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Featured Piano Teachers Near Collierville, TN

4274   5 STAR Musika Reviews

Here are just a few of the many teachers offering Piano lessons in Collierville . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Stephen L

Instruments: Piano

There is additional research suggesting that improvisation stimulates the brain in ways that promote resilience, responsiveness, creativity, innovation, my teaching is very important because current research in both education and youth development indicates the strong correlation between music education and the development of strong academic and social/emotional learning outcomes among youth. The results are in: music in general and ensemble training in particular nurture strong social and emotional learning skills, e.g., collaboration, critical thinking, self- discipline, and self-efficacy. Read More

John S

Instruments: Piano Saxophone Flute Keyboard

I have been teaching young people and adults how to play musical instruments for over 20 years. Currently I conduct after school music programs at the University of Memphis Campus School, CTK Lutheran School in Memphis, and Incarnation Catholic School in Collierville. I also have performed with many local bands in a variety of music styles. I enjoy playing out and I try to instill this natural attraction to music making in all of my students. Read More

Max K

Instruments: Piano Guitar Voice Bass Guitar Organ Synthesizer Ukulele Keyboard Electric Guitar Acoustic Guitar

I have been playing guitar, bass, and piano for 11 years now. I have extensive experience performing jazz, blues, and rock guitar. I am also very experienced in mixing, mastering, and recording techniques. I have a degree in music (jazz) theory and audio engineering and I am very excited to share my talents and knowledge with perspective students! I specialize in the music of American blues, jazz, and rock and roll through the ages. Read More

Karissa W

Instruments: Piano Voice Violin Keyboard Acoustic Guitar

My desire is for all of my students to know and learn proper technique. For beginner students, I will start with theory basics that are foundational to learning and can be directly applied to their instrument. Once they gain a basic understanding of the fundamentals, I will introduce more complete solo repertoire that they can begin to work on. Depending on the interests, learning desires, and level of the student, I will move forward with what interests them, though I may require some classical selections as I believe it to be a style foundational to a great musician. Read More

Alvin A

Instruments: Piano Keyboard

Greetings future student! I have composed, performed, taught, and produced music for 25 years now. One way I continue to experience the joy of music is by passing along what I have learned. I am currently the Pianist for Saint Michael Catholic Church and have extensive experience in many facets of music and the challenges we face - both in performance and development of musicianship as well as understanding. I don't live vicariously through my students. Read More

Hong M

Instruments: Piano

I am very good at using life example to help students understand what I mean. Although practice is very boring, I could help students explore various practice methods, like the rhymich changes etc. to help them find out more entertainment. I am very detailed in teaching to tell them how to analyze music and put analysisi into playing and many skills to help them overcome some difficulties in differeinent playing factor. Read More

Teacher In Spotlight

Robert S

Instruments: Voice Drums

What do you think is the hardest thing to master on your instrument?
The voice is the most challenging musical instrument because of the many musicianship skills it take to master it. While instrumentalists enjoy the luxury of being able to articulate music using external triggers such as sticks, bows, slides, valves, and keys, improving vocal technique still requires dexterity and the development muscle memory to achieve successful navigation. All musical instruments have different intrinsic challenges derived from their various mechanical designs, however, the voice is activated internally by sending a controlled airstream to the larynx. The experience of singing is entirely physical and in addition to the moving parts of the larynx, vocal training involves learning how to manipulate the rib cage, diaphragm, throat, soft palate and lower jaw to best support the connection of breath and sound to the voice. Additionally, since the head and throat serve as resonance chambers, singers must learn how to physically develop tone quality, timbre and vocal colors using these devices. Essentially, a singer’s musical instrument is their body and each is naturally equipped with its own personal attributes.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
For my voice students I like to begin with Anne Peckham's The Contemporary Singer because it provides the perfect warm up regimen for all musical idioms, including pop, R&B, jazz and classical styles. Anne's book provides perfect exercises for essential breath management skills, which affect intonation and phrasing. Students studying scat singing with me will learn mostly by rote but more advanced singers will use "Scat! Vocal Improvisation Techniques" and "Blues Scatitudes." In addition, I like to use the Vocal Real Book for jazz standard repertoire and will support any song the student would like to sing including pop, rock, Latin and Broadway show tunes. FInally, if the student needs to work on rhythms and/or rhythmic feel, I use my book "Rhythmania," which is call-response rote-learning format. Beginning drummers will enjoy a 3-step rote-learning process I call "Hear it, Sing it, Play it." Simultaneously I teach the traditional rudiments using a classic book called "Stick Control" written by George Stone. Intermediate to advanced drummers interested in playing jazz music use Ted Reed's "Syncopation for the Modern Drummer, "Advanced Techniques," by Jim Chapin, "Reading in 4/4," by Louis Belleson and David Weigart's "Jazz Workshop for Bass and Drums. Pop/rock/R&B drummers will enjoy Bill Elder's A Drummer's Guide to Contemporary Grooves," Paul Cappozzoli's "Around the Drums," and "Essential Stryles for Drums and Bass by Steve Houghton & Tom Warrington. I choose all my teaching approaches and books based on the student's interest, musical goals and proficiency level.

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