Voice Lessons Chicago County, IL

Instruments: Piano, Guitar, Voice, Clarinet, Bass Guitar, Shakuhachi, Keyboard, Electric Guitar

"Live" practice would be an ideal way to describe how I teach. I never encourage too much of one practice or rote memorization. The mind consolidates information more quickly and makes many more neural connections through variety and "new stimuli." Many practices in our culture can be boring and lack efficiency because they lack these basic principles. As educators, we really need to turn that "dead" practice into "live" practice. Read More

Instruments: Voice

I began teaching privately in Beaumont, Tx while pursuing my undergraduate at Lamar University from 2009 to 2015. I ended up working adjunct in my Masters degree at the University of Nevada, Las Vegas from 2015 to 2018. While working for UNLV I also acquired a job teaching for Tailor Robinson Music Company. During my nine years of teaching, I have taught a multitude of ages, experience levels and different genres. I focus on getting the students to understand that there is a method to the voice like any other sport or trade, its the motivation that determines whether you have the patience and focus to achieve your goal. Read More

Instruments: Piano, Voice, Violin, Clarinet, Ukulele, Recorder, Fiddle

Communicating well as a music educator is vital for success; it is the way you communicate that reaches the students. Not every student that is in a classroom is the same; each one is unique and has their own special needs. To reach some students, it can sometimes mean trying a different kind of communication that you do not usually use. Being firmly rooted in my personal practice and purpose helps students find theirs as well. Read More

Instruments: Voice

Teaching voice is something that I believe requires highly personalized lesson plans, and so there are books for which to acquire basic theory, note-reading, and sight-singing, but usually, lessons must be repertoire based, and conceptual. Students usually have an idea of certain songs they would like to learn, and I believe it is very important to enable them to sing what they like to sing. However, I will also suggest repertoire that they are unfamiliar with, or initially uncomfortable with to broaden their musical knowledge and appreciation, and also to address certain skill sets. Read More

Instruments: Piano, Guitar, Voice, Violin, Cello, Viola, Trumpet, Trombone, Saxophone, Flute, Clarinet, Drums, Bass Guitar, Organ, Synthesizer, Accordion, Harmonica, Banjo, Ukulele, Mandolin, Recorder, Electric Violin, Fiddle, Double Bass, French Horn, Piccolo, Orchestral Percussion, Conga, Latin Percussion, Music, Keyboard, Electric Guitar, Classical Guitar, Acoustic Guitar

Although I started out on the piano at eight, I switched to tenor sax at the age of 13 on the advice of my doctor, who suggested that playing this horn would help cure me of asthma. I later studied sax with Gerry Bergonzi. As a teenager, I sneaked into such noted New York City jazz emporiums as Birdland and the Five Spot to hear the Jazz Messengers, Gerry Mulligan, Thelonious Monk, and other reigning jazz masters of the times. Read More