Music Lessons in Newton Center, MA

Instruments: Piano

I hope all my students will become well-known instrumentalists in the future, but I set realistic weekly goals for my students. I design the curriculum according to the student's level and progress, and I highly encourage daily practice even though it could be a challenge. Acknowledging the progress and accomplishments while pointing out the places to improve on will help and motivate students to learn more. I will be able to tailor my instruction to students' pace and needs after the first two weeks of the private lesson. Read More

Instruments: Piano Voice

I began teaching voice in 1998 and have had a few students ever since. I had a previous career in furniture conservation and taught classes in that field too. I teach in my home studio, or I go to students' homes, which ever works best. My students have ranged in age from 6 to 85. I find they make the best progress if they can make some time to practice regularly: I endeavor to ensure that the student has repertoire that they find interesting and fun, and that will stretch them. Read More

Instruments: Drums

For beginning students, I begin by introducing proper technique and the most basic rudiments, start George Lawrence Stone's Stick Control, and introduce basic rock beats. When the student has the fundamentals mastered, we'll begin working on more advanced rudiments and work from Ted Reed's Syncopation. For more advanced students, we will cover odd time signatures, latin grooves, jazz concepts, improvisation, and ways to compose grooves and fills. I encourage students of all skill levels to set goals and bring me materials they would like to learn. Read More

Instruments: Piano

For beginning students who are children, I typically start with Alfred's Basic Piano Library or Piano Adventures Faber method. Once the student has progressed to have a grasp of the fundamentals, I will begin to introduce solo repertoire appropriate for their first recital performance. This could include jazz, classical or pop music. For adults, I try to find out what the student is interested in, and guide my instruction accordingly to keep the lessons engaging and fun, no matter their ability level. Read More

Instruments: Piano Voice Organ Music Keyboard

As a piano teacher, my approach to education aligns with the Classical Model, emphasizing the development of critical thinking and listening skills alongside fundamental reading, writing, and thinking abilities. I believe in fostering a classroom environment that encourages participation and engagement, utilizing varied historical themes and musical materials to promote analysis of primary and secondary sources. To ensure all students can succeed, I provide a range of methods and assignments, including writing assignments, office hours, and exam review outlines. Read More

Instruments: Piano

Depending on the level of the student, there are three structures of lessons I provide.The course for beginners includes introduction to sound, keyboard of piano, touch, playing from the scores, synchronization of hands. It is taught with easy classic exercises and well-known pieces like Scarlatti sonatas,Czerni etudes and Bach's two/three voice inventions. During intermediate level course the main focus is on pedals, basic dynamics of performance, two-three voice patterns and phrasing, Finally, the last but not least, the course for advanced students includes introduction to the form of classical sonatas of Haydn, Mozart, Beethoven, virtuoso etudes of Chopin, Liszt, more complex articulation and more complex romantic pieces like Hungarian Rhapsodies,Ballads and Scherzi. Read More

Instruments: Drums Synthesizer Music

Reading and understanding music notation is obviously essential. However, my priority with first students , is to make sure they are engaged and loving what they are doing within the first 10 minutes. I have sat in front of , and studied with some of the most gifted musicians in the world, so suggesting books and instruction material is easy. What’s important is making sure the student is fully engaged and running to the instrument, rather than feeling like it’s homework. Read More