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Featured Piano Teachers Near Shawnee, KS

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Here are just a few of the many teachers offering Piano lessons in Shawnee . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Eric T

Instruments: Piano Guitar Bass Guitar Synthesizer

The first step is to build a foundation, a base that all musical ability will be built on. This core will be built of fundamental elements. (This step is fun because you are able to play your instrument.) Once a foundation is created all newly learned material will add on to that base foundation. This means if you learn new material or go off on your on in any direction you will always have this musical foundation that all of your musical learning will be added to. (This step is really exciting, and leads you to new musical elements and new ideas.) Next you begin to learn musical techniques. Read More

Benjamin B

Instruments: Piano Violin Viola Clarinet

I have been teaching lessons since High School. Back then, I mostly taught beginner students on the Piano. Since College, I have expanded my teaching repertoir to include Piano, Organ, Violin, and Viola. For the past 7 years, I have been teaching and instructing my students on the best practices as blossoming musicians. Nothing can make you a better musician than practice and consistency. No matter what genre of music you are interested in, you must practice.There will always be times were you have toforce yourself to practice (because it won't always be fun), but the gains are never dull.It has been my experience that those students who apply themselves diligently, love to play the songs that they have mastered over and over again. Read More

Vance B

Instruments: Piano

Effective teaching needs to be a give and take between the student and the teacher. I am knowledgeable and experienced in performing jazz, classical, and various pop genres of music, and yet, students bring a fresh perspective to a piano lesson. I like to challenge and excite students in developmentally appropriate ways by giving them a mix of music that they choose and music that I think is necessary for their growth as a musician. Read More

Natalie S

Instruments: Piano Flute Keyboard

Natalie is a composer, pianist and flutist. She is graduated from her Master’s degree in Composition from the UMKC Conservatory of Music and Dance. She graduated from Hong Kong Baptist University (HKBU) for her Bachelor of Arts (Honors) degree in Composition and Music Production. Her composition Peach Blossom Spring for piano and vibraphone just received the innovative prize from Abundance Silence. Her compositions are always inspired by arts and literature and she is also interested in music and dance collaborations. Read More

Stephanie B

Instruments: Piano Voice

The method book I begin younger students on is Piano Adventures by Faber and Faber. There are 5 Level books to complete. We use the lesson book, as well as the technique book. I also supplement with solo repertoire and various materials. For the older beginner, I use Alfred's Basic Adult All-In-One Course, as well as supplemental solo repertoire. Music theory is essential in my studio, and I use various learning tools to teach theory. iPad apps, worksheets, games and manipulatives are a few examples. Read More

Marianne L

Instruments: Piano Voice

For beginning students who are children, I like to start with Hal Leonard's Piano for Beginners. Progress will depend on the students' willingness to learn and practice as well as encouragement from their parents. For students who already have an understanding of basic fundamentals, I will assess their skill level and select music appropriate for their progression and level of play. Adult beginner students are more than welcome to use piano books. Read More

Teacher In Spotlight

Stephanie B

Instruments: Violin Cello Viola Double Bass

What musical accomplishments are you most proud of?
1. Junior and High School accomplishments 2. College scholarship offers 3. Most of all, I am most proud of the students that I have taught over the last 20 years that have found music as a source of inspiration, motivation, and scholarship offers.

Have any of your students won awards or been selected for special honors? How have they succeeded?
Many of my students over the years received: top chairs in Youth Symphony Orchestras, School string orchestras, Regional and State Honors Ensembles, Superior Solo Ratings, college scholarship recipients.

What do you think is the hardest thing to master on your instrument?
The art of the bow is the greatest challenge. As one matures with the instrument, tone and articulation improves. I believe it is the most important element to concentrate on when developing as a string player.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
For Beginner Cellists: The Art of Cello Playing, Schroeder 170 Foundation Studies, Suzuki Books 1-2 , and other possible method books. Selected materials are based on musical experience. For Intermediate Cellists: Schroeder 170 Foundation Studies, Suzuki Books 2-3, Unaccompanied Cello Suites by J.S. Bach, Whitehouse Scale and \Arpeggio Album, Cellists' Favorite Contest Album. Selections are based on experience and needs. For Advanced Cellists: Schroeder 170 Foundation Studies, Popper High School of Cello Playing, Whitehouse Scale and Arpeggio Album, Cossmann Studies for Development of Agility of Fingers for Cello, Unaccompanied Cello Suites by J.S. Bach, and Individually purchased solo works. Method Books and materials will be determined based on experience and needs.

What does a normal practice session look like for you?
1. Greeting and ask for special needs for the week's lesson 2. Scale Warm-Up 3. Technique 4. Literature 5. Possible duets or ensemble pieces

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
My degree is in Music Education. I chose this degree program in 2000 for one simple reason. I suffered from playing injury in 1997. I took some time off, and I was asked to teach some lessons in 1998. I fell in love with teaching others, sharing my knowledge with others about the possibilities in music. When I returned in 2000, I changed my major from Music Performance to Music Education.

What is your dream piece to perform and why?
Elgar Cello Concerto in e minor This work speaks to me unlike any other piece for cello. It is: passionate, reflective, powerful, and peaceful. It is also technically challenging and rewarding.

If you weren't a musician what do you think you'd be doing instead?
A nurse or a physician

What is your favorite style/genre of music to play and why?
I enjoy so many. I would have to select two- classical and popular music. My favorite classical genre is the Romantic Period. I enjoy some popular music, especially if it is thought-provoking and positive.

If you play more than one instrument, how did you decide to start playing the second? (Or 3rd, 4th, 5th, etc)!
I began with taking piano lessons. I then took a music aptitude test. I was encouraged to take cello by my family. I then found clarinet an interest as my mother played at a performing arts school and my aunt was a college professor. After five years of study in public school strings classes and string orchestras, cello won my heart.

Does music run in your family? Tell us a little about your musical family members.
Music is a very big part of life for both sides of my family. My mother's side is classically trained and educated in music. My father's side are very well-respected musicians in Christian music and Country music. My immediate family all have and had their special interests in music. I am so grateful that each of them shared their love of music with me.

When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
When I was a Sophomore in high school, I knew that the cello and I would have a life-long friendship. I wanted to perform. I competed in every competition that I could find locally, and I performed at any offered opportunity. My shift from performance to Music Education occurred in my 20's.

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