Drum Lessons in Glenelg, MD

Instruments: Drums

Having a student see his or her progress over a course of weeks makes the experience of teaching the most rewarding thing ever. Explaining to someone the laws that makes great drummers great are the driving force behind my method of teaching people drumming. I can successfully tailor a strategy plan for any style or level of drummer, passionatly teach them and help them progress through the endless journey that is drumming. Read More

Instruments: Piano Cello Drums Conga Latin Percussion Djembe

I find that as useful as many of the methods that I have found most useful for my own performance are, almost every one of my students in drums, percussion and cello requires a different blend of study materials. As a general rule, I rely on providing a balance of classic (some teachers go as far as to say 'canonical') books, and a wide variety of unique listening and independence exercises I've developed over the years. Read More

Instruments: Piano Drums Keyboard

My classes are structured into two parts: the first focuses on music theory, while the remainder is dedicated to playing the instrument. For beginner students, I typically use a combination of the James Bastien and Alfred's Basic methods during theory sessions. Depending on the student's chosen instrument, I supplement these lessons with additional practice materials tailored to their instrument. For adult students, I tailor lessons based on their personal interests, ensuring that the learning experience remains engaging, enjoyable, and aligned with their musical goals. Read More

Instruments: Piano Trumpet Trombone Saxophone Flute Clarinet Drums Bass Guitar Double Bass Piccolo Oboe Bassoon Music Keyboard

Deep Water; Joe Keys and the Late Bloomer Band; Frederick Douglass Alumni Dukes of Jazz Combo; Dunbar Alumni Big Band; Common Time Band; Rose Gold Experience; Milton Russell and the Promise; Brooks Long and the Mad Dog No Good; Charmaine Michelle Quintet; Funk Out The Trunk; The Pirates; Musicians Paradise; Sonic Trip Masters All Stars; The Upstarters; Irescent; The Kevin Ellis Project; Jeron White Polarity; Kim Poole Experience; and the New World Jazz Orchestra. Read More

Instruments: Piano Drums Mallet Percussion Orchestral Percussion Keyboard

Also, I will use books by Czerny and early Bach tutorials. My teacher at Peabody, Fernando Laires was a student of Isidor Philipp (who himself was of the school of Chopin and Lizst) and as a result I teach the independence, relaxed form, and energy conservation of their schools of technique. For percussion I focus on rudiments, and stick control. When teaching drum set, I teach keeping time, fills, and cross-sticking. Read More

Instruments: Piano Guitar Voice Violin Trumpet Trombone Saxophone Flute Clarinet Drums Bass Guitar Recorder Euphonium French Horn Tuba Piccolo Mallet Percussion Orchestral Percussion Music Keyboard

For begining student I typically start with a book called Essential Elements. I supplement some of the things in the book with other literature and hand written exercise to help enhance learning experience. For Adults I try to find what genre and music style they would like to work on. This then allows me to plan a custom learning experience that best suits them and what they're looking to gain from the experience. Read More

Instruments: Drums Conga Latin Percussion Djembe

My teaching approach focuses on fundamentals of technique, grooves, taste, and good timekeeping. I am interested in a student becoming a good listener and being able to play a variety of musical styles. I integrate rudiments, reading, drum fills, solo ideas, improvisation, and developing a unique style. I use a variety of methods, including skills I heard as a pro drummer on stage in the studio. I make use of books and other lessons depending on the ability level of the student , but I rely on classics like "Stick Control," "Syncopation" and "Accents and Rebounds". Read More