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Featured Flute Teachers Near Astoria, NY

4288   5 STAR Musika Reviews

Here are just a few of the many teachers offering Flute lessons in Astoria . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Felipe L

Instruments: Piano Guitar Voice Flute Drums Synthesizer Ukulele Mallet Percussion Orchestral Percussion Conga Latin Percussion Keyboard Electric Guitar Djembe Classical Guitar Acoustic Guitar

I am a music teacher who loves to work with students. I love to share my experiences and I like to make the music lessons fun and exciting. I take music very seriously and I expect students to do the same. I love to see the progress in my students and that's what keeps me going! I like to explore all types of genres, from Gregorian chant to Popular music. Read More

Itay G

Instruments: Piano Guitar Voice Saxophone Flute Drums Music Keyboard Electric Guitar Acoustic Guitar

Encouraging regular practice on a consistent schedule is one of the key points I like to emphasize for younger students, as it tends to help the student progress and gain a passion for the instrument. I've also found that a combination of classical and modern music can go a long way in helping students enjoy the piano and motivate them to practice and continue to learn. If a student isn't having fun in their lessons, then I'm not doing my job! Read More

Hannah D

Instruments: Flute Piccolo

For beginning students, I start with the Douglas Steensland Flute Student books. For intermediate and advanced students, I focus on memorization of scales in addition to working out of Taffanel and Gaubert's 17 Daily Exercises, etude books (i.e., Melodious and Progressive series), and standard flute repertoire. My goal as a teacher is to help the students improve their overall musicianship, while also addressing each students personal goals. While I have listed books I work out of with students, I am always interested in hearing what the student would like to play and work on those pieces/songs as well. Read More

David N

Instruments: Piano Trumpet Saxophone Flute Clarinet Drums

My teaching includes all aspects of music; Musical theory, sight singing, as well as Music History. My teaching style allows the child to have fun while they learn their instrument, but I emphasize a strong practice regiment. Your child will understand that while learning music and an instrument can be fun, there will be some work involved if they want to become great. I usually use either the Alfred or Rubank method books to supplement a curriculum that I tailor make for each individual student. Read More

Lynlia T

Instruments: Piano Flute

Lynlia T. is an arts administrator, piano teacher, actor, and recording studio assistant based in New York City. Whether it is shooting a film, teaching piano technique, or live streaming a concert, she is always doing something in the arts field. Interested in its psychological and neurological impact, Lynlia envisions spreading the joy of the arts on mental well being and relationship to human life. In a nutshell, Lynlia is passionate about all things arts-related, whether it is improving her own artistry or being a strong advocate for artists and art organizations. Read More

Lee Z

Instruments: Saxophone Flute Clarinet Recorder

I use standard method books, along with personal sheets of exercises I have developed through the years. I publish my own solo books with accompaniments, which I also use. These books are primarily classical pieces, but I also use digital accompaniments for jazz and popular music. Theory and ear training are also part of my lessons. My lesson books include Rubank books for beginning students, and Rose, Andersen, and Bassi studies for more advanced students. Read More

David S

Instruments: Piano Guitar Saxophone Flute Synthesizer Keyboard

My teaching style is a mixture of a relaxed, conversational feel combined with strong focus. I will constantly insist on stern focus on the material being played- offering big picture ideas as to why a piece is being practiced in a certain way, while asking the student to tell me why such and such a method makes sense. Very small mistakes in the music will be cause to stop and refocus. Read More

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