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Marcus grew up in various cities along the Eastern Coast of the United States. Throughout his school career, he sang in choirs and ensembles, which helped to shape his love of music. At the age of 15, Marcus received his first guitar, and has never looked back. Marcus moved to Virginia, just outside Washington, D.C., where he sought to study under Jay Brighton. Jay had a profound influence on Marcus in the areas of music theory, ear training, and, most importantly, the discipline of practice. After studying with Jay for a few years, Marcus moved to Virginia Beach, VA where he learned from players such as Scott Mishoe and Jay Rakes. In the mean time, Marcus began playing in various bands and recorded his first album Martian Landscape. At times, you would even be able to catch Marcus on stage with Paul Gilbert. Upon graduating from high school, Marcus wanted to further his knowledge of the music industry, so he moved to Nashville, TN and attended Middle Tennessee State University to study Recording Engineering. During his college years, Marcus continued to play in several bands; he played on numerous recording projects; he taught private lessons; he played in musicals such as Little Shop of Horrors and Grease; and in his spare time, he studied under professional session guitarist, Gwain Reifsnider. Marcus is now working on new material, doing various studio dates, working with different bands and teaching private lessons in the Atlanta area.
Music K-5, Cobb District schools Music K-8, Wellington Private School Exceptional Student Education, Hillsborough District Schools Adjunct Faculty (Jazz Guitar) Miami-Dade Community College
I began playing in the seventh grade, and was all-state by the tenth grade. My Bachelor's of Music Ed, and my Master's of Music in Performance are from LSU-Monroe where I was principle in both band and orchestra, and lead trombone in the jazz ensemble. I have taught band in both public and private schools, and have served as Music Director in two churches. I have approximately 30 years experience teaching privately. I am positive and encouraging in my approach to teaching, and make lessons fun and interesting.
The Guitar Grimore series books by Hal Leonard are a MUST for any guitar player. My custom method is stripped of time wasting and is listed next. My Method - Effectively tailored and re-arranged to my students' ability. From the spectrum of complete beginner to complete advanced: How to hold the guitar, pick, and neck. Show how to fingerpick. Identify the six strings and the notes that they are. How to tune your guitar. How to change your strings. Basic chord structure and how to read it. Finger stretching exercises. The alternate picking chromatic finger exercises. How to read tablature. Power chords. Beginner lead guitar exercises. Hammer ons, pull offs, string bending, blues pieces, pentatonic scales, music modes, guitar theory, sweep picking, arpeggio shapes, trills, multi-finger tapping, string skipping, improvising. Music is fun. Dancing is fun. Dancing to music is fun. Constructing music is not necessarily fun for most, but I think we can all agree that it is rewarding. Note that at the end week in every month the student can learn a song or part of a song they love! Constructing music is fun for me; I'm able to do it as efficiently as my brain can handle at this age. I enjoy working on my skill, a song, a guitar track, a vocal harmony, or an album because I know I'm on my way to a goregous result. Think of it as a road trip where "getting there is half the fun!"
From the culturally diverse arts community of Miami Florida, I have evolved as a sound musician specializing my findings in the genres of instrumental music and contemporary music production. In 2012, I graduated from Berklee College of Music with a Dual Bachelor of Arts in Music Education and Tuba Performance and since I have been touring the world with various productions. I have also utilized my network and experience to helping other musicians translate musicianship for character building being an huge advocate for music's its neurological benefits. As a proud Tubist and brasswind specialist, I offer the highest level of advice and help.
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Bass is a great instrument for older children to begin with. Due to the size of the instrument, and the weight of the heavier strings, younger children will not be able to work with the bass comfortably. If students are interested in playing with groups such as a school jazz band, the bass is a great option.
All lessons will be comprised of learning to read music, how to play with correct technique, and advance your musicianship. Depending on the instrument, lessons may also include skills such as proper fretting, plucking technique, and how to improvise bass lines for different genres. All lessons are customized for the student's skill level and ambitions.
As you look into buying an instrument for bass lessons, you will want to keep in mind what your goals are. If you are a beginner who is going to be starting off with the basics, a standard 4-string bass will be all you need for lessons. You can choose from brands such as Gibson, Fender, or Ibanez. If you are using the bass for a specific purpose such as heavy metal, or hard rock music, you may want to look into purchasing a 5-string bass, which will give you access to lower notes used in these genres.
Any adult can start bass lessons with Musika. Even with no prior experience, bass can be a great instrument to start learning music. Bass is utilized in many popular genres and adults can learn to play along with their favorite songs.
In home lessons are great for both adults and children alike. Everyone has a busy schedule, and by choosing in home lessons, learning an instrument becomes extremely convenient. There is no need to spend time and money traveling to a studio when you can have the teacher come right to your home.
Review by Yury
I would like to thank Polina for the series of classical piano lessons I've taken recently. Polina is a fantastic teacher and a high class performer, and I'm really happy I had a chance to meet her! I believe anyone can benefit from the teaching method Polina is practicing regardless of the student proficiency - from beginners to advanced performers. It was a pleasure for me to study classical piano courses under the guidance of such an intelligent & professional teacher! Without doubt, my playing technique has improved a lot and I have signed up for the new classes online already.
Review by Nicole V.
"My daughter is 10 years old and has been taking piano lessons with Mr. Dale J. for almost 4 years now. She is progressing nicely. His kind and gentle way make for a very positive learning experience. Mr. Dale J. is encouraging without being harsh or belittling. He is patient and the ideal instructor for my daughter."
Review by Alamu Vinai
Usually I don't write reviews. I am compelled to write for Feng. I've experience finding/working with many music teachers over the years for different instruments (piano, flute, sax) for kids. I think Feng is the best, he is so passionate about music, he encourages the kids. He teaches thoroughly - you can tell he knows lot about saxophone. I would definitely recommend Feng!!
Review by Wilma
Gina is very supportive and encouraging. Even though I get frustrated with my progress, she can tell that I've been practicing and reminds me of how far I've come. She challenges me to learn new skills without giving me a piece that I cannot master (with practice). I'm happy that she is my music teacher and look forward to many more lessons in the future.
Review by Paula Chacon
I've always said, "It's all about the teacher." That skillful, effective teacher who can reach that child and ignite her passion, is truly a gift. Ric does that for my daughter. As a former music teacher myself, the most challenging thing in working with children is how to build their fundamental musical skills while letting them have fun and be expressive. The teacher must create a safe, supportive environment, and Ric does that. Ric immediately focuses on fundamentals of tone and technique, giving my daughter succinct instruction on how to improve, thus she can sense the improvement immediately. Ric seems extremely easy going; even when lighting a fire under her sometimes under-achieving butt, Ric never criticizes, judges or blames. He works with my child, understanding her, helping her problem solve, and even giving her the quick answer sometimes so she can move quickly and stay motivated. Ric balances fundamentals with fun and expressiveness, so my child feels as though she can 'play' and they truly make music in every lesson. I am thankful we found a good match with Ric.
Review by Al
Pavel is doing a great job with my 6 year old son. Pavel is doing a great job helping my son focus on technique and rhythm, which is something previous instructors weren't so successful with. Pavel is organized / structured / systematic, which is what my son needs now, but I hope he relaxes a bit as the lessons continue so that more "joy" comes through.
Review by Brooklyn
Laura is a fabulous teacher. She explains concepts to me using concrete examples so that I can understand changes that I need to make to my posture, breathing, phrasing, etc. She makes warm-up exercises fun, and she's got a great sense of humor over all. Her teaching style is collaborative, more egalitarian (she respects what I already know and meets me at my level), tailored to my particular interests and strengths, and I always look forward to our lessons!
Review by Mythili Lahiri
My son is truly enjoying his lessons with Chris. He looks forward to them and is motivated to practice. Chris is conscientious and shows up on time and whenever he is supposed to. He communicates clearly if rescheduling is ever required and is accommodating when we need to change the day. I would recommend Chris to anyone.
Review by Alex A.
Travis rocks. My 7-year-old son and I both take lessons with him. Travis has moved me off the plateau I was on with lessons that focus on theory and technique. And for my son, he's been able to instill a desire and interest that were missing when he previously took piano lessons. With Travis teaching us, the limits are the ones we impose on ourselves. Needless to say, Travis himself plays a mean guitar to boot!
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