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Featured Piano Teachers Near Kirkland, WA

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Here are just a few of the many teachers offering Piano lessons in Kirkland . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Elijah C

Instruments: Piano Guitar Trumpet Trombone Bass Guitar Euphonium Tuba

I have been a professional teacher and performer for ten years, touring nationally with funk, soul, and latin bands. The diversity of my experience as a performer has directly impacted my view on teaching. Excitement about practicing music comes directly from passion for music in general, and a key philosophy to my teaching method is to not only instill correct practices and technique, but to attempt to foster a life-long desire for musical exploration in my students. Read More

Sadi W

Instruments: Piano Voice

My teaching style is very much tailored to what each of my individual student’s needs. This is the glory of private lessons! We can take our time. I like to give my students a mix of my required repertoire and songs that they have passions for. This keeps me restocking and updating my library, and helps the kids to have more fun in their lessons. Sometimes doing something fun that we love can take away from the stress that learning the language of music can be. Read More

Frederick G

Instruments: Piano Trumpet Trombone Saxophone Flute Keyboard

The goal, then, is to make sure that they visualize and know exactly what they are going to play before they start playing – just like a good public speaker who uses zero filler words, makes direct eye contact, and speaks with conviction. One achieves that deliberate execution by being aware and practicing those subtleties, so my job as a teacher is to help them learn how to attain that focus. Read More

Yaniv L

Instruments: Piano Guitar Voice Bass Guitar Electric Guitar

I started teaching private lessons a little before I started my bachelor's degree, with people who I knew coming to me requesting to be taught. With time, I became more and more aware of my teaching abilities, musical theory, and the responsibility that it was to take someone under your musical guidance and became more and more passionate about passing on the much or little knowledge that I have gathered along the way. Read More

Jack T

Instruments: Piano Music Keyboard

I foster a fun and supportive learning environment. In addition, it is important to me that my lessons are student led. Rather than dictate to students exactly what and how they should practice, I always use my students' curiosity as a guide, and work on what is most interesting to them. For young learners, I do everything possible to make the learning environment as fun and engaging as possible, practically not even introducing the concept of a mistake until around 1 year of lessons. Read More

Teacher In Spotlight

David C

Instruments: Piano Guitar Clarinet Bass Guitar Organ Ukulele Mandolin Recorder Double Bass Keyboard Classical Guitar Acoustic Guitar

Why did you choose your primary instrument?
Unfortunately I never chose a primary instrument. I chose piano at age six because there was a piano in the house. I chose clarinet in fifth grade but it did not become a primary instrument because I wanted to play in jazz band in high school and played bass because that was needed. Bass was my primary professional instrument up to about 1990 when I started playing guitar and mandolin professionally. Then when I studied to be a church musician I was back to playing piano and added organ. In essence I have become a jack-of-all-trades on instruments. I don't recommend having such diversity because it keeps one from mastering a specific instrument; though I do enjoy playing all the instruments I have chosen.

What musical accomplishments are you most proud of?
When I first started at the church I currently work at the congregation was not a singing congregation. Now they are a great singing congregation and I believe that my accompaniment approach is a key part to that singing. Another accomplishment that is important to me is that the gypsy jazz band I played in for several years played on the main stage of North America’s largest gypsy jazz festival. A great moment. I also am always glad when I run across a former student that is still playing and tell me how much it enriches their life.

Have any of your students won awards or been selected for special honors? How have they succeeded?
A clarinet student became the winner of the state solo/ensemble contest.

What do you think is the hardest thing to master on your instrument?
On guitar the hardest thing is to learn to read music without tablature. Because some pitches can be played in multiple spots it can be challenging to know where to play the notes when reading. In some instances one might have two or three solutions before one settles on the best choice. Another challenge with guitar is to play rhythm well, particularly when using a plectrum/pick. One needs to play so that it sounds smooth and does not drag. The third challenge is to play with good tone whether using fingers, fingernails, fingerpicks or a plectrum.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
On piano I build my lessons around the John Thompson method and supplement it with other materials to give a balanced foundation of many eras and genres. On guitar, if a classical beginning is chosen, I use the Noad method or the Christofer Parkening method. For other fingerstyle approaches I use Hal Leonard’s Guitar Workshop series for Fingerstyle guitar supplemented by appropriate materials from Oak Publications. For bluegrass based material I primarily use Osk Publications. If the student desires to learn gypsy-jazz I use books by Michael Hortoeitz.

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