Violin Lessons in Westwood, WA

Instruments: Piano Violin Viola

I know each student is different in terms of learning style and musical goals. I make it a priority to keep the student's best interest in mind when giving assignments and setting weekly goals for practicing. The most important thing I want to leave the student with is a sense of fascination and appreciation for music. Whether an interest in classical or country music, I can transform any material into a learning opportunity that is fun, educational, and progressive for the student's musical and technical development. Read More

Instruments: Piano Violin Viola Mandolin Recorder Electric Violin Fiddle

I have been teaching violin for 30 years, starting as a bluegrass and Irish fiddle teacher in a folk music store run by a family of performers who were related to the von Trapps of The Sound of Musicfame. Since then, I have tried to continually grow as a performer, musician, and teacher. I have collected a vast amount of muic and resource materials along the way, so I am able to meet each student's needs--from child-friendly beginning repertoire, holiday music, fiddle tunes and jazz standards, to concertos and orchestral excerpts for youth and college orchestra auditions and beyond! Read More

Instruments: Piano Guitar Voice Violin Cello Viola Trumpet Trombone Saxophone Flute Clarinet Drums Bass Guitar Harmonica Ukulele Recorder Electric Violin Fiddle Double Bass Keyboard Electric Guitar Classical Guitar Acoustic Guitar

My motto is my students create their own lesson. I formulate lesson plans off of the styles of music you are most interested in. If my student has a more "just for fun" attitude, the lesson will inevitably be a more light hearted feel. If the student would like to focus on more technicalities, that as well is a different approach. However, I do have a more structured plan for younger students. Read More

Instruments: Piano Violin

Although I have a classically trained background, I understand that some students don't respond well to the traditional" Suzuki style learning. So, I like to assess a student before recommending books and or repertoire for them or their parents to purchase. I plan unique lesson plans for each student based on several determining factors including level of playing, age, learning curves, learning styles, what their goals for lessons are, and how much practice time they want to commit to per week (which is usually a different number to students than it is to parents). Read More

Instruments: Violin Viola

I also place an emphasis on learning what I can about my students in non musical settings so I can best learn how to communicate with them so they feel comfortable and successful. Many students feel comfortable talking through concepts and techniques while others prefer detailed written instructions in a take home journal. I give all my students the opportunity to work on new and difficult things in the safe atmosphere of a lesson to ease potential frustration in their in home practicing. Read More

Instruments: Violin

For beginning students, I typically start with the Essential Elements method book, which introduces the fundamentals in a way that is friendly to all learners, easy to understand, and interesting. Once the students has an understanding of the fundamentals, we will typically move on to Suzuki Book One, supplemented with various other exercises. At this stage, the student is able to give their first recital performance. For intermediate or more experienced students, I will typically find out what the student is interested in and provide solo repertoire based on their interests. Read More

Instruments: Violin

I try and approach each hurdle of the instrument in a thoughtful and individually based manner. I understand that no two students learn in the same way. I have students write out in their own words each exercises as we go through them, empowering them to be their own teacher outside of lesson time. Each lesson we begin with warm ups before we delve into repertoire; my lessons are not a show and tell, but rather an exploration of sound. Read More