Guitar Lessons in Silverton, OR

Instruments: Piano Guitar Voice Saxophone Clarinet Bass Guitar Synthesizer Ukulele Music Keyboard Electric Guitar Classical Guitar Acoustic Guitar

For kids I find that having a large quantity of music to learn at each level gives more variety and sense of achievement, so I usually recommend beginning students have multiple books to aid in learning. For example a young piano student will study from lesson, theory, performance, and technique books each week. This yields a well-rounded student who is proud of their achievements and eager to move forward. For adults I recommend a lesson/theory combination book at least to help with reading music. Read More

Instruments: Piano Guitar Flute Ukulele Recorder

In 2011, Chuck moved to Portland, Oregon from Gainesville, Florida, where he was a staple of the music teaching and performing community for more than 25 years. Originally from Chicago, Chuck completed his BA in Music History and a Masters of Music (MM) at the University of Florida. Chuck began piano lessons at age 12 at a time when The Beatles caught his attention. His first attempt at composing was actually improvising melodies over the ending chords to "Hey Jude". Read More

Instruments: Piano Guitar Bass Guitar Ukulele

I'm a fun and energetic guitarist who specializes in gypsy jazz and music composition. I play in several swing bands around Portland and have been for over 10 years. I have a Bachelor of Music in music composition from PSU university. When I teach music I focus on first helping students meet their goals, whether it's play a rock song or improvise or read music, I feel every student learns at their own pace and I simply act as a facilitator to guide the student on their own musical path. Read More

Instruments: Piano Guitar Voice Violin Cello Viola Trumpet Trombone Saxophone Clarinet Drums Synthesizer Ukulele Recorder Tuba Mallet Percussion Orchestral Percussion Oboe Bassoon English Horn Music Keyboard Electric Guitar Acoustic Guitar

My philosophy for quality music education has three main parts: appreciation, practice, literacy. In no particular order... 1. The first part is exposure/appreciation of different musics, cultures and styles: The loving of music This includes: Active listening skills, genre playlists, history of solo repertoire/composers 2. The second part is the practice/performance of music, instruments, and vocally: The doing of music This includes: Physically clapping rhythms, singing, playing, performing, improvising 3. Read More

Instruments: Piano Guitar Bass Guitar Ukulele Mandolin

Nothing is more rewarding than seeing my students develop a passion for music! Its important that each student progresses at his or her own pace. I encourage this by setting realistic goals at each lesson and by pointing out and acknowledging growth and success that each student has. By engaging in what inspires a student I tailor my instruction to their interests and needs. Read More

Instruments: Piano Guitar Bass Guitar Ukulele Electric Guitar Classical Guitar Acoustic Guitar

Whether the student desires to learn classical or contemporary styles of music, goals will be met through the traditional, one-on-one teaching style. Students can also expect me to be friendly, prepared, and motivated to have a great lesson every time, and I expect the same from my students! I encourage them to find joy in what they do, to take pride in their skill and strive to develop and strong sense of ownership in their art from which flows a stronger sense of individuality and personal confidence. Read More

Instruments: Guitar Bass Guitar Synthesizer Ukulele Keyboard Electric Guitar Classical Guitar Acoustic Guitar

Daniel Reyes Llinás, a Colombian composer, guitarist, and producer, derives inspiration from rhythmic and melodic angularity. He weaves atonal architectures with vibrant lyricism into his music. As a leader, Daniel has released two albums: "Molino," a captivating collage of world and new music, and "En Remolinos," a bold exploration that blurs the boundaries between improvisation and composition. His contributions can be heard on Parias Ensemble's experimental "St. Mark's sessions" and on the eclectic collaborative EP "re:SET vol:1”. Read More