Bass Lessons in West Paterson, NJ

Instruments: Guitar Bass Guitar Electric Guitar Acoustic Guitar

My teaching experience dates back to my early college years. I had the opportunity to teach several private lessons and group classes. In addition to my experience working with different projects covering genres from Latin and Caribbean music to Jazz and teaching several courses in Music Schools and Universities, I am a holder of M.M. in Jazz Studies from prestigious Steinhardt School of New York University. As noted in my description, I am Ecuadorian and my government awarded me a full scholarship to study in New York, where I had the pleasure to study with such jazz luminaries as John Scofield, Ari Hoenig, Jean-Michel Pilc,Gil Goldstein, Stefon Harris, among others. Read More

Instruments: Guitar Bass Guitar Ukulele Electric Guitar Acoustic Guitar

Many people remember music lessons in their youth as a time consuming source of frustration, built upon outdated music with no connection to the student's day to day life. This is why I like to divide lessons between fundamentals such as reading and theory, and apply those practices to the students' favorite songs. The greatest thing is to be able to see a student perform the music they love, so the real goal is for the student to build a repertoire of favorite songs to perform for family, friends, on-line or onstage. Read More

Instruments: Piano Guitar Bass Guitar Music Keyboard Electric Guitar Classical Guitar Acoustic Guitar

The most important thing to me as an instructor is that the student is enjoying their journey as the progress; the challenges and rewards equally. Part of this, I believe, is achieved by always striving to keep the exercises and practices as musical as possible. One of the major obstacles when learning the guitar versus, say, the piano, are the immediate physical demands. The guitarist must grow calluses, alter the way their hands naturally move and stretch. Read More

Instruments: Piano Guitar Voice Bass Guitar Synthesizer Banjo Ukulele Mandolin Double Bass

My teaching style really depends on the student taking the lessons. It's important to set realistic goals each week for students that way they can progress at his or her own pace. Recognizing accomplishments goes a long way to fuel a student's desire to progress and makes the student coming back to learn more. By finding out what inspires the student to play, I can tailor my methods to their own wants and needs. Read More

Instruments: Drums Bass Guitar Mallet Percussion Orchestral Percussion Conga Latin Percussion Djembe

For beginning students of any age, I focus a lot on technique and building good habits. I will always use Stick Control by G.L. Stone, which has great material for a beginner drummer/percussionist. This is a stage where I will lightly introduce concepts of beat, tempo and rhythm, to help establish a musical vocabulary. Once I've determined that they have a good grasp of time and rhythm, I slowly begin to introduce rudiments and reinforce them lesson by lesson. Read More

Instruments: Guitar Bass Guitar Synthesizer Mandolin Lute Keyboard Electric Guitar Classical Guitar Acoustic Guitar

The most important people in my life have always been my teachers. Teachers in my life have been to thank for my greatest triumphs and to no one else do I owe such a great debt. However, careless teachers have driven many students away from a musical life, and left indelible scars on others. Thus, it is with the greatest respect and acknowledgment of responsibility that I approach my teaching style. Read More

Instruments: Piano Saxophone Flute Clarinet Bass Guitar Music Electric Guitar

Hi! My name is Nish M. I am an improvising musician, specializing in Woodwinds (primarily the Saxophone and Clarinet), Composing/Arranging/Producing/Recording. I attended the Sydney Conservatorium of Music in 2010 where I studied Jazz Performance. I stayed in Sydney until 2020, where I did a lot of work as a session musician, (The Voice, Solange Knowles, Yolanda Be Cool, ++...) For the last 2 years I moved my life to the USA to firstly undertake a Masters program at the Berklee Global Jazz Institute, where I found myself studying and being asked to perform with some of the most elite musicians in the world (John Patitucci, Danilo Perez, Joe Lovano, Terri Lynne-Carrington, Bruno Raberg). Read More