Bass Lessons in Smithsburg, DC

Instruments: Piano Guitar Bass Guitar

In addition to teaching in the public schools, Mr. Jesse W. has been playing guitar and bass professionally in the local funk band Tha Funkahol-x, and has performed for audiences with George Clinton and the P-Funk All-Stars. In undergraduate school, he studied composition and arrangement with Ricky Ford, internationally acclaimed jazz saxophonist, at Brandeis, and performed in the Brandeis Jazz Ensemble under his direction. He Currently studies piano under world-renowned concert pianist Reynaldo Reyes at Towson University. Read More

Instruments: Piano Trumpet Trombone Saxophone Flute Clarinet Drums Bass Guitar Double Bass Piccolo Oboe Bassoon Music Keyboard

I'm most comfortable working with beginner to intermediate students, ages 7-11. Initially, I will provide my students with an assessment to learn more about the student's interest and performance level. Subsequently, based upon the assessment results, I will provide my students with a series of warm-up exercises designed to support proper posture, breathing and the overall handling of their respective instrument for every session . Each session and lesson plans are customized for my students, and will be scheduled as followed: 5 minutes - Greeting and Warm-Up Exercise(s); 10 minutes - Modeling/ Recap and Collaborative Instruction of Core Skill(s); 10 minutes - Independent Application Recording Assessment of Core Skill(s); 5 minutes - Critiquing of Core Skill(s) Wrap-Up Activity. Read More

Instruments: Guitar Bass Guitar Ukulele Electric Guitar Classical Guitar Acoustic Guitar

I have over two decades of teaching experience and have taught hundreds of students, from ages four to eighty-four and at every level of ability. Since 1997, I have maintained a private studio. I have also taught at many different schools since 2001. From 2003 to 2013, I taught full-time at Music and Arts Centers throughout the Baltimore/Washington area. From 2006 through 2008, I taught at the School of Rock Silver Spring location, where I was a Show Director and Guitar Instructor. Read More

Instruments: Piano Guitar Voice Drums Bass Guitar Synthesizer Accordion Harmonica Lap Steel Guitar Banjo Ukulele Mandolin Mallet Percussion Orchestral Percussion

As far as books go, I prefer the Hal Leonard method, especially for beginner musicians. I combine visual, audio and kinesthetic learning methods to tailor to anyone's needs. After the basics are taught or they're already learned, I assess the student's level and teach the student what they wish to learn to the best of my ability. Read More

Instruments: Guitar Bass Guitar Lap Steel Guitar Ukulele Double Bass Music Electric Guitar Acoustic Guitar

I sincerely believe that even the most basic material can be made to "sound good", and I stress this from the beginning. I'm big on playing duets. I'll tend to toss in tidbits about the physics of sound, or how muscle memory works. I like to engage the curiousity of the student in this way. I like to ask students about what music they like, and what they would like to do--play in a school talent show? Read More

Instruments: Bass Guitar Double Bass Tuba

Lyndon Christie called them. These tasks or assignments were carried out with both equal doses of humor and pride and hopefully excellence. I taught at different times harmony, sight singing, low brass, strings, jazz improvisation, and ensembles. These ensembles included concert band and jazz ensembles. I had started teaching private string bass, and tuba lessons by 1964 so by the time I got to this high school I was well aware of what to do. Read More

Instruments: Piano Guitar Voice Saxophone Bass Guitar Organ Music Keyboard

My approach seeks to breathe air under the wings of the students' interest and attention by making them a constant starting point, while also laying the groundwork of introspection for students to develop and apply their own practices of learning, exploration, and innovation going forward. My teaching methods focus on considering embodied experiences of music, as well as a range of philosophical considerations. Students will be encouraged to think about how feelings, subjectivities, sounds, and spaces interact in complex ways, along with a series of other metaphysical questions that I believe are essential to a holistic praxis of understanding and learning music. Read More