Bass Lessons in Brightmoor, MI

Instruments: Bass Guitar Double Bass French Horn

I hope to emulate some of my great teachers including Robert Hurst, Cecil McBee, John Lockwood and others. Of course regular practice is necessary, but listening is also key to advancement. Besides regular warmups and technical workouts, I encourage every student to transcribe, sing and play along with music they like. My students will not only learn the ins and outs of their instruments, but also will learn to make their own music through improvising and composing.--Some of my experience includes almost a decade of national and international touring plus several years teaching ensembles and in classrooms at the university leve. Read More

Instruments: Piano Guitar Voice Bass Guitar Keyboard Electric Guitar Acoustic Guitar

Every stage is different. With beginners, you want them to learn the notes first, then the chords, the harder chords..etc. With intermediate players, you can begin teaching them songs and giving them songs to work on. Advanced players is all about finding the right tone and the right sounds, most likely helping by providing guitar work with them. It all depends on the student! But I know that for children, you start with the basics and work your way up! Read More

Instruments: Voice Bass Guitar Double Bass

I am a musician who wants to share and instill the love and passion of music. I have experience working with members of bands such as Halestorm, the Gene Simmons band, Alice Cooper, Beasto Blanco, Sponge, and more, as well as Broadway stars such as Sutton Foster and Laura Bell Bundy. I take these experiences as well as my extensive training (BM Belmont University) and performance history (Red Light Angels, Anne Frankenstein) to help not only teach my students to sing but to give them the tools to succeed. Read More

Instruments: Piano Guitar Saxophone Drums Bass Guitar Recorder Keyboard Electric Guitar Acoustic Guitar

My teaching style is laid back with the full intention of moving forward in both technique and enjoyment. Each Lesson is geared toward the Goals we agree on as Student and Teacher. Depending on age and experience, I set goals at 3 months or 6 months. It is crucial to allow the student to learn at his or her own rate. Again, I strive to find the Creativity in the Student and to see how that can be developed as quickly as possible, especially if they are interested in songwriting, singing, composition, or simply doing their "own thing". Read More

Instruments: Piano Guitar Bass Guitar Synthesizer Keyboard Electric Guitar

Hello! While playing music is one of my favorite thing in the world, it doesn't seem to compare to teaching others how to make music. I'm a University of Michigan student who loves producing and jamming out. I started my musical career at age 10 with the cello, but pretty quickly changed to the piano. My formal education is lacking, but I've spent the last 12 years learning theory and performance through books, articles, and lots and lots of trial and error. Read More

Instruments: Piano Guitar Violin Viola Bass Guitar Synthesizer Banjo Ukulele Mandolin Lute Electric Violin Fiddle Electric Guitar Classical Guitar Acoustic Guitar

I take the great things about the Suzuki Method and use them (fun, creativity, by-ear learning, group jams). Then I take the things I don't like about the method and disregard them (pre-established repetoire, no composition or improv). I teach kids how to concentrate, how to teach themselves, how to ignore distractions, and the philosophy for joyful performance without nervousness. The result has been that I have trained hundreds of children to have fun playing music well, plus four of my child students have become national acts. Read More

Instruments: Guitar Bass Guitar Music Electric Guitar Classical Guitar Acoustic Guitar

My teaching style is structured, practical, and student-focused. I work with beginners through adult students, combining proven method-book concepts with real musical examples drawn from well-known songs and styles. I expect effort and active participationnew concepts are demonstrated, then immediately reinforced by having students play them back. When questions come up, I break ideas down from a theoretical, technical, and rhythmic perspective while also discussing the less tangible elements of style and feel. Read More