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Featured Viola Teachers Near Financial District, NY

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Here are just a few of the many teachers offering Viola lessons in Financial District . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Alexandra A

Instruments: Piano Violin Viola Electric Violin Music Keyboard

I'm a passionate and motivated instructor who loves working with students and sharing my love of music. In 2016, I graduated from Moscow State Conservatory with a Bachelor of Music Arts degree inVolin/Viola Performance. Also, I got the second certificate as a pianist. Performing all over the world has been one of the greater experiences of my life as a musician, and I've had the opportunity to play in Europe, Asia, North America, South Africa, South America. Read More

Carrie D

Instruments: Viola

I was first introduced to viola through the Suzuki method, and so I am extremely familiar and comfortable with that method and have mostly taught that method as well. If the student is in school, as mentioned above, I will usually start by seeing what they need to learn and have been doing/learning there, and work from that point. For students more advanced or wanting to learn outside of the Suzuki method, I have many "starter" books at my home that I am happy to teach from for learning notes, rhythms, and other short songs, and will suggest etude books and scale books, such as Carl Flesch. Read More

Mia N

Instruments: Violin Viola Electric Violin Fiddle Music

In addition to maintaining a private studio since 2009, I have taught at the San Francisco Conservatory Pre-College, The Chamber Music Institute, Little Mission Studios, San Francisco's Kipp-Bay Academy, and Inspire Music. I am currently a Teaching Artist for the Midori Friends Foundation and Elizabeth Faidley Studios, and I was previously a Teaching Artist with Oakland Symphony's MUSE program. My students have performed alongside members of the Kronos Quartet, won numerous concerto competitions, regularly participate in All-City and Honors orchestras, and gain entry to music schools and youth orchestras such as the Ruth Asawa San Francisco School of the Arts, Crowden Music Center, and Berkley Youth Orchestra. Read More

Nick P

Instruments: Violin Viola

When working with younger children, I typically begin with the Suzuki method in order to establish strong musical and technical fundamentals. The Suzuki curriculum is also popular across many music programs in New York, so it provides beginning violinists an opportunity to play music with their peers. For adolescents and adults, I place an earlier emphasis on designing a curriculum based on their musical interests, with equal focus devoted to technique. Read More

Amy B

Instruments: Violin Viola Electric Violin Fiddle

I have been teaching music for over 15 years as a private teacher and also a class violin instructor and orchestra director.  I have also served for many years as an adjudicator for Massachussetts All State Orchestras. Currently, I have an active private studio and teach 4 days a week at a public school in Brooklyn, leading a string orchestra there and teaching group violin, viola, and cello classes.  There are about 300 students in my program. Read More

Liora S

Instruments: Violin Viola Clarinet

For beginning students who are children, I typically start with Hal Leonard's Essential Elements. Once the student has progressed to have a grasp of the fundamentals, I will begin to introduce solo repertoire appropriate for their first recital performance. For adults, I try to find out what the student is interested in, and guide my instruction accordingly to keep the lessons engaging and fun, no matter their ability level. I encourage students to perform as frequently as possible, and am happy to create recital opportunities within my studio. Read More

Alyssa B

Instruments: Piano Violin Viola Music

I believe that music theory is a fundamental when learning any musical instrument, and I make custom worksheets that cater to the individual's curriculum each week. When learning a new piece, the aural, visual, and written components encapsulate the primary step, as I believe it develops a deeper understanding of the piece before attempting it on the instrument. Students at any level complete scales and work on sight reading each lesson. Read More

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