Music Lessons in Stilesville, IN

Instruments: Piano

-4 years of professional piano teaching experience, which including 2 years as an Associate Instructor in Jacobs School of Music and 1 year in New York City. -Former students received distinction scores in ABRSM level 1 and 2 just after half of a year's studying. -Former college students had a high pass rate for the Piano Proficiency Exam of Jacobs School of Music, one of the hardest piano exams to pass. -96% satisfaction from college students' anonymous feedback. -2017-2019, the official Piano Instructor of the Young Pianist Academy School. Read More

Instruments: Piano

For beginners, I generally stick with the Faber Method books, as I enjoy their unity of music theory and practical application more than other method series. It is my goal to remove students from methods as soon as possible- somewhere around early intermediate skill level, so that we may engage with more meaningful repertoire from the 'greats', as well as give the students the tools to take agency over their own repertoire choices, including transcriptions of popular media. Read More

Instruments: Piano Guitar Voice Trombone Saxophone Flute Clarinet Oboe

My main music philosophy is to teach sound before sight: teach students to hear the music, and then read the notation. For beginners, I want them to become well acquainted with their instrument so I begin with the basic fundamentals, and then teach some traditional tunes before moving on to reading music. For students who can already read music, I like to work on sight-reading as well as finding solo repertoire that can be performed at recitals. Read More

Instruments: Violin

Most of the work that I have had the privilige of delving into have been masterclasses with individuals trying my very best to incorporate aspects of what I have learned from my time with Don Weilerstein who I consider to be a major mentor figure to me in development both as a musician and a person. As an avid practitioner of Tibetan Buddhism, I have often to my ecstatic wonderment found patterned sychronocities between this sort of brilliant visceral teaching various aspects of Tibetan Buddhism,(particularly the practice of Shamatha and elements of Visualisation), Eastern Energetic practices and spacial/temporal awareness—playing with various methods of getting out of the body to become the rhythm and structure a phrase. Read More

Instruments: Piano Guitar Bass Guitar Ukulele Electric Guitar Classical Guitar Acoustic Guitar

I certainly have adopted the teaching styles of my previous and current instructors, each bringing a unique approach to teaching an instrument. Patience and understand is crucial with any students, and there needs to be a lot of fun and excitement within a lesson, otherwise, what is the point? Now, fun and excitement must also be met with serious practice time and great concentration during a lesson. My objective is to create a comfortable environment fertile for learning, while at the same time having my students know there are skills to refine and concepts to solidify. Read More

Instruments: Piano Trumpet Trombone Saxophone Clarinet

Following high school, I spent six years scooping up opportunities, training, and degrees in music education. Another trip to Bangladesh opened my ears to the delightful and rich musical experiences of other, divergent cultures. It was now time to hit the classroom... and, for the next three years, I had the wonderful experience of teaching fifth and sixth graders in the general music classroom, assisting the band director, teaching second graders through twelfth graders in private lessons, and juggling up to twenty additional "outside" students! Read More

Instruments: Piano Guitar Voice Flute Music Keyboard Acoustic Guitar

I believe in teaching music that the student wants to learn, whether that's the latest pop song or basic music theory which can be applied to any style. For my piano students, I prefer Alfred's piano curriculum. For my guitar students, I use Hal Leanord books. For my voice students, we work on whatever songs they want to learn or have assigned to them for a performance. For flute, I like Rubank method, but am open to other preferred methods as well. Read More