Featured Flute Teachers Near Pittsburgh, PA

Sarah G

Sarah G

Instruments:

I primarily use the Essential Elements String Method book to start beginners. However, if you come to me having started another method book, I am happy to keep you on track with your progress, within reason. I am classically trained, but as you can see, I enjoy playing classical, musical theatre, post-modern, and rock 'n' roll.  In teaching voice, I am sensitive to the delicate nature of young voices and teach total musicianship, including tonal memory, scales, sights-reading, and repertoire 

Jacquelynn W

Jacquelynn W

Instruments:

I always begin lessons with technical or theoretical studies for students of all ages and skill levels.  For voice I begin with leading the student in singing through scales, arpeggios, and vocal slides before moving into song study. I normally chose a piece for students to work on and ask them to bring in a few songs they are interested in learning and we chose together. I chose musical works that are challenging and targeted on improving the individual student. Each student is different and should be treated as such I like to make sure that my lessons are engaging and fun to each individual I teach.  In flute lessons, I like to work on long tones and breathing to work on having control of the tone of the instrument. I like to work with technical execises by Marcel Moyse for more advanced students and with Rubank Method books for beginner students. Then I practice song study in these lessons as well.  This all stated, I like to involve people as much as possible in the structure of their lessons and am flexible to working with different wants and needs from lessons.   

Jessica H

Jessica H

Instruments:

My teaching approach is to match repertoire to the student's current needs. For example, a student who needs to work on building dexterity will be working on technical exercises while another student may be focusing on tone or dynamic expression in their weekly exercises. I typically start my beginning piano students with the Alfred's piano series in conjunction with the Finger Power series for building technique. For more advanced students, I prefer to use the Hanon Virtuoso Pianist series as well as scale practice and classical repertoire. New flute and violin students will start with the Essential Elements series or for more mature beginners, the Rubank series for flute and the Suzuki series for violin. Duet books will also be added as the student grows. On the other hand, if a student comes to lessons having already begun a series of repertoire they prefer, I will be happy to accomadate. I believe the most important part of teaching is to tailor each lesson to the individual student. What works for one student may not work for another, and it is essential to be open to new teaching methods and grow with one's students. 

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