Flute Lessons in Schwenksville, PA

Instruments: Flute Piccolo

My goal as a teacher is to encourage a love of music and performing in my students. Working with individual students, my first objective is to find an appropriate pace at which to work, and then it is to set different short-term and long-term goals. I always try to get to know my students well, because I believe that when a teacher and a student have a good relationship, lessons become stress-free and goals become better tailored to the student. Read More

Instruments: Flute Recorder Piccolo

I have been teaching since 2007, and have worked with nearly all levels -- from the ultra beginners who have never held a flute to the advanced flutist who has gone on to place in competitions or won collegiate scholarships. I've had 6-year-old students and 60-year-old students. In addition, I also have given workshops on topics such as stage presence, vibrato, and intonation, and have conducted three different flute choirs. I always try to gear lessons to individual needs; for those who want to enjoy playing, I can provide fun as well as structure to lead improvement -- and for those who wish to be competitive musicians, I can provide the necessary framework to help you reach your goals. Read More

Instruments: Piano Flute Recorder

I studied transverse flute at Moravian College with Robin Kani from 1985-1992. From March 1996 to May 1997, I studied with Brooks De-Wetter Smith at the University of North Carolina at Chapel Hill. I studied recorder for two semesters at Moravian College with professors Dr. Paul Larson and Dr. Larry Lipkis, composer in residence and performer with the Baltimore Consort. 1994 I began to teach privately. I have taught Suzuki flute Book one to beginners,from 1996-1997 in Chapel Hill, NC, and also at the Lehigh Conservatory from 1998-2002 I also teach intermediate to advanced level in flute and baroque recorder. Read More

Instruments: Piano Guitar Voice Violin Cello Trumpet Saxophone Flute Clarinet Drums

I use a variety of methods for my teaching style. I usually have a few method books that I bring to a first lesson, and after meeting the student I will decide on the best one. Once the student has progressed and shows some motivation to be slightly challenged, I'll introduce "popular" music so that the student feels a sense of accomplishment! Music is associated with movies, radio, etc., so to be able to play something recognizable is exciting for the student and the teacher. Read More

Instruments: Saxophone Flute Clarinet

In my teaching I try to be sensitive to the individual student's needs and desires while stressing the discipline required to reach these goals. The study of music is often a progression of 'ah-ha!' moments where the student experiences an understanding of something they may have struggled with for a period of time. It is the responsibility of a teacher to leaad students to these breakthroughs by presenting a variety of approaches to something a student finds difficult while continuing to motivate them. Read More

Instruments: Flute

I am a flutist, improviser, and composer with a bachelors degree in Jazz Flute Performance from the New England Conservatory of music. As a past member of the Philadelphia Youth Orchestra and a Bruce Montgomery Foundation Springboard Grant winner, I am experienced in classical competitions at the middle/high school level. At NEC, I worked in both the jazz and classical department, studying with great musicians such as Renee Krimsier, Jerry Bergonzi, Frank Carlberg, Joe Morris, and Jason Moran. Read More

Instruments: Saxophone Flute Clarinet Oboe Bassoon

My teaching style can vary with each student each student has a different level of learning accessibility time restraints etc. One of the most important things I try to teach is the student to be his own teacher and whenever practicing whether it be 15 or 20 minutes when they are done with that practice session they have accomplished something some sort of improvement I have studied with teachers from the New York Philharmonic the metropolitan opera and the New York City ballet Orchestra they have all taught me and I pass on to the student to break down whatever they were playing and approach it in a patient manner by repeating and eventually getting their end result Whether it’s a few notes in a piece or a whole solo or exercise Read More