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Featured Music Teachers Near West Hempstead, NY

4320   5 STAR Musika Reviews

Here are just a few of the many teachers offering Music lessons in West Hempstead . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Barbara S

Instruments: Voice

I make a point of talking with each student at the beginning of the lesson about how they are, how they feel, and if anything is going on in their life that they have strong feelings about. Listening to their voice as they talk and tell me about their day, I can hear how their voice sounds without them being self-conscious. Do they sound excited, run-down, or struggling with allergies? Read More

Ashley W

Instruments: Piano Voice Cello Saxophone Bass Guitar Double Bass Keyboard

During the first lesson, I have a short discussion with the student to see what their goals are. I also ask what about music interests them. I then ask them to perform anything of their choice to assess their ability level (if applicable). After that, I tell them what immediately needs to be addressed and how this will work with their longterm goal. Then, based on their progress, we set benchmark goals that are adjusted according to their pace. Read More

Melissa C

Instruments: Voice Music

I am a professional performer with many years of stage experience. I have taught privately for 14 years. I have also taught classes full of students in ten different grades. I create a fun and comfortable environment for my students and always encourage them to believe in themselves and enjoy their performances. I teach my students how to read music and how to tap beats as well. I also work privately with many students who would like to enter competitions and/ or auditions. Read More

Glenna C

Instruments: Piano Violin Music

I have been teaching for 5 years to a wide range of ages. I take an individualistic approach to teaching, tailoring my lessons to my students. I teach violin for all levels and beginner/intermediate piano. I encourage all my students to learn how to read music and have a basic understanding of theory. I prefer a mix of a musical and technical approach and encourage a slow but steady timeline for learning. Read More

John B

Instruments: Trumpet

I started teaching trumpet in my Senior year of high school. As I contiued into college I learned a great deal from some of the best trumpet players in the world. I had the great pleasure of studying under Allen Vizzutti while completing my degree from the Univeristy of Washington. Gaining knowledge from great players only inspired me more to pass it onto ALL my students. Playing trumpet and making music have to be fun and enjoyable. Read More

Tabitha G

Instruments: Flute Piccolo

In 2007, I graduated from Baldwin-Wallace Conservatory with a Bachelor of Arts degree in Flute Performance and in 2011, I graduated from the Universtiy at Buffalo with a Master's in Music Education (NYS Certified Music Educator). I am constantly looking for new inspirations to positively affect my flute playing, which is why I love to teach! The experiences I've had with my students have helped me grow as a flautist and educator. Read More

Teacher In Spotlight

Marlon M

Instruments: Double Bass

When will I start to see results?
You will begin to see results when the student becomes driven to reach his/her goal established. The student has to take responsibility for the sound he/she is going for, and to work it out in practice. Results happen when the student takes time out to practice diligently and frequently. When a student relates musical activity to other areas of their lives, they begin to develop a relationship with music/their instrument, and this motivates them to discover more about what they can do on their instrument.

What advice do you have about practicing effectively?
-I find it's the material that I don't know how to play, that requires the most practicing. Don't spend too much time practicing the things you already know how to play. It's the speed bump, or the train-wreck sections, that need to be dissected. -Breaking bad habits and reinforcing new positive habits is essential in the practice session. -A 15min practice session where you get desired results or learn something new, is far better than an hour practice session in which nothing is learned and bad habits are repeated. -Try the idea/technique you are working on, in various musical settings, and your brain begins to engrain the new information.

What is your favorite style/genre of music to play and why?
My favorite style/genre of music to play is jazz. Jazz is a liberating way for me to fuse musical traditions with inventive discovery. Jazz musicians 'compose' on the spot, using the sounds and ideas from within and/or around them, to create a one-time-only experience. I find myself to be most creative when I'm improvising music. In that setting I'm free to choose the musical sounds and personal expressions I want to choose at any given time. I also find that jazz is such a broad kind of music. Not only does jazz come from specific traditions, but it embraces any style of music globally, especially in our time. There's a larger palette of influences to channel into my playing.

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I have two Music Degrees in Performance. I found that focusing on the playing technicalities would make me a more practical musician in a business where playing can get musicians into many doors. Aside from teaching, it's performing that makes my living, and gives me joy playing. Maintaining a good, consistent sound requires that one has to apply his/herself to their instrument often and consistently. Being a performance major equipped me with practice tools and repertoire to keep me motivated to 'stay in shape.'

What do you think is the hardest thing to master on your instrument?
I believe intonation and clarity are the two biggest challenges a double bassist will always face. I've heard professionals and musical heroes of mine, tell me the same thing. It's a struggle for all bassists. One thing I've noticed being an orchestral bassist playing with other stringed instruments, is how bumpy and tonally inconsistent a bass player's notes could sound in a musical phrase, compared to those of a violinist or cellist. There are certain notes in certain positions that have a distinct vibration. Therefore finding an even sound all over the bass requires specific actions for each particular note.

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