Violin Lessons in Gramercy, NY

Instruments: Piano Violin

My goal is to instill a love for music with all my students. Imodify my style and approach to the interests and skills of each student. No student is alike and therefore, no teaching approach is alike. As long as the student is enjoying playing an instrument, progressing, my goal has been reached. Read More

Instruments: Piano Violin Cello Viola Electric Violin Fiddle

Paganini's 4th Violin Concerto with cadenza which Oleg Rutkovsky composed especially for this event. After competition he was invited to participate in music festival in Rimini, Italy where he shared the stage with such famous musicians as Boris Berezovsky (1st Prize 1990 P.I.Tchaikovsky Piano Competition), Enrico Pace and Evgeny Bushkov (both winners of many international competitions). After one year with State Symphony Capella of Russia where conductor was legendary Gennady Rozhdestvensky and where Oleg performed in section 1st Violins in 1992 he accepted position of Assistant concertmaster of famous Moscow Radio Symphony Orchestra and traveled around the globe performing in almost every important music hall including Carnegie Hall and Avery Fisher Hall in New York, Royal Albert and Barbican Hall in London, Beethoven Hall in Bonn (Germany), Gewandhaus, Symphony Hall and Suntory Hall in Tokyo and Osaka (Japan), Musikverein Golden Hall  in Vienna and many more. Read More

Instruments: Piano Violin Viola Electric Violin Music Keyboard

For beginning students, I typically start with my method based on a combination of the Suzuki method, a base of the European School, and my intuition and vision of each student. Once the student has progressed to have a grasp of the fundamentals, I will begin to introduce solo repertoire appropriate for their first recital performance. For adults, I try to find out what the student is interested in, and guide my instruction accordingly to keep the lessons engaging and fun, no matter their ability level. Read More

Instruments: Violin Viola Fiddle Music

My first violin student started with me 9 years ago during my undergraduate studies in Utah. I realized that teaching is much different than performing and started taking classes to be a better instructor. I grew up studying the Suzuki books and have registered Violin Teacher Training Units 1-4 with the Suzuki Association of the Americas. In college, I studied Violin Pedagogy with the esteemed pedagogue Dr. Kasia Sokol-Borup who demonstrated how to enhance the Suzuki method with other styles of teaching. Read More

Instruments: Piano Guitar Voice Violin Cello Trumpet Trombone Saxophone Flute Clarinet Drums Bass Guitar Organ Synthesizer Accordion Harmonica Ukulele Mandolin Recorder Electric Violin Fiddle Double Bass Euphonium French Horn Tuba Piccolo Mallet Percussion Orchestral Percussion Oboe Bassoon English Horn Conga Latin Percussion Music Keyboard Electric Guitar Djembe Classical Guitar Acoustic Guitar

Classical: Irina Gorin Books which is suitable for kids 4-6 years old Then I explore the classical repertoire. Jazz theory: Own developed curriculum Pop songs: Same as Jazz theory. The only difference is the repertoire of songs explored For intermediate- advanced students I work on developing their favorite music styles and songs. I like to help the student self practice and self understand music. I encourage them when they show interest in practice. Read More

Instruments: Violin Viola

I am both a performer and a teacher. I received my bachelors degree in viola performance from The Juilliard School and my masters degree from Northwestern University. I have been teaching for about 6 years and truly love it. I have taught students from ages 6-18, both privately and in group classes. I am open to teaching all ages. As a performer, I have solod With the Northwestern Baroque Ensemble, and the Narnia Festival Orchestra. Read More

Instruments: Violin Viola Electric Violin

My approach to teaching is to share my love for music with my students. I will allow students to go at their own pace, and set realistic goals and expectations. I like to focus on intonation heavily, as anything other than excellent intonation is not good playing, in the words of a former instructor. I also encourage creative expression in my students, and will often ask them to try different methods of playing a single phrase in order to increase the depth of their musicality. Read More