Flute Lessons in Plainfield, NJ

Instruments: Piano Guitar Voice Violin Cello Trumpet Trombone Saxophone Flute Clarinet Drums Bass Guitar Organ Synthesizer Accordion Harmonica Ukulele Mandolin Recorder Electric Violin Fiddle Double Bass Euphonium French Horn Tuba Piccolo Mallet Percussion Orchestral Percussion Oboe Bassoon English Horn Conga Latin Percussion Music Keyboard Electric Guitar Djembe Classical Guitar Acoustic Guitar

PROFESSIONAL EXPERIENCE My teaching experience started in 2007 with teaching young kids from our youth meeting in church. Now I am teaching in my home studio in Belleville, NJ since 2016. With more than 10 years experience, I love working with new students of all ages. I use a curriculum developed by Mrs, Irina Gorin which specialize in kids from 4-6 years. Her method is based on involving both the students and the parents in the piano learning experience. Read More

Instruments: Flute Piccolo

I'm a passionate and motivated instructor who loves working with students and sharing my love of music. In 2018, I graduated from Grand Valley State University (GVSU) with a Bachelor of Music degree in Flute Performance. I am currently working on my Master of Music degree in Flute Performance at New York University (NYU). As a performer, I have played all over the United States touring three times with the GVSU New Music Ensemble. Read More

Instruments: Piano Trumpet Saxophone Flute Clarinet Music Keyboard

I started as a part time instructor in music stores while I was still in college in the 1980's and have worked in various public and private schools as a woodwind specialist for over thirty years. I currently operate my own studio where I specialize in woodwinds, keyboards and music theory. I have been with Musika since 2014 and currently have students that have been studying with me for over two years. Read More

Instruments: Flute

Flutist Gina I. “Rattles speakers and expectations with stop-time razzle, vocal (flute-talk) and electronic (phaser) effects" (NYC Jazz Record). The New York-based musician is a recent recipient of a 2016 New Music USA Impact Award and a 2015 New Music USA Project Grant. ​Over the past year, Gina has performed in collaboration with artists stemming from the New York Downtown music scene incorporating classical and contemporary music, free improvisation, and electronics. In 2016 Izzo released Crashing Through Fences by Timo Andres on Ian David Rosenbaum's debut album Memory Palace (VIA Records), and was selected for a fellowship at the Bang on a Can Festival Residency at MASSMoCA where she performed and premiered works by John Luther Adams, Julia Wolfe, Missy Mazzoli, Louis Andriessen, among many others. Read More

Instruments: Flute

I have performed at the Henry B. Gonzalez Convention Center in San Antonio, Texas for TMEA full orchestra in 2011, Hartford Convention Center for 2015 Connecticut All-State Festival, and at the IES Music Center in Vienna, Austria where I studied flute performance with Forough Djafar-Zadeh-Karimi and Ulrike Anton in the spring of 2018. I also studied with Carol Wincenc, whom I performed with at the 2017 Flute Festival at Skidmore, and Tara Helen O'Connor at the Wind and Brass Festival in 2019. Read More

Instruments: Piano Guitar Saxophone Flute Clarinet Bass Guitar Recorder

I use what some have called the target approach. With this method you are working on one concept at a time, and you should always have one concept in mind while you practice. Some examples of beginning concepts are 1) keeping a steady beat, 2) sound quality, or 3) smooth finger technique. In one practice session using the target approach you may spend 10 minutes on target 1) and 15 minutes on target 2). What is important, however, is that you continue to work on a target every day until you find yourself performing that single concept flawlessly and effortlessly. Read More

Instruments: Piano Flute

For beginning students who are children, I typically start with Hal Leonard's Essential Elements. Once the student has progressed to have a grasp of the fundamentals, I will begin to introduce solo repertoire appropriate for their first recital performance. For adults, I try to find out what the student is interested in, and guide my instruction accordingly to keep the lessons engaging and fun, no matter their ability level. Read More