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Featured Piano Teachers Near Collierville, TN

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Here are just a few of the many teachers offering Piano lessons in Collierville . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

John S

Instruments: Piano Saxophone Flute Keyboard

My teaching style is fairly relaxed, a student needs to enjoy the lessons or we are really wasting our time. There is no reason for music lessons to be dreary, almost all of my students enjoy their lessons and have no problem coming back week after week to be challenged again. For advanced students I really want to focus on the music you really want to play. If its your dream to play light classics for friends and family, then we will work on that. Read More

Karissa W

Instruments: Piano Voice Violin Keyboard Acoustic Guitar

I tailor my lessons to each individual student. Students learn at different rates, so, therefore, I want each student to progress at his or her own pace, without comparison to where my other students may be at. I want learning an instrument to be an enjoyable experience, and though the student may have to do and play practices, exercises, and pieces that they may not necessarily enjoy in the moment, it will all be beneficial to him or her in the long run and I will incorporate pieces and selections that interest them as well. Read More

Alvin A

Instruments: Piano Keyboard

These experiences can fuel are passoin as we practice, perform, compose music. To me, music is an important language and if you're interested in developing your own connection to music I am hear to help. I teach students age 12 and up from just beginnning to advanced. Note: I don't live vicariously through my students. I want them to develp their own identity and path. I am one of the most patient and fun guys around! Read More

Hong M

Instruments: Piano

I am a very responsible teacher and wonderful teacher, since I could dedicate my knowledge to students to really help them make progress. Many methods are originated from my playing experiences and feelings. Therefore, based on the professional knowledge, I always tell students my real feeling to practice and play.It will help them directly get the right way very quickly! I graduated from the University of Michigan a famous music school in United States.for Master Degree in Piano Performance with Full Graduate Fellowship (it is very competitive), and I got the Full Graduate Teaching Assistant from University of Memphis for DMA degree. Read More

Max K

Instruments: Piano Guitar Voice Bass Guitar Organ Synthesizer Ukulele Keyboard Electric Guitar Acoustic Guitar

I like to teach and talk about the songs and styles that were taught to me by my father when I was just getting in to music and guitar. The first thing I remember learning were "Hey Joe" by Hendrix, which is actually simpler than most people would expect. The basic standards of guitar were taught to me when I was first learning, and that's what excites me to teach to the next generation of guitarists. Read More

Stephen L

Instruments: Piano

A Memphis native, Stephen L. studied with legendary Jazz pianist Donald Brown at the University of Tennessee at Knoxville before heading to New York City to finish his studies and further hone his skills in some of the most well-known jazz venues in the world. He rounded out his studies with a Bachelors degree in Jazz Performance from City College in New York City and a Masters degree in Education from Freed Hardeman University. Read More

Teacher In Spotlight

Alexis S

Instruments: Voice

What do you think is the hardest thing to master on your instrument?
Singing is one of those things that is completely different than any other instrument. You are exposing your entire self and making yourself vulnerable to the listener and to the art itself. I think, as with most things, the more you master it, the more little things you find that you want to improve. Living in the imperfection can be incredibly exposing and frustrating, but mastering is not about perfecting. Sometimes putting down the paint brush is the most difficult part of mastering an instrument. Some days you’re going to be in amazing voice and sometimes you’re having an off day. Both situations are useful.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
I am very open to all techniques. I grew up playing violin with the Suzuki method, which had shaped my ear wonderfully, but required me to learn to read music supplementally. I also was exposed to Orff and Dalcroze methods from a very early age. As far as vocal technique, I have had teachers who used the Caruso method and Alexander technique. I am not married to any specific technique though I have experienced many different types. I believe in a tailored to the student method is best. My favorite teacher always asked me if what I was doing felt good. That was what was most important.

What does a normal practice session look like for you?
Vocalizing is absolutely essential to the beginning of every session. Vocalizing is equally important in my own performing. I love vocalizing because it allows me to test drive my voice for the day. Our voices can fluctuate so much day to day, it’s important to feel in tune with your own instrument. My sessions start with plenty of vocalizing and eventually leads to work on solo pieces. I always allow plenty of space to communicate with my students and give them the opportunity to speak about what there experiencing while they’re singing.

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I have 2 degrees. My first degree is a Bachelor of Arts from Oregon state university in Vocal performance. My second degree is a masters in music from Brooklyn college conservatory of music. I chose to pursue these degrees because I knew I wanted to be trained to the highest degree and be able to use that knowledge to continue to grow as a vocalist and help others grow in their own instrument. While a masters was not required for the jobs I perform now, it was extremely essential in securing my role as vocal captain in my casts.

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