Clarinet Lessons in Wood Ridge Garfield, NJ

Instruments: Saxophone Flute Clarinet Bass Guitar Recorder Piccolo

My name is Norbert. I am a saxophonist, flutist, clarinetist, composer, arranger, and teacher. I also run a small recording studio where I personally do all of the recording, mixing, and mastering for all kinds of projects. My professional musical experience includes performances and recordings with artists including Tower Of Power, Sheila "E", Prince, Freddie Hubbard, Roy Hargrove, Roger Waters, Tito Puente, Celia Cruz, Diana Ross, Boz Scaggs, Wallace Roney, Zigaboo Modeliste, D’Angelo, Billy Joel, Flora Purim & Airto, Les McCann, Charlie Haden, Benny Green, Don Cherry, Dream Theatre, The Temptations, The Four Tops, Aerosmith, En Vogue, and many others. Read More

Instruments: Clarinet

Regarding the actual, music-making process: one of my biggest skills as a musician is creating coherent and beautiful phrases, and one of my biggest skills as a teacher is helping students find organic phrasing. Everyone has their own voice and style, and with the right prompting they can use that voice to express their music to the fullest extent. Methods I regularly refer to include the Rubank Series, Baermann Scales Method, Klose, Langenus, The Chromatic Machine by Kalman Opperman, and countless other exercises I have picked up from past teachers including Charles Neidich Dr. Read More

Instruments: Clarinet

Here is the break down of what you will be expected to learn in addition to a solo of your choice. You will also be assigned warmups that will help you to focus on your breath support, embouchure, and finger study. Beginners- Basic knowledge of breath support, embouchure training, and finger study 12 Major Scales (one octave) Intermediate- Knowledge of breath support, embouchure training, and finger study Knowledge of how to break in and manage reeds 12 Major Scales (2 Octaves) and Chromatic Scale Scales in Thirds Etudes- Velocity Studies for Clarinet Intermediate (Kalmen Opperman) Advanced- Knowledge of breath support, embouchure training, and finger study and extended techniques. Read More

Instruments: Saxophone Flute Clarinet

In addition to helping me improve my facility with the saxophone, Paul helped me develop a solid pedagogy for the instrument. At Queens I also devised a curriculum for the Queens College Balkan Music Ensemble, a group which I founded and directed for one semester before graduating in 2012.   Since completing my masters degree, I've continued teaching privately, and performing with my groups, Raya Brass Band and Sherita. I perform around 80 shows a year, both in the New York Area and touring nationally. Read More

Instruments: Piano Saxophone Flute Clarinet Keyboard

My number one goal is to meet the student where they are at!--and we go on up from there. I like to develop a relationship with my students in which there is a shared responsibility. On my part, I will provide the necessary resources and guidance that will help them achieve their musical goals. Their part only requires a simple curiosity and willingness to learn something new along with a focused work ethic to put their newfound skills into practice! Read More

Instruments: Saxophone Flute Clarinet Recorder

I typically start beginner students on the Rubank Elementary Method books for saxophone, clarinet, or flute. These books are a great way to introduce the basic mechanics of the instrument, as well as reading music. I generally like to branch out from the method books as soon as possible, by supplementing the basic reading with other technical studies and pieces. For adults and more advanced students, I like to steer the focus more in the direction of what they want to learn, while still teaching the proper fundamentals of the instrument! Read More

Instruments: Saxophone Flute Clarinet

My teaching style is focused on playing as much as possible and encouraging good practice habits. The most important thing I can do as a teacher is teach my students good practice habits! This includes showing students not only WHAT to practice, but HOW to practice it. By spending as much time as possible in the lesson playing together, I have found that my students have more fun playing in the lesson, learn more, and in turn practice more during the week! Read More