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Featured Flute Teachers Near Hempstead, NY

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Here are just a few of the many teachers offering Flute lessons in Hempstead . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Jan L

Instruments: Flute

I studied with two jazz masters and teach as they did.  Playing is my first profession and passion and I get to do that almost every day playing music wellness programs in healthcare facilities, community centers and even private homes.  I am happy to share my expertise with anyone willing to commit to the time it takes to grow as a flutist and as a musician. Read More

Yi Chen C

Instruments: Piano Flute Recorder Keyboard

As an experienced music educator, musician, and a mother, I have found that it is so important to have music in people's life starting from young age. I have taught at school settings and private studios for more 10 years, and recently got certified as Zumbini instructor to teach age 0-4 and their caregivers. I have earned a BA in music, a MA in piano performance, and a MS in music education. Read More

Francesca L

Instruments: Flute

I am a New York City-based flutist, passionate teacher and trail-blazing entrepreneur. In 2014, I graduated from Bowling Green State University with a Bachelor of Music degree in Flute Performance and a minor in Entrepreneurship. I am currently pursuing my master's degree in Classical Flute Performance at the Manhattan School of Music under the tutelage of Linda Chesis. I am a native of Detroit, Michigan, and I have won first or second prize in many competitions including the Lima Symphony Young Artist Concerto Competition, the Central Ohio Flute Association Collegiate Division Competition, the MTNA Solo Competition, and the New Albany Symphony Orchestra Concerto Competition. Read More

Yun H

Instruments: Piano Flute Keyboard

I'm a full-time middle school music teacher and also greatly enjoys teaching private music lessons. I performed as a soloist as well as in a variety of ensembles throughout my life including choirs, vocal ensembles, concert bands, wind ensembles, orchestras, jazz bands, and pit orchestras. I'm also an active participant of Carnegie Halls Music Educators Workshop. My specialty is solo piano performance, also I have had experience teaching students of all ages, including students with special needs. Read More

Robert P

Instruments: Piano Guitar Violin Flute Clarinet Bass Guitar Harmonica Banjo Ukulele Mandolin

My teaching style can most accurately be described as patient and creative. Music should be fun. The student should enjoy practicing.  It is my job to create a lesson plan that allows a student to progress steadily, without straining the limits of their abilities. I feel that it is important to focus on the individuals goals and interests so that each lesson is meaningful to that particular student..I focus on music, not exercises. Read More

Simon P

Instruments: Saxophone Flute Clarinet

A Berklee College of Music Alumni, Simon has studied with an array of professors including Dino Govoni, Dennis Montgomery, Walter Beasley and Kenwood Dennard. His aggressive funky style has made him a mainstay in groups like the Brian Rigby Band and SlackTide both of which tour regularly up and down the east coast. In addition to these groups Simon has worked with groups such as SoulPax, and Jon Oneal and the Bayou Boys. Read More

Gleb V

Instruments: Saxophone Flute Clarinet Synthesizer Recorder Music

I am developed an individual, highly effective teaching approach, combining basic music statements, free improvisation, improvisation on given changes and rhythm, sight-reading, music theory, discovering and incorporating music from different cultures and epochs. For beginning students who are children, I typically start with Hal Leonard's Essential Elements. Once the student has progressed to have a grasp of the fundamentals, I will begin to introduce solo repertoire appropriate for their first recital performance. Read More

Teacher In Spotlight

Jonathan S

Instruments: Flute

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
There are some decent books from long ago I would use, including a Maquarre Daily Exercises for Flute. Kohler etudes are also good for learning technical clhalleges on the flute.

What musical accomplishments are you most proud of?
Actually playing now, after many years not. Recently I sat in with two NY level exemplary musicians and a 16 year old on drums. At 76 I held my own, the pianist said I drove the group on the second tune we did, I'll Remember April. It is all about now for me, and playing better on a personal level. The video attached gives an indication of my present abilities.

Why did you choose your primary instrument?
It was not my choice, and in my opinion, not they way to choose. My dad came home one day with a flute and clarinet. He chose for my brother and me. In high school for a time I played saxophone, and was going to continue later in life but unfortunatley had an injury which impeded my playing ability for many years. Over time I also play, more like use, the piano for compositon and jazz theory and harmony.

Have any of your students won awards or been selected for special honors? How have they succeeded?
Years ago I taught a students who was accepted and played with the All Shore Intermediate Band. As principal my students have won awards in different areas not limited to Monmouth County Volunteers and Teacher Volunteer of the year.

What do you think is the hardest thing to master on your instrument?
Playing well is a holistic approach. This includes tone matching in the three registers keeping a resonant tone in the highest register. For all, including myself, who seek to improve and excel learning to playing passages and parts slowly in time is highly important. This is another way to say that patience with progress matters.

What does a normal practice session look like for you?
I have in my older age shied away from the idea of practice, replacing it more with play. A "normal" playing session would be prescribed in notes to the student, yet the student could choose the order - warm ups, technical exercises, scales, and pieces.

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I do not have a degree but have taken college level classes in Keyboard Harmony and Jazz Improvisation. My lessons with Frances Blaisdell were of the highest level of expertise.

What is your dream piece to perform and why?
As an improvisational piece, I am learning Charlie Parker's solo on Koko, which is a rewriting of the tune Cherokee. I am working on tunes I have played - Syrinx by Debussy and Fantasie by Faure.

What is your favorite style/genre of music to play and why?
I listen to and play jazz and classical music. I learn now from listening to exemplary performances on youtube. Favorite classical composers include Ravel, Debussy, Faure, Bartok, Brahms, Beethoven, Prokofiev, Shostakovich, Dvorak, Sondheim, and Bernstein to name a few. For jazz I listen and continue to learn the jazz standards not limited to Miles Davis, John Coltrane, Lee Morgan, Charlie Parker, Budd Powell, Thelonious Monk, Tadd Dameron, Horace Silver, Wayne Shorter, Joe Henderson, and others too numerous to include here.

If you play more than one instrument, how did you decide to start playing the second? (Or 3rd, 4th, 5th, etc)!
I played for a while saxophone when in college and learned to play the piano when taking a keyboard harmony class with Kenny Barron at Rutgers, Livingston in the mid 70s.

Does music run in your family? Tell us a little about your musical family members.
Yes. My father was a drummer who played in the Catskills during the Depression, and could play several piano pieces he learned on his own, not limited to Claire de Lune. His father was a cellist who played with Arthur Fiedler in a string quartet in his youth. My grandfather's father was the concert master with the Imperial Orchestra of Kiiv. This family history is documented by photographs and text.

When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
I am not a professional musician, although I have played in professional level contexts.

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