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As a youngster, I had many negative experiences learning in government schools, resulting from teachers who in retrospect were clearly knowledgeable, but lacking in skills at communicating their knowledge to a wide range of individuals. This led me to spend a great deal of time thinking about the dual subjects of teaching and communication, and to learn how to simplify complex subject matter and effectively communicate it, learning to identify what various individuals know, and use that knowledge as a bridge of communication to use what they know to define and communicate that which they don't know. In short, learning from my experiences with bad teachers enabled me to become a good -and eventually excellent- teacher. My approach stresses a thorough understanding of "the basics"... thoroughly defining the essential knowledge and skill(s) upon which everything else depends, and is built. In general, this approach emphasizes utilizing the language and concepts of "classical", jazz and blues -as these provide a very comprehensive "toolbox" of knowledge and skill(s) that enable students to gradually master their instruments while acquiring a broad range of musical knowledge that enables them to "go whereever they choose."
I truly enjoy seeing a student progress and find a passion for playing music. Depending on a student's learning style and speed, my methods of teaching will change. Some students will want to be challenged, and I can take things very rapidly or focus on weaknesses and slow things down based on a student's skill level. There are so many ways to teach teach a student, and I am not subject to only one of those teaching styles. However, a student must want to learn in order to make progress on his or her instrument.
Because I believe in music so passionately, it comes very natural to me to build a positive relationaship with my students. I give them the tools to move forward, and allow them to go as far as they want to as a musician. I also am honest and keep a good sense of humor with them as well in my studio.
Since We Started
Cities with Students
Teachers in Network
Once you’ve met with your teacher for your risk free trial lesson, continuing with Musika is easy! If you are satisfied with your lesson, all you have to do is register with us to continue! The trial will count as your first lesson if you continue, however, with our Great Match Guarantee™ if for any reason you decide not to continue then the trial is FREE. Go ahead give it a try, you really have nothing to lose.
Don't just take our word for it. We hold the highest possible A+ rating from the nations foremost online reliability source: The BBB. We are proud of this rating and value the message it carries. The BBB has affirmed Musika as a reliable, trustworthy, safe business to work with, and we have the customer feedback to support this. We are continually working to make sure that Musika is a business you can trust.
Background checks available on instructors. Instructor can opt to have a background check on file. You can request to only be connected with teachers that have a check. The choice is yours.
Musika offers customized lessons for each student. Additionally, teachers will focus on posture, breathing, tone, articulation, note-reading, and instrument care. Musika's network of teachers want every student to excel and they will do their best to help each player realize his or her potential!
There is no age limit to learning the flute! The flute is a fairly easy instrument to hold for young and old players. Our network of teachers will work with any age or skill level.
Flute lessons can occur in your home for the same price as in-studio lessons. The student lets Musika know what days and times work best, and we arrange for an instructor to come to your home, at no extra cost to you!
The flute is a great instrument to begin in elementary school. Young flutists are able to progress quickly, and many school programs allow flute players to participate in both band and orchestra. Typically, Musika recommends waiting until age 8 before beginning flute lessons.
To start, Musika suggests renting a flute. For smaller players, a "candy cane" headjoint can balance the weight and make playing easier. As the flutist advances purchasing an open hole model with a B foot joint will produce a more mature sound. Our instructors can assist you in selecting the correct model for your student.
Review by Clinton Poskozim
Martina has been a great teacher. Our son is 8 and had taken some piano lessons before starting with Martina. She came right in and got him to improve. She does a great job of giving him just enough of a challenge to make him work and learn but not any pieces that are so overwhelming he can't get them. She has helped him through a lot of early music theory so that he not only can play the piano but understands the music he is reading in all of its complexity.
Review by Valerie Moore
Kevin is very friendly and professional trombone teacher. During the first session he assessed my 12 year old son's strengths and identified areas for development. He has helped him refine his technique which helps our son in band class but also has him working on duets that help him grow in new ways. He comes to our home and is always very punctual. I would highly recommend Kevin!
Review by Sarah M
Dan gave private clarinet lessons to my daughter, Annie, for two years. During that time, she excelled as a member of the middle school band, and maintained first-chair. Dan is an excellent teacher, and Annie looked forward to having one-on-one time with him. In addition to practicing pieces with her, he helped her with scales and greatly improved her tone quality.
Review by Kristen Draughn
Mr. Lou M. is a God-send! With the various needs that our organization requires from our education partners in order to provide enrichment services to our students, Mr. Lou M. has always gone above and beyond in meeting all of those needs. Our students are learning, our caregivers are happy and satisfied, and we couldn't be more pleased with his performance.
Review by Ryan Piveteau
Amber is personal and cares about her students. She is flexible in her schedule and maintains a professional attitude in her lessons. Her want for her students to succeed makes her excel as a teacher. She is very knowledgeable about music and extremely experienced. Additionally, she includes external activities aside from lessons for the students who wish to advance themselves externally. Really a great teacher who offers great opportunity.
Review by Venessea Gilbert
Rebecca has been super with my son! He is 8yrs old and has mild aspergers. He has never played an instrument before but after one lesson with his teacher he could keep a beat on his drums. She is able to keep his attention and really makes it fun! She is flexible and easy going. I highly recommend her for any lessons. Very nice teacher! Thank you Rebecca for your outstanding service!!
Review by Ginger
Unbelievably Awesome. My daughter is a beginner and has some special needs. Justin is more than patient and helpful while being completely thorough and pushing her (in a good way) to try harder. He is encouraging and teaches effectively. I am very pleased. More important, so is my daughter. Thank you Musika! So grateful we found your service and connected with Justin. We highly recommend him.
Review by Kristin
Ted S. is teaching clarinet to one of my children, and piano to two others. He is extremely knowledgeable, and very encouraging. His teaching methods are keeping my children enthused about their lessons, and without that, you have nothing. Two of my children were taking piano lesson from another teacher for the past year, and not progressing. Ted has been able to evaluate their skills individually, determine what was missing in their music education, and begin again with some early basics they seem to have missed. I am convinced we are finally moving forward, and am very happy about that. I wish I would have made this change much earlier.
Review by Scott
David is not only a great musician and educator but also a delightful human. We began using David six years ago as a piano teacher for my two boys. Since then my eldest moved on to acoustic and electric guitar and my youngest electric and stand up bass. Somewhere along the way I began to take guitar lessons also (I was David's most bearded student at age 48). David always came prepared to lead but also to follow, he often asked what we were listening to and taught us how to play it. His ability to listen to a piece of music and transcribe it always left me amazed, we have several notebooks full of songs we learned individually or played as a group. After a shoulder injury David continued to impress by teaching me music theory instead of our usual lesson. I could go on forever, David made a positive impact on my family and feel fortunate to have met him.
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