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Featured Cello Teachers Near Pescadero, CA

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Here are just a few of the many teachers offering Cello lessons in Pescadero . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Monica D

Instruments: Piano Voice Violin Cello Viola Ukulele Recorder Music Keyboard Acoustic Guitar

My teaching experience comes from my experiences and lessons from my previous private teachers. During my 10 years of lessons I learned that importance of a regularly maintained practice schedule leads to the most effective practice sessions. I try to encourage students of all ages to seek out music that they find enjoyable and I do what i can to shape my lessons to make learning the music exciting. I try to anticipate a students need. Read More

Jennifer K

Instruments: Violin Cello Trumpet Trombone Saxophone Flute Clarinet Recorder Euphonium Music

I was raised in Ohio where I spent my early years dancing. However, as I matured I realized I didn't enjoy dancing so much as I love the music I was moving too. I started on the clarinet in middle school and continued through high school. In college I picked up other instruments as I studied to become a classroom music teacher. I was also a military wife for 16 years before my husband retired from the Navy (so I moved around a lot) and I have 3 children of my own. Read More

Byron H

Instruments: Cello

I graduated from High School in 2002, and I've taught on and off since then. I've moved 4 times, but in each place I kept a high standard for my students and taught them in a way that would help them accomplish their personal goals. In Tampa I was a teachers assistant, filling in to teach college students technique and repertoire, and I kept small private studios in Boston and New Jersey as well. Read More

Jorge S

Instruments: Piano Guitar Violin Cello Viola Bass Guitar Organ Ukulele Electric Violin Music Keyboard Electric Guitar

My name is Jorge S. I am a 24 year old artist/composer that recently moved to the Bay Area to nurture my passions in painting and making music. I grew up in Texas where I began my classical music education in the 4th grade. I began taking the violin more seriously as I grew older and eventually studied with two particular members of the San Antonio Symphony, Andrew Small and Emily Freudigman, the former of which was Itzhak Perlman's student for many years. Read More

Kevin M

Instruments: Cello

I graduated with a Master's Degree in Music from New York State University at Stony Brook and also earned a performance certificate from Northern Illinois University in Dekalb. My instructors include world celebrated Beaux Arts Trio cellist Bernard Greenhouse and Russian cellist Raya Garbusova. During my college years, I had toured and performed extensively with Young Artists’ Concert Chamber Music Group, which also includes televised performances. In addition to that, I was selected to appear regularly in a chamber music series in New York City with many renowned artists including violinist Raphael Hillyer, bassist Julius Levine, and clarinetist Charles Russo. Read More

Megan C

Instruments: Cello

For beginning students, I usually begin heavily with physical technique, music theory exercises, and scales. From there, I use Rick Mooney's Position Pieces as well as solo repertoire from the Suzuki books to develop musicality and efficiency. The solo works chosen are designed to work toward the interests and goals of the students (competitions and/or genre interests). For advanced or adult students, I treat our lessons more broadly, integrating cello playing, music history, and an exploration of the genre as a whole to establish passion and long-term goals. Read More

Octavio M

Instruments: Piano Cello Keyboard

I try to balance the needs of my students and work to strengthen their musical weaknesses for example working on Vibrato or bow distribution. Usually, I like to spend 10 minutes warming up both hands with long tones, scales, arpeggios, and other fun exercises. During the next 30 minutes, we tend to focus on fixing issues relating to the music such as rhythms or intonation issues. In the last 20 minutes of the lesson I tend to focus on musicality and finding inspiration to give to my students so they can exploit their potential. Read More

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