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Featured Drum Teachers Near Franklin Square Elmont, NY

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Here are just a few of the many teachers offering Drum lessons in Franklin Square Elmont . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Matt N

Instruments: Drums Mallet Percussion Orchestral Percussion Latin Percussion

I am a young and passionate percussionist who loves being involved in music performance and education. I received my Bachelor of Music in Music Education from LIU Post in 2013, and will be finished my Master of Arts in Music Education from Hofstra University in 2017. I have had many great performance opportunities that include two performances in Carnegie Hall and other smaller venues around the country. My goal is to teach students of any age to appreciate music as well as to experience the feeling and passion of music. Read More

Brent S

Instruments: Drums

Over 29 years experience on Drum Set, more than 25 years Performance experience, and over 12 years Teaching experience including private lessons and ensembles.  Currently performing and recording with Mighty Mystic and The Spit Brothers/Bakir.  Past Performances with and/or recordings with include but are not limited to: The Bomb Squad, Black River Sound, Royal Sound, Ma'ayan Castel, The Solstice Jazz Trio, King Illabash, The New Souls, Redshift, Uncle Sammy, Danger Deluxxe, Mix One Studios, Sanctum Sound Studios. Read More

Chris J

Instruments: Piano Voice Trumpet Trombone Drums Euphonium French Horn Tuba Music Keyboard

Prior to enrolling in a music school, I developed an unexpected interest in teaching. Assisting struggling peers brought self awareness and inevitably made me, as well as the overall group better, allowing me to understand a connection between music performance and education. Time spent at the school of music, teaching or exchanging ideas and skills between peers solidified my thoughts, the exchange between student and teacher is mutually beneficial at any level. Read More

Antonio G

Instruments: Drums

It is very important to make each student progress at his or her own pace. This is done by setting realistic goals for each student at each lesson, keeping them inspired and interested in learning more. When you acknowledge students based on their accomplishments, it helps to fuel them a desire to progress and make them interested in learning more. Finding out what are his/her inspirations it makes it easier to fit my instruction to their wants and needs. Read More

Jon S

Instruments: Piano Guitar Drums Bass Guitar Organ Synthesizer Keyboard Electric Guitar Acoustic Guitar

For beginner students, I like to use the Faber books or the Thompson method for piano. I also encourage students of all ages to share what they enjoy listening to and incorporate songs they enjoy as early as possible. As students progress I get into more in depth concepts in music theory and improvisation, to provide a foundation in the language of contemporary music. For more advanced students, I try to play another instrument along with them sometimes to provide a taste of what it is like to make music in a group setting. Read More

Luke S

Instruments: Drums

I do not limit my students to a predetermined method. I find, through my own experiences, that this is tedious as well as boring. There are many books I use, including Ted Reed's syncopation for all levels of students, but I focus most of my time with a student to finding out what inspires them to want to learn the drums, and go from there. With every student I start with the basics of technique. Read More

Sara J

Instruments: Piano Guitar Voice Drums Keyboard Electric Guitar Acoustic Guitar

I continued to teach music at that same sleep away camp for years -- eventually becoming the Head of the Music Department ( Rock Shop) there - coaching bands, leading improv classes, and developing the program. I later enjoyed several years teaching as an adjunct professor in the music department at my alma mater. I have always had a steady practice of private students ranging in ages and experience. Whatever the material be, I focus on finding the student's true musical voice, allowing them to take ownership over their instrument, allowing any intimidation to fade, and therefore, finding the natural joy in playing music. Read More

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