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Featured Piano Teachers Near Cherry Hill, NJ

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Here are just a few of the many teachers offering Piano lessons in Cherry Hill . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Laura K

Instruments: Piano Voice

Coming from an education background, I have several diverse experiences which qualify me to teach music. In college I majored in music education and developed tools to introduce beginners, both children and older amateurs, to music. I student taught students K-12 in choir, piano, theater, and general music. While In college, I also served as a teaching assistant for sight-singing classes, and found that I love developing a solid foundation in music literacy with my students. Read More

Jessica S

Instruments: Piano Violin Cello Viola Fiddle Keyboard

My teaching experience dates back to my college days, as I began teaching private lessons part time 18 years ago, and have been consistently teaching students in my home studio for the last 5 years. Encouraging regular practice on a consistent schedule is one of the key points I like to emphasize for younger students, as it tends to help the student progress and gain a passion for the instrument. I've also found that a combination of classical and modern music can go a long way in helping students enjoy the piano and motivate them to practice and continue to learn. Read More

Donna K

Instruments: Piano Voice Keyboard

I have over 18 years experience teaching public school. I have also been teaching piano and voice lessons. I love teaching all ages and all levels of students. I have experience working with all genres. I can teach classical, pop, musical theatre, jazz, opera, and others. I encourage regular practice and allow students to pick music that is interesting for them. I enjoy celebrating milestones with my students and encourage them to do their best. Read More

Keegan D

Instruments: Piano Violin Viola

My teaching philosophy is a product of the centuries tested methods of great violinists and violists and their descendent students. Those I have studied with and performed for include all four members of the Ying Quartet, C.J. Chang, Catherine Caroll, Nokothula Ngwenyama, and Roberto Diaz. Centering around the most simple and effortless playing techniques, my style of teaching is designed to facilitate the fastest route to excellence and the development of the student's own personal style and musical ideas. Read More

Barbara B

Instruments: Piano Saxophone Flute Clarinet

I have performed with the Delaware, Lancaster, and Reading Symphonies, Media Theater, 11th Hour Theater, City Theater of Wilmington, West Chester University Theater, Villanova Theater, and Upper Darby Summer Stage. Additionally, I do solo and chamber music concerts independently. See my youtube link for my performance of Six Studies on English Folksong for clarinet by Ralph Vaughan Williams. Read More

Dan P

Instruments: Piano Drums Latin Percussion

When teaching a novice student the drums it is extremely important to note that learning the drums is not an overnight affair. The amount of practice needed for thorough syncopation is not to be slept on. HOWEVER, I genuinely believe once a student hits that learning curve where their arms and legs have "minds of their own" there is an infinite amount of progress that can be made after. I always say music is fun and it should always be whether the student is practicing rudiments, or legitimately playing to pieces from Glen Miller's Orchestra all the way up to Michael Jackson. Read More

Brandon B

Instruments: Piano Guitar Voice Bass Guitar Ukulele Music Keyboard Electric Guitar Acoustic Guitar

I started teaching over 8 years ago, and currently teach many private students in their homes. I have also taught at Music And Arts, in many of their facilities over the years. I teach several instruments including guitar, bass, piano, drums and voice. Students of any age or skill level are welcome to take lessons with me, and I can work to achieve their goals—whether it’s just to sing around the campfire with friend or to tour the world and become a professional musician. Read More

Teacher In Spotlight

Alden S

Instruments: Piano Saxophone Clarinet

Why did you choose your primary instrument?
I wanted to play the saxophone at the age of 4 because an older family friend who was 9 at the time started playing it in beginning band, and I thought he was one of the coolest kids ever. So when I turned 9, it was inevitable that I'd also play the sax in beginning band. That's really the only reason I chose to play the it. The rest of my career with the instrument is just a series of good teachers and good decisions that made it more or less the centerpiece of my life. It could be that I'm somehow better suited for a different instrument or a different life style but, really, who cares? I have no objections to the life choice that I made at the age of 4.

What musical accomplishments are you most proud of?
I'm extremely proud of the three awards that Bard College gave me while I studied there. I think they accurately reflect a lot of really hard work that I put in to improve. But I'm most proud of my final concert as a second semester senior at Bard, which is harder to describe succinctly in resume-format. But for this concert I wrote an hour's worth of original material based on a book I read by late 20th century psychologist, Julian Jaynes. I wanted the concert to be one cohesive piece of music that really took the listener on some kind of journey. I feel that I was really successful in doing so. It is the most difficult project I've undertaken to date.

What do you think is the hardest thing to master on your instrument?
The hardest thing to master on the saxophone is probably the tone. Out of the gates, we know that everybody's tone is going to be different because one of the resonators of the saxophone is your own mouth and throat. So two people playing the exact same horn with all the same equipment will still sound different. To add to the conundrum, even after you've developed really good embouchure and breathing habits and feel like you're getting an authentic sound, there are still myriad mouthpieces, ligatures, reeds, even saxophone necks which you can mix and match, every combination giving you a different sound. So it's tough to know what to change if you want your tone to change. Do you need to refine your technique? Do you need different equipment? Possibly both.

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