Bass Lessons in Hampden, MD

Instruments: Piano Guitar Bass Guitar

CHERRY HILL EMS, Baltimore City, General Music 3-8 COPPIN ACADEMY H.S., Baltimore City, Band/Chorus 9-12 9/17-6/20 ARLINGTON ELEMENTARY SCHOOL, Baltimore CityInstrumental/Vocal music teacher K-8 9/04-6/16 FRANCIS SCOTT KEY ELEMENTARY/MIDDLE SCHOOL, Baltimore CityMusic Teacher 1-8 9/02-6/04 SINCLAIR LANE ELEMENTARY SCHOOL, Baltimore CityMusic Teacher 9/98-6/02 THURGOOD MARSHALL MIDDLE SCHOOL, Baltimore CityMusic Teacher 9/96-6/98 BETH TFILOH SUMMER CAMP, Pikesville, Maryland Music Teacher summer 1997/1998 THE CHARLES CARROLL OF CARROLLTON SCHOOL, Baltimore CityMusic Teacher K-8 9/95 to 6/96 HARLEM PARK SCHOOL, Baltimore CityMusic Teacher K-5, long-term substitute 1/95 to 6/95 Instructional Intern in 4th 5th grade self-contained classes 3/93 to 6/94 Read More

Instruments: Piano Guitar Voice Saxophone Bass Guitar Organ Music Keyboard

I have a vibrant personality and I love teaching, especially when it comes to helping students grasp things where traditional teaching methods have proved to be intimidating or unaccommodating. I have performed in a variety of ensembles and have produced multiple volumes of my own compositions. My musical background is rooted in jazz, funk, soul, and latin music, and my teaching method will tend to emphasize "grooves," with a special eye toward harmony, syncopation, comping, and improvisation. Read More

Instruments: Bass Guitar

I am the bassist with Baltimore's critically acclaimed funk/soul artist, Bosley. I also perform in the jazz quartet, Otherworld, with Jeffrey Chappell, Jake Marinari, and Jake Kohlhas, and I have appeared with Jon Mathis, Seth Kibel, and Wes Crawford at the Goucher Summer Arts Institute Jazz Camp. I studied electric bass with Golder O'Niell at Shenandoah University, electric bass with Steve Yankee at Goucher College, and double bass under Laura Ruas at Peabody University. Read More

Instruments: Guitar Bass Guitar Banjo Mandolin Electric Guitar Classical Guitar Acoustic Guitar

Individuality is of the utmost importance to me as a teacher. No two students learn the same or are instructed the same by me as a teacher. All factors are taken into consideration when I teach. As a teacher I challenge each students encouraging them to take on assignments that they can reach their goals and find some self-expression and self-discovery in doing so. I practice a laid back style of teaching, I am very understanding and kind, my students respond well to my personality and my psychology background is a plus in dealing with students. Read More

Instruments: Piano Guitar Drums Bass Guitar Synthesizer Mallet Percussion Orchestral Percussion Conga Music Keyboard Electric Guitar Acoustic Guitar

With my teaching style, I try to maintain open lines of communication as much as possible. This means learning about students, them learning about me, and feeling comfortable in communicating their roadblocks in music. Music is an expressive art form, and I believe that being able to effectively communicate with students will lead to a better instruction - students feel more comfortable performing and explaining issues, and teachers can cater to the learning styles of those students, which expedites the learning process and creativity. Read More

Instruments: Piano Trumpet Trombone Saxophone Flute Clarinet Drums Bass Guitar Double Bass Piccolo Oboe Bassoon Music Keyboard

I'm a firm believer in transparent and respectful communication. I work diligently along side the parent(s)/guardian(s) and student(s) to develop a positive rapport with them. I will remind them that the process of learning an instrument, and engaging in performance is a collaborative effort; it can be a ton of fun; however, it still takes, a lot of patience, hard work and commitment. Each lesson is goal oriented and recorded. Read More

Instruments: Guitar Bass Guitar Electric Guitar Acoustic Guitar

Firstly, I teach the student the anatomy of the guitar and how to tune it, along with how to hold a pick. After that, I start teaching students how to identify notes on the fretboard. When they have a good grasp on that, I start to teach the basic modes, such as the major, minor, pentatonic, blues, lydian, mixolydian, and dorian modes, and while they are learning these, I give them exercises that use these modes to increase the student's mechanical skill, such as going up and down the scales in patterns of three/four/etc. Read More