Cello Lessons in Dickerson, MD

Instruments: Cello

I am a recent conservatory graduate with a sincere love for both classical music and teaching. I spent much of my childhood and adolescence learning cello and piano, went into electrical engineering out of high school, and ended up somewhere in the middle studying audio engineering and cello performance. During my college years, I was given the opportunity to share my passion for cello with some children from my church, and after discovering how much I loved teaching music, I knew I had to enroll in some pedagogy classes. Read More

Instruments: Cello

My qualifications include my BA Degree in Cello Performance. I tutored other students in music theory, cello skills and technique as an undergraduate at Hampton University. I studied the violoncello at Levine Music school. I attended St. John DeMatha Catholic High School and Hampton University where I was principal in the Sinfonia Orchestra, Philharmonic and Chamber Orchestras. I am currently affiliated with DC Strings Orchestra. I am a music teacher facilitator at Gymboree Play Music. Read More

Instruments: Piano Cello Drums Conga Latin Percussion Djembe

I'm a performer and educator motivated most by the flash of joy I see in students' faces when they first grasp a new musical concept. With a global perspective on music cultivated by my background performing Brazilian music and American Jazz since childhood, and further bolstered by a B.A. in Anthropology: Ethnomusicology from Ithaca College, I have been a full time touring musician for the last 10 years. In addition to mainstage festival appearances all over the country, I have been lucky enough to teach clinics and master classes in percussion at top conservatories and universities such as Oberlin College & Georgetown University, as well as workshops in high schools, middle schools, & elementary schools all over the US. Read More

Instruments: Piano Cello Double Bass Keyboard

I have always been passionate about the role music can play in the lives of people of any age, and have enjoyed numerous opportunities to be a part of the music education of many. My experience includes eleven years of private teaching combined with professional performance experience around the world. I have a pedagogical approach to teaching that I like to combine with the specific interests and needs of the student. Read More

Instruments: Cello

I have taught a full range of ages and abilities from adult beginners to music school bound high schoolers to classes of young children and know that every student has a unique frame of reference and set of goals. For everyone, I focus on making the instrument feel as comfortable and organic as possible calling on my background with diverse movement modalities from Feldenkrais to dance to sports. I often recommend a Suzuki track for beginner students (I am SAA certified) and I always work to find repertoire and styles which are relatable for each individual. Read More

Instruments: Piano Guitar Violin Cello Clarinet Drums Bass Guitar Synthesizer Ukulele Mandolin Recorder Lute Double Bass Mallet Percussion Conga Latin Percussion

I started out at the age of nine playing the trumpet, and continued this for two years before switching to piano. Ultimately, I found my love in playing the guitar, and took lessons for two years. As time went on, I advanced as a guitarist and actually expanded into new musical instruments. I began playing in local rock and r&b bands at the age of 15. These were some of my most influential experiences, as they expanded my musical tastes into jazz fusion, swing, standards and Latin Jazz. After graduating high school, I attended community college and then went to New York to study jazz theory, where I played a few sets with Sweetback in 2000 that led up to being asked to play with the band. Read More

Instruments: Cello

I often try to get my students to hear what I hear in their playing by asking them questions. My goal is that the questions that I ask of them will be the questions they begin to ask themselves in their personal practice. Instead of telling a student directly that they may be playing a rhythm incorrectly or that they need to correct their bow technique, I ask them to reexamine that aspect of their playing and they often come up with the solution with some guidance. Read More