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I have been teaching clarinet and saxophone for eleven years both in groups and privately. Occasionally I perform with local orchestras and bands.
I began teaching before I graduated from high school thanks to a tutoring program at the high school. I had so much fun working with the elementary school kids that I decided to build a studio up of my own and ever since i have been working with a number of students ages ranging from 4-80. My students are individually pushed to reach goals that they make for themselves at the start of lessons no matter what that goal might be and I love being able to make a fun journey to that goal. All of my students are highly encouraged to perform in recitals and audtion for local ensembles and competitions.
I am a saxophonist and reed player performing in the Boston area with a focus on contemporary music. I hold a Bachelor of Music from Boston University’s School of Music in Saxophone performance, and in May will hold a Masters of Music from the same institution. I have played saxophone and clarinet in musical theater productions including Chicago, Thoroughly Modern Millie and Seussical the Musical, as well as in the Boston University Big Band. As a specialist in new music, I have had the pleasure of working with composers Michael Gandolfi, John Harbison, Ketty Nez and Joan Tower to realize their music, and have premiered works by Ketty Nez, Thomas Weaver and John Williams. Early in 2014 I started a duo with fellow saxophonist Charles Larson devoted to exploring the contemporary repertoire for two saxophones and other modern chamber music. I believe that exploring as many kinds of music as possible and collaborating with other musicians are the most important (and the most fun!) things that we can get from an education in music.
For nine years, I have been a passionate music educator and have taught trumpet, trombone, french horn, baritone, flute, clarinet, and alto saxophone students. I have experience successfully building beginning band programs in the Cambridge Public Schools and School District of Philadelphia. I also currently serve as the Assistant Conductor for the Cambridge All City Band. Furthermore, I have served as an auditions adjudicator for the Philadelphia All City High School Band and Orchestra ensembles. I am an excellent motivator for young musicians who have a passion for music performance.
I start teaching to beginners, mostly kids and teenagers, the French Clarinet Method of H. Klose book 1 accompained by an appropiate solo repertoire for the level and warm up excersices, once the student has progressed with all the clarinet fundamental tecniques I introduce the second part of the method and varied solo pieces that can be performed in solo recital performances, and school concerts. In the case of adult students I make an evaluation of their level and abilities with the instrument and elaborate a program regarding to their main interest with the instrument that keeps them engaged. I'm also willing to give music history and theory information regarding to the lesson and level I'm teaching. I also elaborate groupal lessons of two or three students and work with the instrument warm up,techniques and chamber music pieces. That create a fun evironment at the moment of the lessons and the student can share their learning experience with firends and family.
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Teachers create a custom lesson plan for each student, focused on learning how to hold and care for the instrument, how to read music, and basic musicianship skills. Students will may also explore various genres in which the instrument is utilized.
Adult clarinet lessons will provide information on proper technique as well as different styles in which the clarinet is employed. Students can expect to learn a lot within the first few weeks of lessons, and teachers will encourage students to practice every day to achieve the most progress.
Our recommended starting age for clarinet is around age 8 or 9. The clarinet has many keys, so the most significant factor to keep in mind is whether or not the student's hands are large enough to facilitate playing. It is also important that the student has developed the lung capacity to play. The clarinet is also a great choice for musicians already familiar with other wind instruments.
In home clarinet lessons offer a convenient option for learning to play the instrument for most students. The lessons will be structured the same way as in-studio lessons and will generally be once a week.
Clarinets come in either plastic or wood varieties. A wooden clarinet will be more durable and will also produce a more professional sound. Clarinets come in all sizes and price ranges, so it is important to keep your budget in mind when visiting a local music store. Many students will choose to rent the instrument monthly at first instead of committing to buying the instrument. Clarinets typically come with the bell, the lower joint, the upper joint, the barrel, and the mouthpiece.
Review by Clinton Poskozim
Martina has been a great teacher. Our son is 8 and had taken some piano lessons before starting with Martina. She came right in and got him to improve. She does a great job of giving him just enough of a challenge to make him work and learn but not any pieces that are so overwhelming he can't get them. She has helped him through a lot of early music theory so that he not only can play the piano but understands the music he is reading in all of its complexity.
Review by Jacob Solomon
Ileen is a very attentive instuctor. she is patient and works hard to see her student succeed. if a concept is unclear she expains it in other ways to ensure understanding. I would highly recommend ileen to students of all levels who want to learn guitar and music theory to thoroughly enjoy the instrument and music
Review by Gisellesoldati
Cory is simply the greatest instructor ever! His 30 year plus teaching experience along with his knowledge of ever longer in music composition and performance make a real difference if you're in for learning the right way. Thank you Cory for teaching me not only the chords but also the history behind it and awesome tricks on getting better faster ;)
Review by Lucinda
Melissa is very encouraging, positive, supportive and patient. She knows how to explain the technical details of flute and music notation to kids in a way that makes sense to them. She has been reliable so far turning up on time and calling if there is a need to reschedule. I would definitely recommend her to others.
Review by Angie Ignazzitto
Stephanie is an excellent voice teacher! Our 10-year-old daughter enjoys her lessons with Stephanie each week. She has an amazing way of connecting with our daughter through music. Stephanie knows how to offer constructive feedback in a positive way that keeps our daughter interested and wanting to learn more. I would recommend Stephanie without hesitation.
Review by Jeff N.
Travis is an extremely knowledgeable guitarist and teacher. Travis is equally comfortable in playing/teaching jazz, rock, blues, or classical styles. I really like the way he explains things and he has the ability to make difficult material seem simpler. Travis is very likeable, enthusiastic, and always very professional. I think Travis would be great teaching either children or adults because he's very patient. My learning experience with Travis has been outstanding. He taught me some great techniques for chord substitution and for soloing. I'll continue to work with Travis because he inspires me to be a better guitarist. I think he could really help me with composing because he writes some great songs too! Thanks Travis!
Review by Robert Stallone
I am in my 60s and decided to get back into playing my guitar. I thought taking lessons would be a good way to formalize the endeavor. I did have some concern about whether working with a teacher would work out as I've behave only played for my own enjoyment for a long time. Peter and I have had a few lessons together and I am truly enjoying the experience. He is very supportive and flexible. We arrived at a three gold approach that is really working for me. We focus on developing a playlist, learning some of the more iconic tunes from leading artist that I would have a hard time learning on my own and developing some technical skills related to style and music theory. Now I look forward to my next lesson and am already playing better and enjoying the journey. Peter is a great teacher I'm lucky to have the opportunity to work with him.
Review by Pat
Henry has been a great piano teacher since I started lessons about a month ago, and he is helping me realize a lifelong dream. He is patient, plays beautifully, is easy to learn from and a very nice person. I took lessons as a child for a year or so, but never followed up over the years. I always said that I would once I retired and found the right instructor. That time is now. Thank you Henry and Musika!
Review by Maurice Romero
This is the 1st time I've ever taken lessons, and Robert has been a pleasure to work with. I've made quick progress and have enjoyed the process. I'm always listening for those tips that you can't find in a book. I can count on Robert to be strict on the fundamentals and am clear it will make a difference in the long run.
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