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Featured Piano Teachers Near Cherry Hill, NJ

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Here are just a few of the many teachers offering Piano lessons in Cherry Hill . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Moriah T

Instruments: Piano

I love to motivate and inspire my students! One thing I focus on is teaching my students how to practice efficiently and effectively. I strongly believe that anyone and everyone can enjoy playing the piano. Learning to play the piano takes discipline, but it is very rewarding! With consistent practice and lessons, students will progress in their goals and gain a skill that they can enjoy all throughout their life. Read More

Max V

Instruments: Piano Voice

This could come down to many factors including confidence in one's self to sing, lack of knowledge of proper vocal technique, lack of consistency in one's practice, lack of drive to continue on with vocal training, etc. I'm here to not only be a positive role model as to what one should do to have proper vocal technique and be able to sing freely with ease but I'm also here as a friend to encourage my students to strive to grow, to perform and to constantly work to improve oneself to reach their goals. Read More

Joseph F

Instruments: Piano Keyboard

This method gives you tons of options for teaching the pianoincluding a basic course and a prep course that have supplemental books that coordinate with them. Plus, one of the best things about the Alfred Piano Method is that they have a series thats packed with colorful graphics thats perfect for kids, and one thats created with older students in mind. Piano teachers who teach students of all ages often prefer the Alfred method, as someone in their mid-30s who is playing for a childs book may feel a bit awkward. Read More

Yeonjae K

Instruments: Piano Cello

I am a native, grew up in South Korea. I have teaching experience for more than 15 years. I studied master of degree in music and taught the Cello in New York. After I got married, I moved to South Jersey so I am looking for students around here. I am very happy to teach students with my all experiences and knowledge from Korea(some particular,strict, and unique things how to play better) and moreover things what i learned here with great musicians. Read More

Karl T

Instruments: Piano Organ Keyboard

There is nothing quite like it. My own enthusiasm helps the student to "catch fire" and to also feel enthusiastic about the music and their progress. At the end of every lesson I give the student very clear goals to accomplish by the next lesson. For example, to play the music faster, to make corrections in notes or fingerings, to make more use of dynamics, and, on a more advanced level, to play the music more convincingly and on a level that the composer would have wanted. Read More

Teacher In Spotlight

Alden S

Instruments: Piano Saxophone Clarinet

Why did you choose your primary instrument?
I wanted to play the saxophone at the age of 4 because an older family friend who was 9 at the time started playing it in beginning band, and I thought he was one of the coolest kids ever. So when I turned 9, it was inevitable that I'd also play the sax in beginning band. That's really the only reason I chose to play the it. The rest of my career with the instrument is just a series of good teachers and good decisions that made it more or less the centerpiece of my life. It could be that I'm somehow better suited for a different instrument or a different life style but, really, who cares? I have no objections to the life choice that I made at the age of 4.

What musical accomplishments are you most proud of?
I'm extremely proud of the three awards that Bard College gave me while I studied there. I think they accurately reflect a lot of really hard work that I put in to improve. But I'm most proud of my final concert as a second semester senior at Bard, which is harder to describe succinctly in resume-format. But for this concert I wrote an hour's worth of original material based on a book I read by late 20th century psychologist, Julian Jaynes. I wanted the concert to be one cohesive piece of music that really took the listener on some kind of journey. I feel that I was really successful in doing so. It is the most difficult project I've undertaken to date.

What do you think is the hardest thing to master on your instrument?
The hardest thing to master on the saxophone is probably the tone. Out of the gates, we know that everybody's tone is going to be different because one of the resonators of the saxophone is your own mouth and throat. So two people playing the exact same horn with all the same equipment will still sound different. To add to the conundrum, even after you've developed really good embouchure and breathing habits and feel like you're getting an authentic sound, there are still myriad mouthpieces, ligatures, reeds, even saxophone necks which you can mix and match, every combination giving you a different sound. So it's tough to know what to change if you want your tone to change. Do you need to refine your technique? Do you need different equipment? Possibly both.

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