. From piano to song writing was a great move in order to understand the idea of less is more. And to learn more about the guitar. Playing the trumpet developed my phrasing. The trumpet is by far the most difficult instrument I've played. Now the tenor sax the new love of my life. It has it all and allows you to express many ideas, as well as sing. The reason I went from one instrument to the next is all about discovery and challenge. Making money had something to do with it as well. But not much.

If you weren't a musician what do you think you'd be doing instead?
I would be writing words as much as possible Learning to write perfectly and never compromising my thoughts to make money. Words have become stunted by the plethora of publishing opportunities for all. Poetry, plays have a special place in my mind. I like the writings of E>E> Cummings. Walt Whitman, W. B. Yeats, T. S. Eliot, Langston Hughes, Rainer Maria Rilke. I love the writings of James Baldwin, Marcel Proust, James Joyce, Edgar Allen Poe, Franz Kafka, Virginia Wolf, Vladimir Nabakov. These minds keep me going.

What is your dream piece to perform and why?
If I could conduct Stravinsky';s The Rite of spring, I would be excited for sure. The music he composed was and is so timeless and so emotional, it inspires me every time I listen. This music has been my driving force for composing full Orchestral pieces. I do not emulate the sound but I have studied the orchestrations at length. The music of Debussy is also a favorite of mine. Performing a slow blues has always inspired me Playing drums in a big band is quite exhilarating. If I could sing in a gospel choir with Mahalia Jackson out front I would never need to do another musical thing in my life. She was pure music.

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