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Featured Piano Teachers Near Coral Springs, FL

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Here are just a few of the many teachers offering Piano lessons in Coral Springs . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Rana A

Instruments: Piano Guitar Voice

I believe that one of the most important and essential components of learning is "fun". I also believe that music requires great discipline. I've developed my teaching style around these two factors where I create lesson plans that include a variety of methods to provide a learning experience that is fun! I also teach and encourage students to use their expressive nature to ensure musicality. Read More

Milosz S

Instruments: Piano Guitar Voice Trumpet Synthesizer Ukulele Music Keyboard Acoustic Guitar

I motivate my students by being interactive. With children who are new to music, I use my personal method, which is characterized by providing knowledge while playing interactive games, which helps the children grasp music-related issues. With the older students, I try to inspire them by playing duets, and placing emphasis on a variety of repertoire. I also emphasize the theory of music as an indispensable element of learning instrument. Read More

James W

Instruments: Piano Voice Organ Synthesizer Recorder Mallet Percussion

I believe the secret to improvement is playing everyday, even if it is just for 5-10 minutes. As far as studying a improvisation, listening to music is another secret that can not be overestimated. Passion for playing music must stem from a passion of listening and enjoying music. I have various lesson plans to get peoples facility on their instrument to the level of playing what they 'hear in their head'. Read More

Gene T

Instruments: Piano Voice

The technique that I've developed over the years is that while guiding the students through the singing process, I keep them focused on findingandconnectingwiththeir voices. Without a sense of "feeling what you're singing, it's difficult at best to connect with an audience. I produce annual showcases to give my students the opportunity to perform. Read More

Ewa S

Instruments: Piano Violin Viola

I have played the violin and piano since I was 4 years old and have spent 20 years in the State Professional Music School and Conservatory in Poland. After I graduated I was violin soloist at the Grand Opera House in Lodz, Poland. I have performed at the New Paris Opera House, the Heillbron Grand Opera, and the Messyna Opera House and many more. I have performed with such luminaries as Placido Domingo, Jose Van Dam, Franco Bonisolli, and many more. Read More

Kal M

Instruments: Piano Violin Cello

I will help foster excitement with the music styles that the student wants and tailer my teaching using what is preferred.  I do not take the lazy way of teaching straight out of a book cover to cover.   Read More

Beth G

Instruments: Piano Keyboard

I believe my overall style in teaching music comes from my love of music and desire to help others achieve their musical goals in a way that is engaging, meaningful and fun. I have always believed in adding an element of fun to lessons. My band and choir students played games, performed for younger students in surprise concerts and had karaoke parties. In private lessons, students will play duets, sightread and use the IPad games and floor keyboard to help with note reading skills. Read More

Teacher In Spotlight

Moshe B

Instruments: Piano Guitar Voice Keyboard Electric Guitar Classical Guitar Acoustic Guitar

Did you have a teacher that inspired you to go into music? How did they inspire you?
My father taught me first the little that he knows from childhood, the value and name of the notes and he sang a lot at home, always instilling in me the love for music, art ,culture and knowledge in general. He also used to take me to concerts and to meet musicians and artists. Later I have had many teachers that inspired me and each one has something great to learn from. In Cuba Leo Brouwer was king, both as composer and teacher. Along the way, books and principles by Hindemith, Knud Jeppessen, Charles Villiers Stanford. R.O. Morris, Schoenberg, Edward Bairstow and Nadia Boulanger, Mario Castelnuovo Tedesco, Chick Corea and Rudolph Ganz have inspired me.

Why did you choose your primary instrument?
I chose classical guitar as my primary instrument because it was part of my culture, Spanish. Because it was part of the generation of folk and world music yet can be played as an instrument for classical music. It cuts both ways and last because it is portable. It can be taken on a journey and easy to carry and use. It is a harmonic instrument that can be useful for accompaniment of song but it is also a solo instrument capable of beautiful expression and subtlety. It is really a magical instrument.

What musical accomplishments are you most proud of?
1-My graduation as a guitarist where I played among other pieces the guitar concerto by Joaquin Rodrigo "Fantasia for a Gentil Hombre" 1989. 2-The teaching of voices in choirs ,including large and complex baroque music in Jamaica with some of the singers having to learn from zero how to hold a melody in tune. The transcription of the instruments from a symphonic setting and recording of the transcription to produce the sound tracks was involved. 1997-2002 3-The coaching of the band "The Revelation" again with some of its members having difficulty reading and performing and the transcription and arrangement of music for the lead singer and the orchestra. The final result was good between 2009 -2013 4-The performance of Mario Castelnouvo Tedesco's quintet for guitar and strings with the Shulman string quartet in Buffalo in 2015

Have any of your students won awards or been selected for special honors? How have they succeeded?
Not yet to my knowledge.

What do you think is the hardest thing to master on your instrument?
Relaxation and good position

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
Alfred for Music theory. Beyer for elementary piano ABRSM for aural training and musicianship in practice. ABRSM for Jazz series. Piano Improvisation by Frank Caruso for Jazz and Blues. Harmony at the keyboard I and II by R.O.Morris for harmony ear training and composition. Counterpoint by Knud Jeppessen for Renaissance counterpoint. Preparatory Excersices on Score Reading by R.O. Morris Harmony in Theory and Practice by Anna Butterworth for written harmony. A Modern Classical Approach to Classical Guitar by Charles Duncan. Jazz for Classical Cats by Andrew York. Exercises for Piano by Rudolph Ganz. Technical Requirements for Guitar by Charles Ramirez.

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