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Featured Guitar Teachers Near Sunnyvale, CA

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Here are just a few of the many teachers offering Guitar lessons in Sunnyvale . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Scott C

Instruments: Guitar Drums Bass Guitar

My students generally comment that I am patient. I try to go at the right speed for the student, pushing them where it works but slowing down when needed. I'm very methodical and try to break things down to focus on the details so each piece of information is easily digestible and easy to grasp. Read More

Leo N

Instruments: Guitar Bass Guitar

I have been sharing my knolwedge of music with others for as long as I can remember. It all ways feels good to know that you passed a bit of knowledge on to another human being. I began teaching private lessons part time about 4 years ago. In 2015 I began teaching at Larkin Street Youth Services, a drop in center for homeless youth in San Francisco. There we try not only to develop great musicians, but responsible hard working young people able to function and thrive in modern society. Read More

Kevin R

Instruments: Piano Guitar Bass Guitar Synthesizer Ukulele Double Bass

 Hello there!    My name is Kevin. I am a 27-year-old musician and graduate music student at Cal State East Bay. I have been teaching for over 5 years both privately and in group setting. I currently hold my bachelors in music from San Francisco State University. I am a multi-instrumentalist. I studied jazz/pop/classical bass and piano while attending San Francisco state. I have also been playing guitar since high school and have years of private lessons. Read More

Daniel W

Instruments: Piano Guitar Bass Guitar Synthesizer Music Keyboard Electric Guitar Acoustic Guitar

I Love teaching music, and love helping others progress on their musical journeys! I've played music for as long as I can remember, and spent my childhood learning just about every instrument I could get my hands on. As a young adult, I rigorously practiced piano and studied music theory, eventually writing an 80 page thesis analyzing jazz piano improvisation in college. Now, I like to spread my love of music by showing others how much joy it has brought to my life, and helping them to experience that same joy. Read More

Chris K

Instruments: Piano Guitar Saxophone Clarinet Drums Bass Guitar Organ Synthesizer Ukulele Mandolin Music Keyboard Electric Guitar Acoustic Guitar

I am a classically trained clarinet player who learned every Rock instrument along the way and some other instruments. I'm currently in multiple bands including a Classic Rock cover band and a Latin band (Rock, Funk, Reggae, Ska, Cumbia). I write music in a variety of styles as well, such as singer/songwriter, Rock, EDM/trance, and even wrote a piece for the Diablo Valley College Philharmonic Orchestra. I'm also a big music theory geek which adds to my teaching ability. Read More

Alan K

Instruments: Guitar Bass Guitar Electric Guitar Classical Guitar Acoustic Guitar

Hi, My name is Alan and I look forward to meeting you and playing music together. I have been teaching guitar for 30 years at my home. I play classical and popular music and am very familiar with blues, rock and jazz. Most of my students have been beginners whether children or adults. I am particularly patient with beginners and love to instill the beauty of playing guitar. My teaching style incorporates patience, theory and most of all, fun. Read More

Rafael F

Instruments: Guitar

I have been teaching Guitar/Music Theory for almost 20 years. I have a Certificate of Music Industry Studies from the Diablo Valley College, which was completed in 2014. As for now, I'm a music/composition major at the Diablo Valley College, transferring from a 2 year college to get my bachelor degree. Besides composing for my band, I write orchestrated instrumental music from classical to soundtracks, etc. I believe that each student require a different approach, depending on their level. Read More

Teacher In Spotlight

Mitchell G

Instruments: Trumpet Music

What advice do you have about practicing effectively?
Trumpet players cannot sit down and practice for hours every day. It can be painful and often enforces bas habits instead of good ones! I feel that setting small, realistic goals and having short, focused practice sessions makes for more efficient progress on the trumpet.

How do I know if my child is ready to start lessons?
If your child loves music and is drawn to a loud, melody driven instrument, then they are ready to start the trumpet! Typically, it is best to wait until the student's primary teeth begin replacing their temporary teeth. Due to this, waiting until 4th or 5th grade to start trumpet is best.

When will I start to see results?
With a focused practice journal and small goals, progress will be made shockingly quickly! Paying due attention to fundamentals is a sure way to encourage rapid growth on the trumpet.

Did you have a teacher that inspired you to go into music? How did they inspire you?
I became a musician because of my high school band director, who was also a trumpet player. Since then, my professors at the undergraduate and graduate levels have been wonderful mentors to me and helped launch me into my professional music career.

Why did you choose your primary instrument?
Honestly, I wanted to play the trombone when I was in 7th grade. But, I was riding the bus to school at the time, so my mom got me a trumpet instead because it "fit on the bus seat better!"

What musical accomplishments are you most proud of?
I think I am proudest of being a diverse trumpet player. It might seem like musicians have to pick what genre they belong in, but all of my mentors have encouraged me to be well-versed in every style. Nothing else could have allowed me to perform professionally with so many different groups.

What do you think is the hardest thing to master on your instrument?
The best thing to strive for on the trumpet is simply having a good sound. That might seem like a "duh" statement, but focusing on that will solve a lot of other problems on the instrument without having to think about them.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
I typically stick with Arban, Clarke, and Bai Lin for fundamentals; these are part of my daily routines. For etudes, I love Brandt, Charlier, Getchell, and Bosquet.

What does a normal practice session look like for you?
A normal practice session begins with a few deep breaths, a clear visualization of what I want to accomplish before I begin playing, and a few long tones with lip bends to warm up the face before digging in.

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I have degrees in performance, education and theory. I wanted to make myself as diverse of a musician as possible to best serve both myself and my students.

What is your dream piece to perform and why?
Any Shostakovich or Mahler symphony. I love their work and they nearly all have incredible music written for not only the trumpet, but every other instrument as well.

If you weren't a musician what do you think you'd be doing instead?
I would still be a teacher! I actually started college as a physics major with the intention of teaching high school science. I made this choice because someone told me that I couldn't make a career out of music. However, upon arriving at the University of Idaho I decided to follow my heart and become a professional musician. Not only is a career extremely viable, but I have been nothing but happy since.

What is your favorite style/genre of music to play and why?
I love orchestral music and big band jazz primarily. However, music is music and as long as I am getting to perform with people I love, I am happy.

Does music run in your family? Tell us a little about your musical family members.
My aunt was a musical theatre performer and was actually in the original LA production of Cats. One of my favorite gigs to do is pit orchestra playing for this reason, I love being a part of the story-telling process!

When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
I didn't become serious about music until my sophomore year of high school. When I made the decision to pursue music full-time in college, it was truly a defining moment that would guide the rest of my life.

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Recent Articles from the Musika Blog

Guitar Speed Exercises

...effort to develop. This exercise is designed to get your right hand comfortable skipping strings at a fast pace. You’ll need to develop a good amount of spatial awareness and muscle memory if you want to be able to skip strings quickly and accurately.   Starting on the 12th fret of the 5th string, play that note, skip the 4th string and play the 10th fret of the third string. Repeat this sequence down a fret until you reach the bottom of the guitar. Feel free to tailor this exercise to fit your specific needs. Increase the metronome speed as you... Read More

Choosing a Saxophone Mouthpiece

...saxophone/mouthpiece/reed set-up on their websites. If they don’t, chances are someone that has worked with them or has taken lessons from them has posted their set-up on one forum or another. But, that information is not necessarily useful. Some people say they mimic their favorite player’s set-up because “then the only limitation holding me back from sounding exactly like them is me.” In a way, that’s true. But it’s much more complicated than it sounds. If you play the exact horn, mouthpiece, and reed that your favorite player had just played on, then technically you would be the only limitation. But there’s not much you ... Read More

Soloing Over Blues Changes

...discussed earlier in the article to get fully acquainted with each progression. Conclusion When I was in grad school, the trumpet player Tim Hagans came and did a week-long residency. He worked with the students in a variety of settings. One of those settings was him working with a small jazz combo that I was in. He had us do an exercise in which we played the blues, but with no harmony. The instructions were as simple as that: “Play a 12-bar blues, but don’t play it in any key… ok, go.” So we tried it out. It wasn’t perfect. But what ... Read More

Listening to Jazz: A Beginner's Guide

...to the piano/guitar, I mean to listen to what they do during the melody or during other solos. Listen to how they comp. Listen for sparse, one-note textures vs. large open-chord figures. Listen for when they decide to play vs. when they decide to lay out. For the bass, listen for when they walk in two vs. when they walk in four, listen for what range they decide to play in. Listening to the drums can be several listens on its own. You could listen for what textures drummers decide to use as a whole, whether they decide to play sparse or ... Read More

Reading Music and Reading Words Are Very Similar

...used for higher pitched voices and instruments. Piano students will need to learn to read both clefs since their music spans several octaves and is written in both at the same time. It can be helpful to use mnemonic devices to remember the note names. The example below shows mnemonic devices that can be used for the lines and spaces of bass and treble clef, but the possibilities are endless. Find something that will stick for you and soon you’ll be able to name the notes without even having to think about it! In addition to learning note names and how they relate to your instrument, it’s also a ... Read More
Guitar Speed Exercises
Choosing a Saxophone Mouthpiece
Soloing Over Blues Changes
Listening to Jazz: A Beginner's Guide
Reading Music and Reading Words Are Very Similar

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