Bass Lessons in Joppatown, MD

Instruments: Guitar Bass Guitar Ukulele Music Electric Guitar Acoustic Guitar

I generally start with Hal Leonard Guitar Methods book one for beginners for basic music theory. This will teach the ins and outs of how music works and how to apply it to any music you are approaching no matter the genre. While we go through the books, we will incorporate music that the student wants to learn. We will breakdown why the music is the way it is and work up from the bottom how to play those songs. Read More

Instruments: Piano Guitar Saxophone Flute Clarinet Drums Bass Guitar Synthesizer Harmonica Music Keyboard Electric Guitar Acoustic Guitar

As a musician, I believe that while learning and making music it is important not only to learn the fundamental techniques required for the instrument, but to have fun while playing. Playing and making music should be an enjoyable past time for all people of all ages, without judgement because of skill level or genre. Because of these beliefs, I try to diversify my playing in all genres on many different instruments in order to remove any biases against genres, and learn the true art behind all types of music, no matter how simple it may be. Read More

Instruments: Piano Guitar Bass Guitar

For beginning students who are children, I typically start with John W. Shaum piano course. Once the student has progressed to have a grasp of the fundamentals, I will begin to introduce solo repertoire appropriate for their first recital performance. For adults, I try to find out what the student is interested in, and guide my instruction accordingly to keep the lessons engaging and fun, no matter their ability level. Read More

Instruments: Bass Guitar Double Bass

Beginning bass players will start with The Simandl Method regardless if Electric or Double Bass. This book has been the standard for decades and continues to help players find the foundation for their playing. As the student progresses we will start to add appropriate pieces for them to learn and perform. Electric players and Upright players can start choosing songs or pieces they want to learn. We will work with that so they feel they are accomplishing goals they want to accomplish and learning pieces they want to learn. Read More

Instruments: Bass Guitar Double Bass

I have been teaching upright and electric bass lessons to students of all ages and skill levels for nearly twenty years, and have a Masters degree in Music Performance and String Pedagogy from Northwestern University. Some of my favorite teaching experiences come from my time on the faculties of Dickinson College and the Performing Arts Institute of Wyoming Seminary. Students of mine have completed Bachelors degrees in music from top conservatories and gone on to successful full time careers. Read More

Instruments: Bass Guitar

I am the bassist with Baltimore's critically acclaimed funk/soul artist, Bosley. I also perform in the jazz quartet, Otherworld, with Jeffrey Chappell, Jake Marinari, and Jake Kohlhas, and I have appeared with Jon Mathis, Seth Kibel, and Wes Crawford at the Goucher Summer Arts Institute Jazz Camp. I studied electric bass with Golder O'Niell at Shenandoah University, electric bass with Steve Yankee at Goucher College, and double bass under Laura Ruas at Peabody University. Read More

Instruments: Piano Guitar Voice Saxophone Bass Guitar Organ Music Keyboard

Recently I was hired as piano instructor for Quartertonez Music, in Washington DC. Also, I have had experience teaching and studying music education under my high school mentor, renowned music teacher Tim Savage; I was his student-teacher for a semester course at St. Lawrence University. Additionally, throughout my experience as his music student, his teaching approach has infused music education and facilitation lessons within the musical instruction itself. My past teaching experience also includes being a Drill Instructor for the Italian Department at Vassar College for two years during my time as an undergrad (I not only "ran drills" for students who had already started learning the material, but also had to compensate in a variety of ways for the unsuccessful, dysfunctional, or half-hearted engagement that is typical in a foreign language class). Read More