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Featured Music Teachers Near Bethel Park, PA

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Here are just a few of the many teachers offering Music lessons in Bethel Park . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Alex S

Instruments: Piano Guitar Voice

I have been teaching since 2012. Consistently, my students have been privately instructed in voice, guitar and piano. Though many of my students are elementary aged, I am also highly capable with teenage and adult students. My methods and personality ensure that every student receives the specialized attention and specific instruction that they want and deserve. Read More

Sarah B

Instruments: Guitar Violin Cello Viola

I have been teaching private lessons for the last 6 years and began teaching in the public school system in spring of 2022. This fall, I will be a long-term substitute orchestra teacher for North Allegheny School District. My education at Duquesne was entirely focused on music education. I took various courses in instrument methodology for brass, woodwind, and string instruments, and studied leading pedagogy practices from distinguished educators. I studied cello with PSO musician Adam Liu, and performed challenging works for solo cello in my studio as well as orchestral works with the full Duquesne Symphony Orchestra. Read More

Claire C

Instruments: Clarinet

What makes a good clarinetist is not just someone with excellent technique and breath control. I strive to teach my clients to attain not just those skills, but most importantly to use their playing to connect with the audience, tell a story, and change lives. My lesson plan ensures that my clients build a strong foundation in their clarinet embouchure, tone, technical skills, and musicality. I love to encourage my students and to push them to become successful musicians. Read More

Sarah R

Instruments: Piano Voice Music

I am a passionate, hard-working singer and instructor who loves to encourage and motivate beginning and intermediate singers to become more confident in their study of music. In 2019, I graduated from Indiana University's Jacobs School of Music with my Masters in Early Music Voice, where I engaged in intense performance study of baroque and renaissance music along with many other styles. My performances and recordings have a particular focus on early seventeenth-century English and Italian vocal repertoire, which gives me the unique opportunity to allow historical research to inform my performances of the repertoire. Read More

Cameron H

Instruments: Clarinet

While there are certain etude books and pieces that I recommend due to their musical quality and educational value, such as the 32 Etudes & 40 Studies by Cyrille Rose, I allow the student to chose from a list of pieces to ensure that the music we work on is engaging and fun. If the student is interested in learning bass clarinet or E-flat clarinet, we can work on these instruments as part of each lesson or in a separate lesson. Read More

Will B

Instruments: Saxophone Flute

I like to work with students through the Rubank Method books. These are excellent books for any level musician to pick up and work from. I use these as a foundation of technique that can be translated to repertoire. Again depending on the style of music the student wants/needs to practice, I will pull from etudes, solo transcriptions, and popular music to start building the student's repertoire. I will also work with students on building skills in improvisation. Read More

Lindsay E

Instruments: Piano Voice

In my studio, I encourage students to look solely at their own track. Everyone's journey is different. We all start lessons at a different age, have different strengths, weaknesses, likes and dislikes! I welcome my students to share what they love...and hate... so I can tailor our time together to fit their specific learning styles. My teaching philosophy includes asking questions and planning activities that enhance cognitive function. I want to give my students the tools they need so they can look at a piece of music and say, "I know how to practice this," or "I can play this." If my students don't need me anymore, I have done my job! Read More

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