Flute Lessons in East Long Beach, CA

Instruments: Piano Guitar Voice Trumpet Saxophone Flute Clarinet Bass Guitar Ukulele Music Electric Guitar Acoustic Guitar

Throughout his teaching career, Jamie has also participated in many performance and recording projects both as band leader of The Rift, a guest, and a solo artist. During the school year 2016 - 2017 he was a Show Director for the School of Rock - Mamaroneck. Most recently he designed, produced, and taught residencies, culminating concerts, and family workshops for LEAP NYC as a Teaching Artist. He hopes to deepen his impact with music by exploring an education in music therapy and starting a not for profit that provides a 24/7/365 safe-space for young artists, thespians, and musicians in the future. Read More

Instruments: Piano Guitar Saxophone Flute Clarinet Music Keyboard

Certainly, here's a more concise description of my teaching approach in music: 1. Personalization: I tailor lessons to each student's background and goals. 2. Strong Fundamentals: I emphasize music theory and technique for a solid foundation. 3. Practical Application: Students start playing music early, fostering creativity and a connection to music. 4. Music Appreciation: I include lessons on history and culture for a well-rounded understanding. 5. Performance: I provide opportunities to build confidence and stage presence. 6. Read More

Instruments: Piano Flute

As a soloist and a member of various chamber groups and orchestras, she performed in France, Germany, Austria, Spain, Switzerland, Turkey, USA and all over Ex-Yugoslavia (Serbia, Montenegro, Bosnia and Herzegovina, Croatia, Slovenia). Her credits also include many performances, interviews and recordings for Yugoslavian National Radio and Television Stations and in Los Angeles, CA.   The last 20 years I rediscovered my love for the Opera and have been performing with local companies both original operas and timeless classics. Read More

Instruments: Flute

For both my younger and adult students, I like to start lessons with warm ups, then move to technique training, etude, finally to solo pieces, with each lesson including a brief review of the previous lesson. For beginning students, I start with teaching them about breathing, posture, and positioning of the instrument, so students can develop solid foundation, and good playing habits. For more experienced students, I try to find out what they want to improve on and learn, then pick out works suited to their level and interest. Read More

Instruments: Flute

Lessons are customized to the needs of each student and include instruction in the following areas: Learning how to practice effectively and efficiently Play the flute with a beautiful tone and excellent technical proficiency Perform music from a wide variety of genres Sight-read with ease Improving rhythm and an understanding of basic music theory Breathing, balance, and postural ease in sitting and standing Intonation exercises - playing chamber music together Awareness techniques and mental preparation to manage performance anxiety, reduce discomfort, and unlock free, expressive playing Audition/competition preparation, stage presence Extended Techniques for tone development and applications in repertoire, beat-boxing Learning how to improvise Become a successful and knowledgeable musician Studio recitals and other performance opportunities Read More

Instruments: Piano Violin Cello Viola Trumpet Trombone Saxophone Flute Clarinet French Horn Piccolo Oboe

My approach to learning an instruments is to have the students learn to play by ear first before they can start learning to read music. I find that most students are able to progress quickly because it frees them to focus on the playing the instruments rather than reading notes. I consider reading music like different subject that they learn later. Learning music is like learning to speak. First we learn to talk and then we learn to read and write. Read More

Instruments: Saxophone Flute Clarinet

I use the Rubank method of books as a traditonal conservatory approach to early progression. I find their systematic flow efficient and effective to consistent improvement. We would then move to fulfilling repertoire that would qualify the student for collegiate study and competitive performance. For those interested in jazz, pop, and rock, we would proceed to study several instruction books and recorded material that over the years I have found to successfully progress a student in those genres. Read More