Caroline G
Instruments: Violin
Styles: Classical, Folk, Spirituals, New Age, Avant-Garde

Hello everyone! Today I will share with you my teaching experience in a few brief general statements: Due to a hearty touring schedule, most of my experience stems from the privilege of masterclasses around the world but mostly America, Germany, and Denmark along with some private teaching. I have done a guest mindfulness/meditative workshop class with The Jacobs School of Music Summer String Academy and taught orchestra programs and performed school visitstions as a guest artist that have included variations of lectures mixed with question and answer models.

Most of the work that I have had the privilige of delving into have been masterclasses with individuals trying my very best to incorporate aspects of what I have learned from my time with Don Weilerstein who I consider to be a major mentor figure to me in development both as a musician and a person. As an avid practitioner of Tibetan Buddhism, I have often to my ecstatic wonderment found patterned sychronocities between this sort of brilliant visceral teaching various aspects of Tibetan Buddhism,(particularly the practice of Shamatha and elements of Visualisation), Eastern Energetic practices and spacial/temporal awareness—playing with various methods of getting out of the body to become the rhythm and structure a phrase. I also work with basic fundamental structures that formulated the basis of my work with previous teachers such as Paul Kantor and Julia Kurtyka.. this includes basic practice exercises, and techniques, how to hold the instrument and how to shift etc. and how to sculpt a particular sound with the bow at various segments of a phrase i.e. bow distribution, bow speed, and the relationship between bow hold bow arm relation with the types of sounds in a particular palette). (The more flexible one is with the palette the more colors available on the palette)! .... Excitement and anticipation with each breath me exude and habituate!