Drum Lessons in Manhasset, NY

Instruments: Piano Drums Mallet Percussion Orchestral Percussion Conga Latin Percussion Music

My method of working with drums and percussion is to first get a sense of what the student's goals are. These include both goals involving general drums/percussion and career/performance goals. We will then work together to form a plan to achieve them. This will include exercises tailored directly to the student's needs and desires within drums/percussion as well as overall musical standings and guiding the student to repertoire that will both be fun for them to play and will teach them more about the concepts we are working on. Read More

Instruments: Piano Drums

Since every student has different goals I like to plan my lessons accordingly. I found it very useful to devide the lesson into 3 parts : Technique, reading and drumset studies. Whether the student is excited about rock, pop, jazz, hiphop or samba, this method creates a solid foundation for the drummer's ultimate goal - to groove on the drumset! To make the lesson even more fun and interactive, I love to work on playing along with recordings which give the student the feel of playing with his favorite band! Read More

Instruments: Drums Latin Percussion

The first few lessons will be to gauge where the student is at technically, as well as musically. I like to cater to the needs of the student. Lessons can be as fast paced, or slow moving as the student would like. The important thing is to be comfortable with a technique before introducing new ones. Like I stated earlier, lessons will also include a historical study element. Drumming is best taught through studying the great drummers and musicians who have already mastered the instrument. Read More

Instruments: Piano Drums Mallet Percussion Orchestral Percussion

My teaching style caters to each students needs. Exercises can be created and personalized to accomplish certain goals such as chop building and accuracy drills, or pattern recognition. My lessons are typically broken down into segments. Starting with ear training drills/music theory, warm up/scales, etude practice, and improvisation/free play at the end. The music theory will use "The Jazz Piano Book" by Mark Levine as a reference along with Berklee Theory 1-4 The songs that we learn can be picked by you! Read More

Instruments: Drums Mallet Percussion Orchestral Percussion Conga Latin Percussion Music Djembe

Nothing is more rewarding to have students develop a compassion for the music that is played. Whether it is for family, friends or playing in front of a large audience. I think it is important for students to practice what is taught but not to overwhelm them. Music that they play whether it is for a recital or an audition should be an exciting and fulfilling experience and not feel like it is something that is overwhelming. Read More

Instruments: Piano Guitar Trumpet Drums Bass Guitar Organ Synthesizer Harmonica Banjo Ukulele Mandolin Recorder Double Bass Mallet Percussion Orchestral Percussion Conga Latin Percussion Keyboard Electric Guitar Djembe Acoustic Guitar

Your job will be to get a feel for the piano and to get an understanding of how the piano sounds and you will write down what ever you feel comfortable writing to help you remember what it is that I taught you that day. If, for example, you already know how to play the piano, but you want to be better at it, I will help you and teach you what ever I feel can help you become an even better pianist. Read More

Instruments: Piano Voice Drums

For young students, I would usually start them off using Bastien Piano Basics. It's very digestible, and gives a good starting-off point for both technical playing, and larger musical concepts as a whole. With a student who is older or perhaps more advanced, who has a solid grasp on technical proficiency and music theory, I would typically recommend studying specific pieces, starting with Classical, and eventually moving into Jazz. I feel that following a chronological study of music is one of the best ways to become a well-rounded, versatile player who feels comfortable approaching any material. Read More