Drum Lessons in Stanley, NY

Instruments: Drums Djembe

My goal as a teacher is to inspire students to develop as a passion, love, and appreciation for music and drumming. I tailor my lessons towards the students unique goals and interests so that they will be inspired to practice and so that they will be excited about what they are learning and progress quicker. As a teacher, I want to get my students actually playing music as soon as possible. Read More

Instruments: Drums Conga Music Djembe

I am a professional musician, having played drum set/ percussion for over 15 years and have studied at the prestigious Eastman School of Music, graduating with a Bachelor's and later a Master's degree in Jazz Studies: Drum Set. I have toured and performed professionally throughout the United States and abroad. I have studied with some of the best drummers in the world, including Rich Thompson, Jeff Hamilton, and Mark Ferber. I have been apart of prestigious and highly competitive programs such as the Disneyland All American College Band and Banff Workshop in Jazz and Creative Music, and was a national winner in the 2017 Yamaha Young Artist's Competition in drum set put on by the Yamaha Corporation. Read More

Instruments: Piano Drums Synthesizer Mallet Percussion Orchestral Percussion Conga Latin Percussion Music Keyboard

I have had a strong passion for music for as long as I can remember. It brings me great joy to share and teach my passion with other aspiring musicians. I recently graduated from the University of the Arts in Philadelphia with a Master of Music in Jazz Studies degree. I have been very fortunate to tour with the band, ILL Doots, multiple times in addition to performing in various settings that constantly push my musical boundaries whether I'm playing drums, vibes, piano, or auxilliary percussion. Read More

Instruments: Piano Guitar Voice Trumpet Drums Organ Synthesizer Recorder Euphonium Mallet Percussion Orchestral Percussion Conga Latin Percussion Acoustic Guitar

I teach "Total Piano". Whether you are young or young at heart, a beginner or an advanced player, I will teach the entire instrument. You will learn to read and to play by ear. After all, isn't all music playing by ear? Every style of playing can be taught, whether it is the great classics or picking out the notes you hear off the TV. I teach how to listen and apply what you hear. Read More

Instruments: Piano Guitar Voice Violin Cello Saxophone Clarinet Drums Bass Guitar Banjo Mandolin Tuba Keyboard Djembe Acoustic Guitar

I approach teaching music with patience and enthusiasm. I realize that there is an ebb and flow in every person's life and progress cannot be measured in an even intervals. Although I am pleased at a student progress, humanity is vast and always surprising me. Each of us are indeed unique and revered. Even as we learn we can enjoy all the leaps and bumps along the way. As with any teaching method, consistency is attendance breeds the best learning environment. Read More

Instruments: Piano Guitar Trumpet Trombone Saxophone Flute Clarinet Drums Bass Guitar Mandolin Recorder Euphonium Tuba Mallet Percussion Orchestral Percussion Oboe Conga Latin Percussion

It is not necessary, however, to learn chords or grooves specifically from a book for these instruments. Depending on the desired style, there may not be much use of notated music, guitar tabliture, etc. But as already stated, this does not excuse a good foundation in reading music and understanding music theory. For more advanced players (who would most likely be percussionists if working with me, though I am willing to work with any instrument at a more advanced level), we would work out of books I and the student(s) find fitting for their skill level. Read More

Instruments: Voice Drums

My teaching experience dates back to my first year in Yamatai. As a more advanced percussionist, I took it upon myself to assist my fellow new recruits with learning the material outside of regular practice times with the Musical Director. With percussion, we found that taking a piece and breaking it into small sections that were easily repeatable gave the best results. I took these techniques over to the drum set when the time came, and found ways to make simple drum rhythms more interesting and engaging. Read More