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Featured Cello Teachers Near Bedford, MA

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Here are just a few of the many teachers offering Cello lessons in Bedford . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Lexine F

Instruments: Cello

As an avid chamber musician and collaborator, I have enjoyed playing and performing in a variety of chamber ensembles for 12 years, and I have been awarded scholarships to attend chamber music festivals such as the Bowdoin International Music Festival, the Boston University Tanglewood Institute, and Summit Music Festival. Currently, I am completing my Bachelor of Music degree in Cello Performance with Laurence Lesser at the New England Conservatory in Boston, MA, and I am actively teaching and performing around the Greater Boston area. Read More

Jacob L

Instruments: Violin Cello Viola

When i teach a student who is just starting on a string instrument and has never played before i usually start them with the Suzuki books and cds. I find having a cd or recording to listen to and play along with is a great help. Other books i use with beginners in addition to the Suzuki books that have recordings too are Solos For Young Violinists, solos for young violists, and Fiddle Sessions by Charlie Hall, and Bela Bartok's 44 violin duets. Read More

Sara W

Instruments: Piano Cello Trumpet Trombone Flute Clarinet Double Bass Euphonium

I will share fun and efficient ways to practice so that you get immediate results. If desired, I also guarantee you will be playing a blues and improvising within a maximum of 6 weeks as long as you practice at least 10 minutes, three times a week.  You will have the option of playing along with recordings minus your part so that you can experience the joy of ensemble playing early on in the safety of your own home. I love creating small ensemble groups of students at similar levels and arranging concerts at regular intervals. Read More

Anna B

Instruments: Cello

I try my best to lead all lessons with kindness and respect. If those foundations are there, I feel that is the best way to build trust with a student and motivate them to improve. I am very goal driven with my lessons, and want students to always be actively working towards both short term and long term goals while they practice. I also want to enforce the importance of repetition and consistency, as that is crucial for improvement on the instrument. Read More

Adrian Z

Instruments: Cello

I am a cellist currently living in NYC, and have am experienced in performing, recording, and teaching experience. I graduated from Berklee College of Music in 2014, where I received my Bachelor's degree in cello performance. There, I studied classical, rock, folk, and improvisation on the cello. I've had the opportunity to play in Boston's Symphony Hall, as well as many other venues in the city. In 2014, I recorded cello for the Documentary Watchers of the Sky, premeired in the Sundance Film Festival, and from July to October, I performed with the Anna Myer Dance Company in New York City and Boston.    From January- March 2016, I was the cello teacher for the Enriching Lives Through Music program in San Rafael, California. Read More

Nicolas S

Instruments: Cello

I do not typically use method books.  With younger students, I rely on Suzuki text materials but teach using my own ergonomic, technical and musical methods that I have developed as a cellist in my own playing.   Beginner/Youth Etudes: -Scale Book -Rick Mooney Position Books -Selected Repertoire For more advanced students, I enjoy explaining and/or assigning pages to read from Diran Alexanian's Treatise on the Theory and Technique of the Violoncelliste. Read More

David O

Instruments: Cello

I do not use any particular "methods" of teaching, although I did begin out on Suzuki. And while I do believe this is an important methodogy, Suzuki does have its flaws as do most of its kind. As I mentioned earlier, theory, harmony, and music history (as rudimentary as they may be at the beginning) are crucial for all students regardless of their level. The more one knows about the piece, the easier it will be to interpret and understand what the composer is asking for. Read More

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