Bass Lessons in Old Orchard, OH

Instruments: Piano Guitar Saxophone Drums Bass Guitar Recorder Keyboard Electric Guitar Acoustic Guitar

For beginner Piano / Keyboard Students, I use the Bastien Books. They are simple to understand and get the Student through the first few stages of Right Hand Left Hand coordination and positions. I have several different books for Saxophone Students that feature technique, solo repertoire and duets. Depending on whether the student is a child, a teenager or an adult, I choose either a Daisy Guitar Book, Hal Leonard books, or the Berkeley School of Music for Guitarists. Read More

Instruments: Piano Guitar Voice Bass Guitar Keyboard Electric Guitar Acoustic Guitar

I love seeing my students gain passion and find success when they learn a riff or a chord, because I know how I felt when I did it. It inspires you to learn more. I like to use the method of telling them something they did fantastic, something they could work on and end on something they really did awesome on. I want to know what inspires the student and what they want to play. Read More

Instruments: Guitar Bass Guitar

I stress the importance of reading music from the get go. I do understand however that some (adults) only want to learn to play some songs for their own personal gain, and not have to mess around with note reading. (Guitar is an instrument that can be played by ear, and to some degrees at a high level.) To that I do not require any books. I'll always reiterate the importance of reading..."Just think how good Eddie Van Halen would have been had he been able to read music!" For Children: Mel Bay Children Guitar Method 1 (Blue Turquoise cover) For beginners steel string and jazz: Hal Leonard Guitar method book 1 (Black and Orange cover) For Classical: Foundations in Classical guitar by Brian and Mary Lou Roberts I ALWAYS strive for the student to become familiar with performing and playing with others. Read More

Instruments: Piano Guitar Bass Guitar Banjo Music Electric Guitar Classical Guitar Acoustic Guitar

First and foremost, music is supposed to be fun. So I make sure we have fun during my lessons. Laughter is key. I also make sure that there is no pressure, but inspiration and motivation for the student to continue to practice and grow. I customize my lessons for individual students. Customized PDFs and lessons for each individual. No two students are alike. I have been told that my passion for music and the guitar are contagious and inspiring. Read More

Instruments: Piano Guitar Violin Viola Bass Guitar Synthesizer Banjo Ukulele Mandolin Lute Electric Violin Fiddle Electric Guitar Classical Guitar Acoustic Guitar

I take the great things about the Suzuki Method and use them (fun, creativity, by-ear learning, group jams). Then I take the things I don't like about the method and disregard them (pre-established repetoire, no composition or improv). I teach kids how to concentrate, how to teach themselves, how to ignore distractions, and the philosophy for joyful performance without nervousness. The result has been that I have trained hundreds of children to have fun playing music well, plus four of my child students have become national acts. Read More

Instruments: Piano Guitar Bass Guitar Synthesizer Keyboard Electric Guitar

I encourage lots of individuality and fun. Music is a way to express yourself. I'm never teaching for the purpose for the student to become better than others to win awards and perform at recitals. Self expression and achieving personal goals to me are far more important than winning competitions and on-paper accomplishments. I'll always tailor my lessons for each individual student, and I'll try my best to keep my lessons within the student's area of interest. Read More

Instruments: Bass Guitar Double Bass French Horn

Depending on a student's interests, I could start with several books like Rufus Reid's Evolving Bassist (for all-around bass playing). If reading skills are a main goal of a student's focus, I use repertoire from the standard canon and IMSLP. I feel that improvisation is an often overlooked key to self-expression and mastery of one's instrument, so I introduce concepts used in making up solos and some theory as soon as possible. Read More